John Milton · 400 pages
Rating: (6.5K votes)
“high words, that bore Semblance of worth not substance, gently”
― John Milton, quote from Paradise Lost and Paradise Regained
“who overcomes By force, hath overcome but half his foe.”
― John Milton, quote from Paradise Lost and Paradise Regained
“Son of Heav'n and Earth,
Attend: That thou art happy, owe to God,
That thou continu'st such, owe to thyself,
That is, to thy obedience; therein stand.
This was that caution giv'n thee; be advis'd.
God made thee perfect, not immutable;
And good he made thee, but to persevere
He left it in thy power, ordain'd thy will
By nature free, not overrul'd by Fate
Inextricable, or strict necessity;
Our voluntary service he requires,
Not our necessitated, such with him
Finds no acceptance, nor can find, for how
Can hearts, not free, be tri'd whether they serve
Willing or no, who will but what they must
By Destiny, and can no other choose?
Myself and all th'Angelic Host that stand
In sight of God enthron'd, our happy state
Hold, as you yours, while our obedience holds;
On other surety none; freely we serve,
Because wee freely love, as in our will
To love or not; in this we stand or fall:
And some are fall'n, to disobedience fall'n,
And so from Heav'n to deepest Hell; O fall
From what high state of bliss into what woe!
--Archangel Raphael to Adam, Paradise Lost Book V”
― John Milton, quote from Paradise Lost and Paradise Regained
“To reign is worth ambition though in Hell: Better to reign in Hell, then serve in Heav’n.”
― John Milton, quote from Paradise Lost and Paradise Regained
“Better to reign in Hell, then serve in Heav’n.”
― John Milton, quote from Paradise Lost and Paradise Regained
“Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev’n or Morn, Or sight of vernal bloom, or Summers Rose, Or flocks, or herds, or human face divine; But cloud in stead, and ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung’d and ras’d, And wisdome at one entrance quite shut out.”
― John Milton, quote from Paradise Lost and Paradise Regained
“What in me is dark Illumine, what is low raise and support; That to the highth of this great Argument I may assert th’ Eternal Providence, And justifie the wayes of God to men.”
― John Milton, quote from Paradise Lost and Paradise Regained
“A week ago, the Water Rescue Society had held an evening there, as evidenced by the slogan hanging on the wall: THE CAUSE OF HELPING THE DROWNING IS IN THE HANDS OF THE DROWNING THEMSELVES.”
― Ilya Ilf, quote from The Twelve Chairs
“Procrastination has become its own solution - a tool I can use to push myself so close to disaster that I become terrified and flee toward success. A more troubling matter is the day-to-day activities that don't have massive consequences when I neglect to do them.”
― Allie Brosh, quote from Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened
“The road to enlightenment is long and difficult, and you should try not to forget snacks and magazines.”
― Anne Lamott, quote from Traveling Mercies: Some Thoughts on Faith
“Publicity images often use sculptures or paintings to lend allure or authority to their own message. Framed oil paintings often hang in shop windows as part of their display.
Any work of art 'quoted' by publicity serves two purposes. Art is a sign of affluence; it belongs to the good life; it is part of the furnishing which the world gives to the rich and the beautiful.
But a work of art also suggests a cultural authority, a form of dignity, even of wisdom, which is superior to any vulgar material interest; an oil painting belongs to the cultural heritage; it is a reminder of what it means to be a cultivated European. And so the quoted work of art (and this is why it is so useful to publicity) says two almost contradictory things at the same time: it denotes wealth and spirituality: it implies that the purchase being proposed is both a luxury and a cultural value. Publicity has in fact understood the tradition of the oil painting more thoroughly than most art historians. It has grasped the implications of the relationship between the work of art and its spectator-owner and with these it tries to persuade and flatter the spectator-buyer.
The continuity, however, between oil painting and publicity goes far deeper than the 'quoting' of specific paintings. Publicity relies to a very large extent on the language of oil painting. It speaks in the same voice about the same things. (P. 129)”
― John Berger, quote from Ways of Seeing
“There have been times I would have given anything for such faith, for the belief that divine justice exists somewhere in the universe. Facing Sarah’s death without it was an existential baptism of fire. The comfort that belief in an afterlife can provide was obvious in the hospital waiting rooms and chemo wards, where”
― Greg Iles, quote from The Quiet Game
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