MaryJanice Davidson · 286 pages
Rating: (17.1K votes)
“I know it's practical for career women, but sneakers with suits? Jesus couldn't possibly weep harder than I did.”
― MaryJanice Davidson, quote from Undead and Unpopular
“You may stay. But Jessica, please watch what you say and do. Don't look them in the eyes for long. Speak only when spoken to. Yes, sir; yes, ma'am."
"Sit up. Arf," I teased.
"What about her?" Jessica cried, pointing in my general direction. "She's more in need of an etiquette lesson than I am."
"Yeah," I said, "but I'm the Queen. With a capital fucking Q. Hey, you're looking me in the eyes for too long! Eric, make her stop!”
― MaryJanice Davidson, quote from Undead and Unpopular
“It never failed—I'd buy a new journal, write like a madwoman for ten pages, then lose total interest in the process. Three months later, I'd start the whole process all over again. I think I just liked buying new notebooks.”
― MaryJanice Davidson, quote from Undead and Unpopular
“It was scary how much she sounded like me sometimes. Maybe that's why she totally got on my nerves”
― MaryJanice Davidson, quote from Undead and Unpopular
“Getting back to the issue of the child," Tina said, harshing our buzz as visual, "I really think you should reconsider. He—"
The phone rang. She picked it up, glanced at the caller ID.
"We're kind of busy," I said, a little sharply. The phone was a whole thing between Tina and me.
"But—"
"If it's important, they'll call back."
"But it's your mother."
I practically snarled. The phone, the fucking phone! People used it the way they used to use the cat-o'-nine-tails. You had to drop everything and answer the fucking thing. And God help you if you were home and, for whatever reason, didn't answer. "But I called!" Yeah, it was convenient for you so you called. But I'm in the shit because it wasn't convenient for me to drop everything and talk to you, on the spot, for whatever you needed to talk about.”
― MaryJanice Davidson, quote from Undead and Unpopular
“Leave it to a vampire to think a healthy guy in his late thirties or early forties was on his deathbed.”
― MaryJanice Davidson, quote from Undead and Unpopular
“Okay. And you'll, uh, make sure he doesn't hurt anybody when he's, you know, nutty and out of his mind with blood lust?" For the next ten years?
Liam winced (well, he blinked), but Sophie soldiered on. "My queen, I have experience in these matters. Guarding young vampires--I--all will be as you wish."
Yeah, right. That'd be a fucking first.”
― MaryJanice Davidson, quote from Undead and Unpopular
“Look, nobody's trying to kill me right now and that's just fine. If they don't
like me, that's just how it goes. I got over needing people to LIKE me in tenth
grade, when I spied the captain of the cheerleading squad on her knees in
front of the offensive line of the football team under the bleachers, one day after school. I figured that wasn't the life for me.”
― MaryJanice Davidson, quote from Undead and Unpopular
“Looking down at me, Kellan raised an eyebrow. “Did your dad buy you the squeakiest bed in the world on purpose?”
― S.C. Stephens, quote from Effortless
“Don't think you can persuade me with appeals to my intellectual vanity.”
― Thomas Harris, quote from Red Dragon
“Thus it had come about that she had read far more fiction, and far more poetry, those two sanctuaries of the lonely, than most of her kind.”
― John Fowles, quote from The French Lieutenant's Woman
“When life backs you into a corner and offers you no escape, when your friends, your lover, and your family abandon you, when you're at the end of your rope, panicked, alone, and losing your mind, you know you'd give anything to make your problems go away. Then, desperate and eager, you will come to Unicorn Lane, seeking salvation in its magics and secrets. You'll do anything, pay any price. Unicorn Lane will take you in, shroud you in its power, fix your problems, and exact its price. And then you will learn what 'anything' really means.”
― Ilona Andrews, quote from Magic Bites
“My life, I resolved, ought to be a perpetual transcending, a progression from stage to stage; I wanted it to pass through one area after the next, leaving each behind, as music moves on from theme to theme, from tempo to tempo, playing each out to the end, completing each and leaving it behind, never tiring, never sleeping, forever wakeful, forever in the present. In connection with the experiences of awakening, I had noticed that such stages and such areas exist, and that each successive period in one’s life bears within itself, as it is approaching its end, a note of fading and eagerness for death. That in turn leads to a shifting to a new area, to awakening and new beginnings.”
― Hermann Hesse, quote from The Glass Bead Game
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