“Bjarne Møller, my former boss, says people like me always choose the line of most resistance. It's in what he calls our 'accursed nature'. That's why we always end up on our own. I don't know. I like being alone. Perhaps I have grown to like my self-image of being a loner, too....I think you have to find something about yourself that you like in order to survive. Some people say being alone is unsociable and selfish. But you're independent and you don't drag others down with you, if that's the way you're heading. Many people are afraid of being alone. But it made me feel strong, free and invulnerable.”
― Jo Nesbø, quote from Frelseren
“If you are unable to feel fear, you cannot be courageous.”
― Jo Nesbø, quote from Frelseren
“Well, Espen, you're no drug addict, so why do you beg?"
"Because it's my mission to be mirror for mankind so that they can see which actions are great and which are small."
"And which are great?"
Espen sighed in despair, as though weary of repeating the obvious. "Charity. Sharing and helping your neighbor. The Bible deals with nothing else. In fact, you have to search extremely hard to find anything about sex before marriage, abortion, homosexuality, or a woman's right to speak in public. But, of course, it is easier for Pharisees to talk aloud about subordinate clauses than to describe and perform the great actions the Bible leaves us in no doubt about: You have to give half of what you own to someone who has nothing. Thousands of people are dying every day without hearing the words of God because these Christians will not let go of their earthly goods. I'm giving them a chance to reflect.”
― Jo Nesbø, quote from Frelseren
“Doubt is faith’s shadow. If you are unable to doubt you can’t be a believer. It’s the same as with courage, Inspector. If you are unable to feel fear, you cannot be courageous.”
― Jo Nesbø, quote from Frelseren
“Incomprehensible,” his colleagues tended to say when they discovered young people who had chosen to take their own lives. Harry assumed they said that to protect themselves, to reject the whole idea of it. If not, he didn’t understand what they meant by its being incomprehensible.”
― Jo Nesbø, quote from Frelseren
“—Yo tengo problemas con una religión que dice que la fe en sí es el billete de entrada al cielo. Es decir, que se trata de tu capacidad para manipular tu propia sensatez con el objeto de que acepte algo que tu inteligencia rechaza. Es el mismo modelo de sumisión intelectual que han utilizado las dictaduras a lo largo de la historia, la idea de una sensatez superior a la que no se deben exigir pruebas.”
― Jo Nesbø, quote from Frelseren
“a man does not become the leader of a flock through brute strength but through his ability to read situations correctly.”
― Jo Nesbø, quote from Frelseren
“Harry thrust his hands deeper into his pockets. ‘My point is that you soon become lonely if you want to use your own brain to find answers.”
― Jo Nesbø, quote from Frelseren
“È molto pulito qui" osservò Martine sfilandosi gli anfibi nell'ingresso.
"Non ho tante cose" disse Harry dalla cucina.
"Quali sono le sue preferite?"
Harry rifletté. "I dischi."
"Non gli album di fotografie?"
"Non credo nelle fotografie."
Martine entrò in cucina e si sedette su una delle sedie.
Harry osservò che aveva ripiegato le gambe sotto di sé come un gatto.
"Non ci crede?" disse. "In che senso?"
"Fanno perdere la capacità di dimenticare. Latte?"
Martine scosse il capo. "Però crede nei dischi."
"Sì. Mentono in un modo più vero."
"Ma non fanno perdere la capacità di dimenticare."
Harry si fermò mentre versava il caffè. Martine si mise di nuovo a ridere.
"Io invece non credo alla storia del commissario arrabbiato e deluso. Credo che in fondo lei sia un romantico, Hole."
"Andiamo in soggiorno" propose Harry. "Qualche giorno fa ho comprato un disco abbastanza bello. Non è ancora collegato a nessun ricordo.”
― Jo Nesbø, quote from Frelseren
“It’s not a corner,’ Harry said without a hint of a slur. ‘It’s an angle. Corners are on the outside. You walk round a corner, you don’t sit in one.’ ‘What about the expression a corner table?’ ‘That’s not a table in a corner, but a table with corners. As in a corner sofa.”
