“Only connect the prose and the passion, and both will be exalted, and human love will be seen at its highest. Live in fragments no longer.”
“Death destroys a man: the idea of Death saves him.”
“She could not explain in so many words, but she felt that those who prepare for all the emergencies of life beforehand may equip themselves at the expense of joy.”
“While her lips talked culture, her heart was planning to invite him to tea”
“The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.”
“She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer.”
“The crime of suicide lies rather in its disregard for the feelings of those whom we leave behind.”
“They had nothing in common but the English language.”
“A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices, coming now too late, now too early, by which Society would register the quick motions of man.”
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven't we all to struggle against life's daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these.”
“To trust people is a luxury in which only the wealthy can indulge; the poor cannot afford it.”
“All men are equal - all men, that is, who possess umbrellas.”
“Margaret realized the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is no that of a man who is taken unprepared, but of him who has prepared and is never taken. On a tragedy of that kind our national morality is duly silent. It assumes that preparation against danger is in itself a good, and that men, like nations, are the better for staggering through life fully armed. The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.”
“It is only that people are far more different than is pretended. All over the world men and women are worrying because they cannot develop as they are supposed to develop. Here and there they have the matter out, and it comforts them. Don't fret yourself, Helen. Develop what you have; love your child. I do not love children. I am thankful to have none. I can play with their beauty and charm, but that is all - nothing real, not one scrap of what there ought to be. And others - others go farther still, and move outside humanity altogether. A place, as well as a person, may catch the glow. Don't you see that all this leads to comfort in the end? It is part of the battle against sameness. Differences - eternal differences, planted by God in a single family, so that there may always be colour; sorrow, perhaps, but colour in the daily grey.”
“Was Mrs. Wilcox one of the unsatisfactory people- there are many of them- who dangle intimacy and then withdraw it? They evoke our interests and affections, and keep the life of the spirit dawdling around them. Then they withdraw. When physical passion is involved, there is a definite name for such behaviour- flirting- and if carried far enough, it is punishable by law. But no law- not public opinion, even- punishes those who coquette with friendship, though the dull ache that they inflict, the sense of misdirected effort and exhaustion, may be as intolerable. Was she one of these?”
“She must be assured that it is not a criminal offense to love at first sight.”
“It is thus, if there is any rule, that we ought to die--neither as victim nor as fanatic, but as the seafarer who can greet with an equal eye the deep that he is entering, and the shore that he must leave.”
“I am sure that if the mothers of various nations could meet, there would be no more wars.”
“There's never any great risk as long as you have money.”
“People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness.”
“Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer.”
“Science explained people, but could not understand them.”
“And the goblins--they had not really been there at all? They were only the phantoms of cowardice and unbelief? One healthy human impulse would dispel them? Men like the Wilcoxes, or ex-President Roosevelt, would say yes. Beethoven knew better. The goblins really had been there. They might return--and they did. It was as if the splendour of life might boil over and waste to steam and froth. In its dissolution one heard the terrible, ominous note, and a goblin, with increased malignity, walked quietly over the universe from end to end. Panic and emptiness! Panic and emptiness! Even the flaming ramparts of the world might fall. Beethoven chose to make all right in the end. He built the ramparts up. He blew with his mouth for the second time, and again the goblins were scattered. He brought back the gusts of splendour, the heroism, the youth, the magnificence of life and of death, and, amid vast roarings of a superhuman joy, he led his Fifth Symphony to its conclusion. But the goblins were there. They could return. He had said so bravely, and that is why one can trust Beethoven when he says other things.”
“Life's very difficult and full of surprises. At all events, I've got as far as that. To be humble and kind, to go straight ahead, to love people rather than pity them, to remember the submerged--well, one can't do all these things at once, worse luck, because they're so contradictory. It's then that proportion comes in--to live by proportion. Don't begin with proportion. Only prigs do that. Let proportion come in as a last resource, when the better things have failed...”
“Away she hurried, not beautiful, not supremely brilliant, but filled with something that took the place of both qualities—something best described as a profound vivacity, a continual and sincere response to all that she encountered in her path through life.”
“She hated war and liked soldiers—it was one of her amiable inconsistencies.”
“But the poetry of that kiss, the wonder of it, the magic that there was in life for hours after it--who can describe that? It is so easy for an Englishman to sneer at these chance collisions of human beings. To the insular cynic and the insular moralist they offer an equal opportunity. It is so easy to talk of "passing emotion," and how to forget how vivid the emotion was ere it passed. Our impulse to sneer, to forget, is at root a good one. We recognize that emotion is not enough, and that men and women are personalities capable of sustained relations, not mere opportunities for an electrical discharge. Yet we rate the impulse too highly. We do not admit that by collisions of this trivial sort the doors of heaven may be shaken open.”
“Laney, I love you. I've found everything I've ever needed and wanted with you. I'm nothing without you.- Oliver”
“We can only love the way we were created to if we are first whole in ourselves.”
“Some scars never heal. And he sounds like he has a lot of them.'
'But Christ had scars too, even on His risen Body. Wounds in this life become glory in the next.”
“... my aim in writing The Watch That Ends the Night was not to present history. My aim was to present humanity. The people represented in this book lived and breathed and loved. They were as real as you or me. They could have been any one of us.”
“Who would I kill?” I asked, sitting up from him, wiping my face.
“Who?”
“Yeah, I mean, is it random, or do you choose them?”
“Well.” He grinned and picked an ant off the rug, then tossed it onto the grass. “I usually avoid eating comedians as much as possible.”
“Why?” I asked slowly.
“Because they taste funny.” His brows rose.
I imagined a tumbleweed rolling past as I listened for crickets. “That wasn't funny.”
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