“I don't forgive him," I said.
"Hell, no, you don't. And why should you? So he can feel better? Get on with his life? And what's he done to help you get on with yours?”
― Kelley Armstrong, quote from Frostbitten
“I've spent the last decade learning to stand firm and face my problems… or at least batter them until they're unrecognizable.”
― Kelley Armstrong, quote from Frostbitten
“Next Clay gave the house rules for living with theSorrentinos , which sounded a lot like the Ten
Commandments. Thou shall not lie, steal anything, kill anyone, disrespect your hosts or covet
any of Nick's girlfriends. And if you break the rules, you'll get your ass kicked and handed to you
in pieces—a part I suspect God left out.”
― Kelley Armstrong, quote from Frostbitten
“Did you use a chainsaw?" Joey said. "I seem to recall you like chainsawa."
"There wasn't a power outlet." Clay turned to me. "That's what I want for Father's Day, darling. A gas powered chainsaw.”
― Kelley Armstrong, quote from Frostbitten
“Elena?"
"Yes, unless Nick found a woman in the forest, which I suppose wouldn't be too surprising.”
― Kelley Armstrong, quote from Frostbitten
“When the subject of kids first came up years ago, I'd joked that the only thing I could imagine worse than me as a mother was Clay as a father. I couldn't have been more wrong. Clay was an amazing parents. The guy who couldn't spare a few minutes to hear a mutt's side of the story could listen to his kids talk all day. The guy who couldn't sit still through a brief council meeting could spend hours building Lego castles with his kids. The guy who solved problems with his fists never even raised his voice to his children. And if sometimes Clay was a little too indulgent, a little too slow to discipline, preferring to leave that to me, I was okay with it. He supported and enforced my decisions and we presented a unified front to our children, and that was all that mattered.”
― Kelley Armstrong, quote from Frostbitten
“Bigger room, darling. Like I said, we need a bigger room.”
― Kelley Armstrong, quote from Frostbitten
“I called Clay from the SUV.
"How'd it go at the paper?" he asked.
"She called me perky."
"Ouch.”
― Kelley Armstrong, quote from Frostbitten
“We drove to the airport. On the way, Clay gave him "the lecture," including all the do's and don'ts of meeting the Alpha, which was only slightly more complicated than an audience with the queen. Don't sit until you're invited to. Don't talk unless he asks you a question. Don't eat before he does. Don't make direct eye contact. Jeremy demanded none of this, but that wasn't the point.”
― Kelley Armstrong, quote from Frostbitten
“I put you through hell and then I only made it worse, all the mistakes I made trying to get you back.'
'I've forgiven you.'
'Forgive, yes. Understand, yes. Forget, no.”
― Kelley Armstrong, quote from Frostbitten
“Just show him that I didn't need his apology, I guess. Show him that I was okay. Better than okay. I was happy, in spite of everything he'd done to me, and no, I didn't forgive him. God help me, I would not forgive him.”
― Kelley Armstrong, quote from Frostbitten
“We lay there a moment, entwined around each other, panting. Then I lifted my head to look at the room. Two broken lamps. One ripped pillowcase. One damaged headboard. Not bad ... Oh, shit. Was that a picture frame? Two picture frames. How the hell did we ...?
I sighed.
"We'll snag the bill before Jeremy sees it," Clay said.
I sighed louder.
"Bigger room, darling. Like I said, we need a bigger room.”
― Kelley Armstrong, quote from Frostbitten
Kelley Armstrong
See more on GoodReads
“The profound originality of a divine-human pact in which both parties complain endlessly about each other has too rarely been acknowledged as such.”
― Jack Miles, quote from God: A Biography
“Failure and disillusionment are realities, but ideologies are made of dreams. And dreams, it would seem, do not fade easily.”
― Miyuki Miyabe, quote from Brave Story
“Is he a sophomore?" Lydia says. "Please tell me he's in our grade."
"I don't know," I say.
"But weren't you there when he came to the office?" Peyton says.
"The secretary didn't get out her bullhorn and announce what grade he's in. She just took him to meet Headmaster Perkins.”
― Lauren Myracle, quote from Peace, Love, and Baby Ducks
“Boswell, like Lecky (to get back to the point of this footnote), and Gibbon before him, loved footnotes. They knew that the outer surface of truth is not smooth, welling and gathering from paragraph to shapely paragraph, but is encrusted with a rough protective bark of citations, quotations marks, italics, and foreign languages, a whole variorum crust of "ibid.'s" and "compare's" and "see's" that are the shield for the pure flow of argument as it lives for a moment in one mind. They knew the anticipatory pleasure of sensing with peripheral vision, as they turned the page, gray silt of further example and qualification waiting in tiny type at the bottom. (They were aware, more generally, of the usefulness of tiny type in enhancing the glee of reading works of obscure scholarship: typographical density forces you to crouch like Robert Hooke or Henry Gray over the busyness and intricacy of recorded truth.) They liked deciding as they read whether they would bother to consult a certain footnote or not, and whether they would read it in context, or read it before the text it hung from, as an hors d'oeuvre. The muscles of the eye, they knew, want vertical itineraries; the rectus externus and internus grow dazed waggling back and forth in the Zs taught in grade school: the footnote functions as a switch, offering the model-railroader's satisfaction of catching the march of thought with a superscripted "1" and routing it, sometimes at length, through abandoned stations and submerged, leaching tunnels. Digression—a movement away from the gradus, or upward escalation, of the argument—is sometimes the only way to be thorough, and footnotes are the only form of graphic digression sanctioned by centuries of typesetters. And yet the MLA Style Sheet I owned in college warned against lengthy, "essay-like" footnotes. Were they nuts? Where is scholarship going?”
― Nicholson Baker, quote from The Mezzanine
“No funny business. I’ll scream and dead or not it will hurt your ears”
― Penelope Fletcher, quote from Demon Girl
Beautiful Bastard
Reading Lolita in Te...
The Power of Six
The Savage Detective...
Nicholas Nickleby
The Oedipus Cycle: O...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.
