“Now you're just being silly. He's a mercenary- he's not going to go about penning love letters, and really, what would he write? 'Anna...love you...grrr?'" Olivia to Annalia”
― Kresley Cole, quote from If You Dare
“She weighed no more than a feather as he lifted her, but he teased her, saying, "You weigh more than you look."
"You are weaker than you look," she immediately whispered.”
― Kresley Cole, quote from If You Dare
“Olivia sat back and propped her half-boots on the table. 'So far it's working. He has to return to me because I have his sister hostage.' She briefly put her fingertips to her lips. 'Did I just say that? I mean I'm protecting the baby sister and earning his trust”
― Kresley Cole, quote from If You Dare
“Should I have held them down and poured boiling water over them until they talked? Really, I’d like your expert advice.
“Of course not. You would use boiling oil.”
― Kresley Cole, quote from If You Dare
“As he slept, his heartbeat returned to slow and steady, lulling her. Before she joined him, she decided that she never wanted to sleep without that sound again.”
― Kresley Cole, quote from If You Dare
“A woman who likes her whisky,” he said while refilling her glass. “Careful that you doona steal my heart, Annalía.” “It figures that the one requirement you’d have for your woman is ‘whisky drinker.’” “Aye, but that’s only after ‘walks upright.”
― Kresley Cole, quote from If You Dare
“Perhaps Court was just an ignorant Scot, but he preferred two things in his surgeons: that they be sober, and that they have lived long enough to have practiced on others before getting to him.”
― Kresley Cole, quote from If You Dare
“Polite conversation followed rules. Topics were sequential, orderly, and flowed from one to the next like a gentle current when all those conversing were skilled.”
― Kresley Cole, quote from If You Dare
“he had to do was risk his life to keep her safe from the most vicious assassin order in Europe? And he got to kiss her, at his pleasure? He definitely had struck the better bargain.”
― Kresley Cole, quote from If You Dare
“He’d given her his word—when he was soused and under duress from needing to tup her—but still his”
― Kresley Cole, quote from If You Dare
“He’d given her his word—when he was soused and under duress from needing to tup her—but still his word.”
― Kresley Cole, quote from If You Dare
“On a fundamental level, I am someone who would throw sand at children.”
― Allie Brosh, quote from Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened
“My heart was broken and my head was just barely inhabitable”
― Anne Lamott, quote from Traveling Mercies: Some Thoughts on Faith
“Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour.
Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable.
... ...
The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product. (P. 128)”
― John Berger, quote from Ways of Seeing
“You never wear red to no funeral; red says the dead person was a fool.”
― Greg Iles, quote from The Quiet Game
“I need another dick in this house and soon before the whole fuckin' place is painted pink and I slip on a glitter pen and break my neck.”
― Kristen Ashley, quote from Lady Luck
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