― Jo Nesbø, quote from Frelseren
“He considered what he should do with the rest of his life. And he considered whether you ever found out if you had made the right decisions while you were still alive. It”
― Jo Nesbø, quote from Frelseren
“Un buen investigador olvida todas las ocasiones en las que le ha fallado la intuición, no recuerda las pistas en las que había confiado antes de darse cuenta de que lo habían desviado del objetivo. Y el que, con espíritu ingenuo y olvidadizo, volvía a empezar de cero con renovado entusiasmo.”
― Jo Nesbø, quote from Frelseren
“Halvorsen remembered Harry had once said that what separates a good detective from a mediocre one is the ability to forget. A good detective forgets all the times his gut instinct lets him down, forgets all the leads he has believed in that led nowhere. And pitches in, naïve and forgetful again, with undiminished enthusiasm. The”
― Jo Nesbø, quote from Frelseren
“There was only one thing emptier than having lived without love, and that was having lived without pain.”
― Jo Nesbø, quote from Frelseren
“Yes,” Imtiaz said. “I know him. He brings empty bottles here to get the deposit.”
― Jo Nesbø, quote from Frelseren
“case in California about a senator who—’ Harry”
― Jo Nesbø, quote from Frelseren
“Anyone who's sold herself for somebody else once isn't going to do it again.”
― Henrik Ibsen, quote from A Doll's House
“How gullible are you? Is your gullibility located in some "gullibility center" in your brain? Could a neurosurgeon reach in and perform some delicate operation to lower your gullibility, otherwise leaving you alone? If you believe this, you are pretty gullible, and should perhaps consider such an operation.”
― Douglas R. Hofstadter, quote from Gödel, Escher, Bach: An Eternal Golden Braid
“Clarisse’s friends were all laughing, and I was trying to find the strength I’d used to fight the Minotaur, but it just wasn’t there. “Like he’s ‘Big Three’ material,” Clarisse said as she pushed me toward one of the toilets. “Yeah, right. Minotaur probably fell over laughing, he was so stupid looking.” Her friends snickered. Annabeth stood in the corner, watching through her fingers. Clarisse bent me over on my knees and started pushing my head toward the toilet bowl. It reeked like rusted pipes and, well, like what goes into toilets. I strained to keep my head up. I was looking at the scummy water, thinking, I will not go into that. I won’t. Then something happened. I felt a tug in the pit of my stomach. I heard the plumbing rumble, the pipes shudder. Clarisse’s grip on my hair loosened. Water shot out of the toilet, making an arc straight over my head, and the next thing I knew, I was sprawled on the bathroom tiles with Clarisse screaming behind me. I turned just as water blasted out of the toilet again, hitting Clarisse straight in the face so hard it pushed her down onto her butt. The water stayed on her like the spray from a fire hose, pushing her backward into a shower stall. She struggled, gasping, and her friends started coming toward her. But then the other toilets exploded, too, and six more streams of toilet water blasted them back. The showers acted up, too, and together all the fixtures sprayed the camouflage girls right out of the bathroom, spinning them around like pieces of garbage being washed away. As soon as they were out the door, I felt the tug in my gut lessen, and the water shut off as quickly as it had started. The entire bathroom was flooded. Annabeth hadn’t been spared. She was dripping wet, but she hadn’t been pushed out the door. She was standing in exactly the same place, staring at me in shock.”
― Rick Riordan, quote from Percy Jackson and the Olympians
“He looked at the silver pocketknife in his hand. An idea came to him – possibly the stupidest, craziest idea he’d had since he thought, Hey, I’ll get Percy to swim in the River Styx! He’ll love me for that!”
― Rick Riordan, quote from The Blood of Olympus
“He didn’t ask himself if she was beautiful, because the physical effect of her presence made the question insignificant.”
― Sebastian Faulks, quote from Birdsong
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