“From this, one can make a deduction which is quite certainly the ultimate truth of jigsaw puzzles: despite appearances, puzzling is not a solitary game: every move the puzzler makes, the puzzlemaker has made before; every piece the puzzler picks up, and picks up again, and studies and strokes, every combination he tries, and tries a second time, every blunder and every insight, each hope and each discouragement have all been designed, calculated, and decided by the other.”
― Georges Perec, quote from Life A User's Manual
“I have neither one nor the other, and that has been going on for so long now that I have stopped wondering whether it is hate or love which gives us the strength to continue this life of lies, which provides the formidable energy that allows us to go on suffering, and hoping.”
― Georges Perec, quote from Life A User's Manual
“Who, on seeing a Parisian apartment house, has never thought of it as indestructible? A bomb, a fire, an earthquake could certainly bring it down, but what else? In the eyes of an individual, of a family, or even a dynasty, a town, street, or house seems unchangeable, untouchable by time, by the ups and downs of human life, to such an extent that we believe we can compare and contrast the fragility of our condition to the invulnerability of stone.”
― Georges Perec, quote from Life A User's Manual
“Grace Slaughter - the surname of her fifth husband, a manufacturer of pharmaceutical toners and "prophylactic" products, recently deceased due to a ruptured peritoneum - was sharply chauvinistic and would allow no more than two exceptions to her all-American views, exceptions with which her first spouse, Astolphe de Guéménolé-Longtgermain, no doubt had something to do: cooking had to be done by French nationals of male gender, laundry and ironing by British subjects of female gender (and absolutely not by Chinese). That allowed Henri Fresnel to be hired without having to hide his original citizenship, which is what had to be done by the director (Hungarian), the set designer (Russian), the choreographer (Lithuanian), the dancers (Italian, Greek, Egyptian), the scriptwriter (English), the librettist (Austrian), and the composer, a Finn of Bulgarian descent with a large dash of Romanian.”
― Georges Perec, quote from Life A User's Manual
“No son los elementos los que determinan el conjunto, sino el conjunto el que determina los elementos.
Aisladamente, una pieza de un puzzle no quiere decir nada; es tan sólo pregunta imposible, reto opaco; pero no bien logramos conectarla con una de sus vecinas, desaparece, deja de existir como pieza: la intensa dificultad que precedió aquel acercamiento, no sólo no tiene ya razón de ser, sino que parece no haberla tenido nunca, hasta tal punto se ha hecho evidencia: las dos piezas milagrosamente reunidas ya sólo son una, a su vez fuente de error, de duda, de desazón y de espera”
― Georges Perec, quote from Life A User's Manual
“Busco a un tiempo lo eterno y lo efímero”
― Georges Perec, quote from Life A User's Manual
“The second project is in the field of metaphysics: with the aim of showing that, in the words of Professor H. M. Tooten, “evolution is a hoax”, Olivier Gratiolet has undertaken an exhaustive inventory of all the imperfections and inadequacies to which the human organism is heir: vertical posture, for example, gives man only a precarious balance: muscular tension alone keeps him upright, thus causing constant fatigue and discomfort in the spinal column, which, although sixteen times stronger than it would have been were it straight, does not allow man to carry a meaningful weight on his back; feet ought to be broader, more spread out, more specifically suited to locomotion, whereas what he has are only atrophied hands deprived of prehensile ability; legs are not sturdy enough to bear the body’s weight, which makes them bend, and moreover they are a strain on the heart, which has to pump blood about three feet up, whence come swollen feet, varicose veins, etc.; hip joints are fragile and constantly prone to arthrosis or serious fractures; arms are atrophied and too slender; hands are frail, especially the little finger, which has no use, the stomach has no protection whatsoever, no more than the genitals do; the neck is rigid and limits rotation of the head, the teeth do not allow food to be grasped from the sides, the sense of smell is virtually nil, night vision is less than mediocre, hearing is very inadequate; man’s hairless and unfurred body affords no protection against cold, and, in sum, of all the animals of creation, man, who is generally considered the ultimate fruit of evolution, is the most naked of all.”
― Georges Perec, quote from Life A User's Manual
Georges Perec
Born place: in Paris, France
Born date March 7, 1936
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“If your lot makes you cry and be wretched, get rid of it and take another; strike out for yourself; don't listen to the shriek of your relations...don't be afraid of public opinion in the shape of the neighbours in the next house, when all the world is before you new and shining, and everything is possible, if you will only be energetic and independent and seize opportunity by the scruff of the neck.”
