Quotes from Industrial Magic

“I thought you were all-seeing.”
All-knowing, not all-seeing!” he snapped. “I’m a God, not Santa Claus!”
― Kelley Armstrong, quote from Industrial Magic

“Closed door means knock," Elena said to Clay, shooing him out.
You've been in here for two hours," he said. "She can't need that much work." He frowned as he examined my outfit. "What the hell is she? A tree?"
"A dryad," Elena said, cuffing him in the arm.
"Oh, my god," Jamie said, surveying my outfit. "We forgot the bag!"
"Bag?" Clay said. "What does a dryad need with-"
"An evening bag," Cassandra said. "A purse."
"She's got a purse. It's right there on the bed."
"That's a day purse," Cassandra snapped.
"What, do they expire when the sun goes down?”
― Kelley Armstrong, quote from Industrial Magic

“A knock came at the door. Everyone looked up. Elena's nostrils flared and she leaned over to whisper something to Clay.

"Fuck," he muttered. "Keep talking, Jaime. It's only Cassandra. She can wait. Forever, if we're lucky."

"I heard that, Clayton," Cassandra said as she walked in.

"Who the hell forgot to lock the door?" Clay said.

"You were the last one in," Elena murmured.

"Damn.”
― Kelley Armstrong, quote from Industrial Magic

“Believe me, I have better things to do than sabotage your friendships. No one else's world revolves around you, Cassandra."

-Paige to Cassandra”
― Kelley Armstrong, quote from Industrial Magic

“I can just imagine what the humidity has done to my hair. I'm going to meet your family looking like a poodle with a live wire shoved up its butt." - Paige Winterbourne”
― Kelley Armstrong, quote from Industrial Magic

“Hello, Aaron," Brigid said, sliding up to him and running a finger down his chest. "You're
looking good .
. . as always."
Aaron lifted her finger off his shirt and let it drop. "Put some clothing on, Brigid."
She smiled up at him. "Why? Tempted?"
"Yeah, to cover my eyes.”
― Kelley Armstrong, quote from Industrial Magic

“Last time I was sick, the guy I was seeing brought me a bottle of ginger ale… and expected me to pay him back for it. ~Jaime Vegas”
― Kelley Armstrong, quote from Industrial Magic

“While his three eldest sons spent their adult lives toiling to improve the family fortunes, who had Benicio named as his heir? The illegitimate youngest son who had devoted his adult life to destroying the family business, or at least buggering it up real good. Does this make sense to anyone besides Benicio? Of course not. Either the man is a mastermind of family manipulation or just plain fucked in the head. I don't use that word much, but in some cases, nothing else fits.

-Paige”
― Kelley Armstrong, quote from Industrial Magic

“Isn't it possible that I'm not feigning interest? That I really do want to know more about you?"

"You've never been interested in me before."

"You've never been interesting before."

-Cassandra and Paige”
― Kelley Armstrong, quote from Industrial Magic

“Nuh-uh. No deals with the devil. I’ve learned my lesson on that one. ~Jaime Vegas”
― Kelley Armstrong, quote from Industrial Magic

“There, flanking either side of the walkway were a pair of raised fountains. The base of each was a shell-shaped bowl filled with water and lily pads. Standing in each bowl was the masculine version of Boticelli's famous "Birth of Venus". The man stood in the same pose as Venus, left hand coyly drawn up o cover his chest, right down by his genitals, yet instead of covering them, he held his optimistically endowed penis, pointing it upward. Water jetted from each penis, and over into the basin of the twin statue opposite. The water didn't flow in a smooth stream though. It spurted. "Please tell me there is something wrong with his water pressure" Cassandra said. "No, I believe that's the desired effect.”
― Kelley Armstrong, quote from Industrial Magic

“Lucas - You'll have to excuse Paige's overenthusiastic attempt to befriend the local wildlife. Not many of their type where she comes from.
Paige -Hey, we have gangs in Boston.
Lucas - Ah, yes. I believe they're particularly bad down by the wharf, where they're liable to descend upon the unwary, surround him with their yachts, and shout well-chosen and elegantly elocuted epithets.”
― Kelley Armstrong, quote from Industrial Magic

“We spent the first half hour being escorted around the room, introduced to what seemed like every politician and business leader in the state. I know I should have been impressed, but I couldn’t help thinking that I was in the same room with quite possibly every person responsible for the Florida election snafu, and the subsequent election of George W. Bush, and somehow I couldn’t muster a proper feeling of awe.”
― Kelley Armstrong, quote from Industrial Magic

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Popular quotes

“I'm just doing what I have to do. I don't have a choice."
"Yeah, good luck going to bed with a guilt-free conscience with that sorry-ass excuse."
The sour expression evaporated from Mr. Greek's face. His gaze switched back to the computer. "Keep talking and I'll gag you."
"Blow me.”
― Santino Hassell, quote from After Midnight

“7But the end of all things is at hand; therefore be serious and watchful in your prayers. 8And above all things have fervent love for one another, for “love will cover a multitude of sins.”a 9Be hospitable to one another without grumbling. 10As each one has received a gift, minister it to one another, as good stewards of the manifold grace of God. 11If anyone speaks, let him speak as the oracles of God.”
― quote from The MacArthur Daily Bible: Read through the Bible in one year, with notes from John MacArthur

“There are several important remarks which can be made about this 'absolute emptiness' and 'absolute nothingness'. First of all, we now know, theoretically and empirically, that such a thing does not exist. There may be more or less of something, but never an unlimited 'perfect vacuum'. In the second place, our nervous make-up, being in accord with experience, is such that 'absolute emptiness' requires 'outside walls'. The question at once arises, is the world 'finite' or 'infinite'? If we say 'finite', it has to have outside walls, and then the question arises: What is 'behind the walls'? If we say it is 'infinite', the problem of the psychological 'walls' is not eliminated. and we still have the semantic need for walls, and then ask what is beyond the walls. So we see the such a world suspended in some sort of an 'absolute void' represents a nature against human nature, and so we had to invent something supernatural to account for such assumed nature against human nature. In the third place, and this remark is the most fundamental of all, because a symbol must stand for something to be a symbol at all, 'absolute nothingness' cannot be objective and cannot be symbolized at all. This ends the argument, as all we may say about it is neither true nor false, but non-sense. We can make noises, but say nothing about the external world. It is easy to see that 'absolute nothingness' is a label for a semantic disturbance, for verbal objectification, for a pathological state inside our skin, for a fancy, but not a symbol, for a something which has objective existence outside our skin.”
― Alfred Korzybski, quote from Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics

“Yalnızca biz değil, bizden önceki herkes için de olduğu gibi, ıstırap çekmenin ve insan ömrünün bir simgesi olarak kendi haçını taşıyan İsa için de olduğu gibi, hayat tekrardan ibarettir. Tüm hikâyelerimizde bizler şu yeryüzünde bir ağırlığı sürükleyip taşırız. Buna Çile denir. İsa, kendimize acımamızın hikâyesidir.”
― David Vann, quote from Goat Mountain

“We were fifteen months apart in age which meant everything was a competition; who could read all the Disney books the fastest, ride their bike further or know all answers to the universe both large and small.”
― K.L. Randis, quote from Spilled Milk

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