“I thought you were all-seeing.”
All-knowing, not all-seeing!” he snapped. “I’m a God, not Santa Claus!”
― Kelley Armstrong, quote from Industrial Magic
“Closed door means knock," Elena said to Clay, shooing him out.
You've been in here for two hours," he said. "She can't need that much work." He frowned as he examined my outfit. "What the hell is she? A tree?"
"A dryad," Elena said, cuffing him in the arm.
"Oh, my god," Jamie said, surveying my outfit. "We forgot the bag!"
"Bag?" Clay said. "What does a dryad need with-"
"An evening bag," Cassandra said. "A purse."
"She's got a purse. It's right there on the bed."
"That's a day purse," Cassandra snapped.
"What, do they expire when the sun goes down?”
― Kelley Armstrong, quote from Industrial Magic
“A knock came at the door. Everyone looked up. Elena's nostrils flared and she leaned over to whisper something to Clay.
"Fuck," he muttered. "Keep talking, Jaime. It's only Cassandra. She can wait. Forever, if we're lucky."
"I heard that, Clayton," Cassandra said as she walked in.
"Who the hell forgot to lock the door?" Clay said.
"You were the last one in," Elena murmured.
"Damn.”
― Kelley Armstrong, quote from Industrial Magic
“Believe me, I have better things to do than sabotage your friendships. No one else's world revolves around you, Cassandra."
-Paige to Cassandra”
― Kelley Armstrong, quote from Industrial Magic
“I can just imagine what the humidity has done to my hair. I'm going to meet your family looking like a poodle with a live wire shoved up its butt." - Paige Winterbourne”
― Kelley Armstrong, quote from Industrial Magic
“Hello, Aaron," Brigid said, sliding up to him and running a finger down his chest. "You're
looking good .
. . as always."
Aaron lifted her finger off his shirt and let it drop. "Put some clothing on, Brigid."
She smiled up at him. "Why? Tempted?"
"Yeah, to cover my eyes.”
― Kelley Armstrong, quote from Industrial Magic
“Last time I was sick, the guy I was seeing brought me a bottle of ginger ale… and expected me to pay him back for it. ~Jaime Vegas”
― Kelley Armstrong, quote from Industrial Magic
“While his three eldest sons spent their adult lives toiling to improve the family fortunes, who had Benicio named as his heir? The illegitimate youngest son who had devoted his adult life to destroying the family business, or at least buggering it up real good. Does this make sense to anyone besides Benicio? Of course not. Either the man is a mastermind of family manipulation or just plain fucked in the head. I don't use that word much, but in some cases, nothing else fits.
-Paige”
― Kelley Armstrong, quote from Industrial Magic
“Isn't it possible that I'm not feigning interest? That I really do want to know more about you?"
"You've never been interested in me before."
"You've never been interesting before."
-Cassandra and Paige”
― Kelley Armstrong, quote from Industrial Magic
“Nuh-uh. No deals with the devil. I’ve learned my lesson on that one. ~Jaime Vegas”
― Kelley Armstrong, quote from Industrial Magic
“There, flanking either side of the walkway were a pair of raised fountains. The base of each was a shell-shaped bowl filled with water and lily pads. Standing in each bowl was the masculine version of Boticelli's famous "Birth of Venus". The man stood in the same pose as Venus, left hand coyly drawn up o cover his chest, right down by his genitals, yet instead of covering them, he held his optimistically endowed penis, pointing it upward. Water jetted from each penis, and over into the basin of the twin statue opposite. The water didn't flow in a smooth stream though. It spurted. "Please tell me there is something wrong with his water pressure" Cassandra said. "No, I believe that's the desired effect.”
― Kelley Armstrong, quote from Industrial Magic
“Lucas - You'll have to excuse Paige's overenthusiastic attempt to befriend the local wildlife. Not many of their type where she comes from.
Paige -Hey, we have gangs in Boston.
Lucas - Ah, yes. I believe they're particularly bad down by the wharf, where they're liable to descend upon the unwary, surround him with their yachts, and shout well-chosen and elegantly elocuted epithets.”
― Kelley Armstrong, quote from Industrial Magic
“We spent the first half hour being escorted around the room, introduced to what seemed like every politician and business leader in the state. I know I should have been impressed, but I couldn’t help thinking that I was in the same room with quite possibly every person responsible for the Florida election snafu, and the subsequent election of George W. Bush, and somehow I couldn’t muster a proper feeling of awe.”
― Kelley Armstrong, quote from Industrial Magic
“What was that all about?" Jay asked in loud whisper.
She still felt like her head was reeling. She had no idea what she was going to tell to Grady when school was out. "I think Grady just asked me to Homecoming," she announced to Jay.
He looked at her suspiciously. "The game?"
Violet cocked her head to the side and gave him a look that told him to be serious.
"No, I'm pretty sure he meant the dance," Violet clarified, exasperated by the obtuse question.”
― Kimberly Derting, quote from The Body Finder
“Poetry makes life what lights and music do the stage.”
― Charles Dickens, quote from The Pickwick Papers
“Seven and a half million hearts were beating in close proximity in this heaving old city, and many, after all, would be aching far worse than his.”
― Robert Galbraith, quote from The Cuckoo's Calling
“I would rather not be engaged. When people are engaged, they begin to think of being married soon, and I should like everything to go on for a long while just as it is.”
― George Eliot, quote from The Mill on the Floss
“It is lonely behind these boundaries. Some people-particularly those whom psychiatrists call schizoid-because of unpleasant, traumatizing experiences in childhood, perceive the world outside of themselves as unredeemably dangerous, hostile, confusing and unnurturing. Such people feel their boundaries to be protecting and comforting and find a sense of safety in their loneliness. But most of us feel our loneliness to be painful and yearn to escape from behind the walls of our individual identities to a condition in which we can be more unified with the world outside of ourselves. The experience of falling in love allows us this escapetemporarily. The essence of the phenomenon of falling in love is a sudden collapse of a section of an individual's ego boundaries, permitting one to merge his or her identity with that of another person. The sudden release of oneself from oneself, the explosive pouring out of oneself into the beloved, and the dramatic surcease of loneliness accompanying this collapse of ego boundaries is experienced by most of us as ecstatic. We and our beloved are one! Loneliness is no more!
In some respects (but certainly not in all) the act of falling in love is an act of regression. The experience of merging with the loved one has in it echoes from the time when we were merged with our mothers in infancy. Along with the merging we also reexperience the sense of omnipotence which we had to give up in our journey out of childhood. All things seem possible! United with our beloved we feel we can conquer all obstacles. We believe that the strength of our love will cause the forces of opposition to bow down in submission and melt away into the darkness. All problems will be overcome. The future will be all light. The unreality of these feelings when we have fallen in love is essentially the same as the unreality of the two-year-old who feels itself to be king of the family and the world with power unlimited.
Just as reality intrudes upon the two-year-old's fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn't. She wants to go to the movies; he doesn't. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn't like his friends; he doesn't like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other's. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving.”
― M. Scott Peck, quote from The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth
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