― Elizabeth von Arnim, quote from Elizabeth and Her German Garden
“What did he do?”
I whipped around, startled. I had been so immersed in my own thoughts that I hadn’t even noticed Philantha standing into the doorway to one of the sitting rooms.
“Pardon?”
“Well, in my experience, it’s usually the man who bumbles about causing most of the problems in relationships of romance,” she said. “So, naturally, I assumed that your young man has done or said or thought something that caused you to come bursting in like a hurricane. Am I correct?”
I shook my head so violently the braid coiled around my head threatened to come loose. “We’re not in a…relationship of romance. He’s just my friend.”
Philantha made a sound surprisingly like a snicker. “Truly?” she asked. “I suppose that’s why he’s been with you most evenings.”
“Like I said, we’re friends. And we haven’t seen each other in a long time.”
She raised an eyebrow. “I may not care about it--or at least I didn’t, until recently--but I do hear some of the court gossip when I visit the college. The noble students, they bring it with them, you know. And one of the stories is how the Earl of Rithia and his wife are scrambling to find eligible matches for their son.”
I felt suddenly dizzy for no reason, and a hot flush--disturbingly like the jealous feeling I had experienced at the inn--rushed through me. “Matches?” I repeated.
“Girls, young women, marriageable prospects. Strange, how suddenly they started. Right after the princess came back, it’s been noted. As if they had had hope for another match before, and it was ruined.”
“Me?” I asked. “People think Kiernan’s parents wanted him to marry me? That’s…ridiculous. Princesses don’t marry earls--a duke, maybe, but not an earl, not unless he’s foreign and brings some grand alliance. And besides, we’re just--”
“Friends,” Philantha finished. “I know. That’s what you keep saying.” She eyed me, before saying, “They haven’t had much luck, though, from the gossip. He’s polite to everyone they trot out, but nothing more. But that’s neither here nor there, since you don’t love him.”
I glared at her, my face and chest still filled with that rush of heat.
“In fact, he’s made you angry, hasn’t he?”
“He did. Well, I said…Yes, we fought. He says that Na--the princess--wants to see me. And I told him that he couldn’t bring her to me, that I didn’t want to see her. He said that if she asked, he would have to. But he’s wormed his way out of stickier situations than that. He could find a way to avoid it, if he wanted to.”
“Then perhaps he doesn’t want to,” Philantha answered before gliding away up the stairs and out of sight.
I had plenty of time to mull over Philantha’s words, because I didn’t see Kiernan for the next three days. It was the longest we had been parted since I returned to the city, and even through my anger at him it drove me to distraction. I mangled my spells even worse than usual, spilled ink, and tripped so frequently that Philantha threatened to call Kiernan to the house herself and turn him into a sparrow if we didn’t make up. Her eyes glinted dangerously when she said it, and only that was enough to force away a bit of my muddleheadedness.”
― Eilis O'Neal, quote from The False Princess
“Pessimism is not good for the soul."
"I sold my soul years ago."
"To whom?"
"The bitch goddess Success. She cut town before paying off.”
― Jonathan Kellerman, quote from When the Bough Breaks
“I Don’t Even Like Him—How Can I Pray for Him? Have you ever been so mad at your husband that the last thing you wanted to do was pray for him? So have I. It’s hard to pray for someone when you’re angry or he’s hurt you. But that’s exactly what God wants us to do. If He asks us to pray for our enemies, how much more should we be praying for the person with whom we have become one and are supposed to love? But how do we get past the unforgiveness and critical attitude? The first thing to do is be completely honest with God. In order to break down the walls in our hearts and smash the barriers that stop communication, we have to be totally up-front with the Lord about our feelings. We don’t have to “pretty it up” for Him. He already knows the truth. He just wants to see if we’re willing to admit it and confess it as disobedience to His ways. If so, He”
― Stormie Omartian, quote from The Power of a Praying Wife
“Between you and me,
the words,
like mortar,
separating, holding together
those pieces of the structure ourselves.
To say them,
to cast their shadows on the page,
is the act of binding mutual passions,
is cognizance, yourself/myself,
of our sameness under skin;
it rears possible cathedrals
indicating infinity with steeply-high styli.
For when tomorrow comes it is today,
and if it is not the drop
that is eternity
glistening at the pen’s point,
then the ink of our voices
surrounds like an always night,
and mortar marks the limit of our cells.”
― Roger Zelazny, quote from Creatures of Light and Darkness
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