“I think the easiest people to fool are ourselves. Fooling ourselves may even be a necessary precondition for fooling others.”
― Iain Banks, quote from The Bridge
“There is only darkness, starless and complete. The waves glitter like a million dull knives.”
― Iain Banks, quote from The Bridge
“It was as if some magnetic repulsion, which before had kept our two carriages from meeting and passing, had now been reversed, and so sucked me inexorably forward, drawing me towards something my heart made clear I feared - or should fear - utterly, in the way some people are fatally attracted towards an abyss while standing on its very edge.”
― Iain Banks, quote from The Bridge
“He would never forget the feeling of that first year, the sense of freedom just being on his own gave him. He had his own room for the first time, his own money to spend as he wanted, his own food to buy and places to go and decisions to make; it was glorious, sublime.”
― Iain Banks, quote from The Bridge
“I luv the ded, this old baster sez to me when I wiz tryin to get some innfurmashin out ov him. You fukin old pervirt I sez, gettin a bit fed up by this time enyway, an slit his throate; ah asks you whare the fukin Sleeping Byootie woz, no whit kind of humpin you lyke.”
― Iain Banks, quote from The Bridge
“jammed inside the bastard for three hours.’). And that bridge, the bridge . . . have to make a pilgrimage to”
― Iain Banks, quote from The Bridge
“Future became Present, Present became Past. A truth so banal, so obvious and accepted that he had somehow managed to ignore it before.”
― Iain Banks, quote from The Bridge
“You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would know she was part of you.”
― Iain Banks, quote from The Bridge
“This is not a long bridge, but it goes on for ever. I am not far from the bank, but I will never get there. I walk but I never move. Fast or slow, running, turning, doubling back, jumping, throwing myself or stopping; nothing makes any difference.”
― Iain Banks, quote from The Bridge
Iain Banks
Born place: in Dunfermline, Fife, Scotland
Born date February 16, 1954
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“Sin un científico no hay futuro. Los guapos y atractivos personajes pueden ganarse la admiración de la sociedad, pero todas las invenciones maravillosas relacionadas con el futuro son consecuencia del trabajo de científicos anónimos que no reciben por ello elogio alguno.”
― Michio Kaku, quote from Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100
“its difficult to dislike a man who takes pleasure in giving away free beer.”
― Kevin Hearne, quote from Trapped
“You make me nostalgic for a love that hasn’t even happened yet.”
― pleasefindthis, quote from I Wrote This For You: Just the Words
“I hate and I love. You ask why I do this? I do not know, but I feel and I am tormented. —CATULLUS”
― Kami Garcia, quote from Dangerous Creatures
“In the Land under the Hill, in the Time Before …
Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel.
Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side.
And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her.
And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing.
She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild.
Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature.
She did not lie, for she could not lie.
Humans are animals.
Pain is their nature.
For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy.
Until the day one brother discovered the truth of the other.
The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie.
The lady set the useless brother free and allowed him to believe he had freed himself.
The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her.
The lady let her lover renounce her and run away.
And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him.
As she had given him his story, she gave him his children.
She had nothing left to live for, then, and so lived no longer.
This is the story she left behind, the story her lover will never know; this is the story her daughter will never know.
This is how a faerie loves: with her whole body and soul.
This is how a faerie loves: with destruction.
I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that.
I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever.
This is how a faerie loves: with a gift.”
― Cassandra Clare, quote from Pale Kings and Princes
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