“Civilized man longs for the illusion of barbarism. Either his culture fulfills this need by adopting its outer trappings, or he will be seduced by his first contact with a culture that does.”
― C.S. Friedman, quote from In Conquest Born
“An uninspired ruler works to develop those relationships which will be most to his advantage. A great ruler determines the most desirable relationships and assumes them into being.”
― C.S. Friedman, quote from In Conquest Born
“Let me tell you the tale of a poet who hanged himself with promises. . . .”
― C.S. Friedman, quote from In Conquest Born
“I was aesthetically impressed but failed to understand the importance of it. Unfortunately, Braxaná do not express ignorance; therefore I couldn’t ask, “What is it?” as directly as I would have liked. After a moment I looked up at him, the elevation of one eyebrow indicating that I was intrigued enough to hear what he had come to say.”
― C.S. Friedman, quote from In Conquest Born
“To Kaimera Lord Zatar, Zarvati, son of Vinir and K’siva From the Elders of the Holding The Elders respectfully remind you that it is required of each purebred Braxaná male that he sire four registered purebred children during his lifetime. While we recognize that you are still young in age, your involvement in the War forces us to consider the possibility that you may not enjoy the full life expectancy of the Braxaná. Therefore we urge you to deal with your reproductive responsibility as soon as possible. Attached you will find a list of purebred Braxaná women who have not yet borne their quota. We hope you will consider this request in light of your military interests and do your part in maintaining the number and thus the power of our Race.”
― C.S. Friedman, quote from In Conquest Born
“Anzha was trapped in someone else’s dream. Such a thing didn’t happen often, but it happened. Intensity of emotion meant intensity of contact; in the close confines of the Institute, where hundreds of psychics lived, worked, and trained together, it was to be expected that occasionally two dreamers would come insync (as the Institute termed it) and share the same sleep-bound fantasies. The”
― C.S. Friedman, quote from In Conquest Born
C.S. Friedman
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“Reading is merely a surrogate for thinking for yourself; it means letting someone else direct your thoughts. Many books, moreover, serve merely to show how many ways there are of being wrong, and how far astray you yourself would go if you followed their guidance. You should read only when your own thoughts dry up, which will of course happen frequently enough even to the best heads; but to banish your own thoughts so as to take up a book is a sin against the holy ghost; it is like deserting untrammeled nature to look at a herbarium or engravings of landscapes.”
― Arthur Schopenhauer, quote from The Wisdom of Life
“You never know when a random act of kindness could literally save a person’s life.”
― Timber Hawkeye, quote from Buddhist Boot Camp Manuscript
“Lena is sure that other people don't have many selves. She is terrified that she doesn't have a core self, an essential Lena. She feels that she used to but that she lost it along the way, that at some point it became buried, suffocated, and died, because when she looks beneath the chattering of the selves, nothing is there. Maybe the fractured feeling is taking hold because something is dead inside her, or missing.”
― Haley Tanner, quote from Vaclav and Lena
“Every kind of power has its own boundaries, Etienne. That is you know its strength and its form.”
― Cameron Dokey, quote from Before Midnight: A Retelling of "Cinderella"
“All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof.
If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K."
Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children.
Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.”
― Gaston Bachelard, quote from The Poetics of Space
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