“Her hand jerked, leaving an angry slash in the middle of the canvas. A headache drummed to life in the back of her skull. It’s not going to happen today. She ignored the shiver that skipped down her spine. This is a normal day. I’m painting a normal composition. But it was too late. It was happening already. She squeezed her eyes shut against the images flooding her brain, but no resistance would help now. She couldn’t escape.”
― Dana Marton, quote from Deathscape
“She drew the main outline, keeping her fingers on the ferrule—the metal piece that clamped the bristles to the handle—and created a nose, mouth, and eyelids. For a moment, she wondered what color his eyes might be, then shoved aside the macabre thought. He had a strong, square jaw, his hair pushed back, looking sticky from the dirt that had been thrown directly onto his face.”
― Dana Marton, quote from Deathscape
“She could drive down Hadley Road until she reached the right spot, then walk in. Would have to drive by the reservoir. She didn’t drive that road anymore. But even if she could, she wasn’t going to chase some imaginary dead man, or almost dead man, around the countryside.”
― Dana Marton, quote from Deathscape
“Can I stay?” The question broke Ashley Price’s heart as she crouched in her messy foyer with her daughter in her arms. She clutched her five-year-old tighter as skinny little arms wrapped around her neck. “Very soon, okay?” Maddie—pink coat, pink boots, pink hat, pink gloves—pulled back and put on her poor-lost-puppy look. “Mo-om, you always say that. I’ll be good. I’ll be quiet when you paint. You won’t even know I’m here.”
― Dana Marton, quote from Deathscape
“Her father didn’t know the half of her problems. Nobody did. Nobody ever would. She couldn’t let anyone find out just how crazy she was, the secret she kept. She would fight her way out of that dark hole somehow. She had to, or it would swallow her for good.”
― Dana Marton, quote from Deathscape
“Of all the shades of red, she hated the wet, sticky brightness of crimson the most.”
― Dana Marton, quote from Deathscape
“I get it. Artists are introverts. If you were out there socializing all the time, you wouldn’t have time to contemplate and create. I have artists who are social butterflies. I’m not making a lot of money off them.” She paused.”
― Dana Marton, quote from Deathscape
“Tomorrow, said the voice of fear in her head. It always said, tomorrow, whether it talked about going to the grocery store or starting a new painting. Tomorrow you'll be brave, fear whispered. Tomorrow you'll be normal. Just give me today. That was how fear stole whole lives away.”
― Dana Marton, quote from Deathscape
“Well, either way, I realized through all of this that the secret to everything isn’t in love and relationships, or charity and virtue. It’s inside of us. We can choose to see the world and all of its sorrows and scars as something beautiful, or we can dwell in criticism and pick apart things until we see ugliness in beauty.”
― Marilyn Grey, quote from Bloom
“Finally, if you resolve that the trouble you're enduring now is indeed significant and will matter in a year, then consider what the experience can teach you. Focusing on the lessons you can learn from a stress, irritant, or ordeal will help soften its blow. The lessons that those realities impart could be patience, perseverance, loyalty, or courage. Or perhaps you're learning open-mindedness, forgiveness, generosity, or self-control. Psychologists call this posttraumatic growth, and it's one of the vital tools used by happy, resilient people in facing the inevitable perils and hardships of life.”
― Sonja Lyubomirsky, quote from The How of Happiness: A Scientific Approach to Getting the Life You Want
“I believe that all things are connected; that we’re interdependent on one another. I just like feeling the wind in my hair, the sun on my face, and the earth under my feet. It all nourishes me; my soul anyway.”
― J.M. Northup, quote from Fears of Darkness
“You're serious, huh?"
"Dead serious."
"I want to spend the rest of my life with you, too.”
― quote from Twist and Shout
“Dear Woman Who Gave Me Life:
The callous vexations and perturbations of this night have subsequently resolved
themselves to a state which precipitates me, Arturo Bandini, into a
brobdingnagian and gargantuan decision. I inform you of this in no uncertain
terms. Ergo, I now leave you and your ever charming daughter (my beloved sister
Mona) and seek the fabulous usufructs of my incipient career in profound
solitude. Which is to say, tonight I depart for the metropolis to the east — our
own Los Angeles, the city of angels. I entrust you to the benign generosity of your brother, Frank Scarpi, who is, as the phrase has it, a good family man
(sic!). I am penniless but I urge you in no uncertain terms to cease your
cerebral anxiety about my destiny, for truly it lies in the palm of the immortal gods. I have made the lamentable discovery over a period of years that living
with you and Mona is deleterious to the high and magnanimous purpose of Art, and I repeat to you in no uncertain terms that I am an artist, a creator beyond question. And, per se, the fumbling fulminations of cerebration and intellect find little fruition in the debauched, distorted hegemony that we poor mortals, for lack of a better and more concise terminology, call home. In no uncertain
terms I give you my love and blessing, and I swear to my sincerity, when I say
in no uncertain terms that I not only forgive you for what has ruefully
transpired this night, but for all other nights. Ergo, I assume in no uncertain terms that you will reciprocate in kindred fashion. May I say in conclusion that I have much to thank you for, O woman who breathed the breath of life into my
brain of destiny? Aye, it is, it is.
Signed.
Arturo Gabriel Bandini.
Suitcase in hand, I walked down to the depot. There was a ten-minute wait for
the midnight train for Los Angeles. I sat down and began to think about the new novel.”
― John Fante, quote from The Road to Los Angeles
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