Kerrelyn Sparks · 371 pages
Rating: (11.2K votes)
“Sweetheart, if it’s not too much of an imposition, I would be forever beholden to you if you could kindly assume a reclining position so I can screw your brains out.”
― Kerrelyn Sparks, quote from Forbidden Nights with a Vampire
“Connor turned to Vanda. “I’ll need to check yer bag, too.”
“I thought you’d never ask.” Vanda tossed her bag onto the table. She was ready for him this time.
He opened her silver evening bag. His eyes widened.
She was quite proud that she’d managed to squeeze a pair of handcuffs, a blindfold, her back massager, and a bottle of Viagra
into such a tiny handbag. She smiled sweetly. “Something wrong, Connor?”
― Kerrelyn Sparks, quote from Forbidden Nights with a Vampire
“What is 45 minutes to an old goat like you?" - Vanda
"I believe it is still 45 minutes." - Connor”
― Kerrelyn Sparks, quote from Forbidden Nights with a Vampire
“Maggie scoffed. "Denial will not save you when Cupid's arrow find its mark."
"If i see Cupid anywhere in the vicinity, I'm ripping his chubby little arms off." Vanda yanked the door open to Romatech.”
― Kerrelyn Sparks, quote from Forbidden Nights with a Vampire
“Phineas leaped to his feet, giving Vanda a appalled look. "Vanda! Why'd you do it?"
"What?" Vanda stood.
Phineas slapped a hand against his brow. "you can't attack these people jut because you hate Naruto!”
― Kerrelyn Sparks, quote from Forbidden Nights with a Vampire
“The priest removed his glasses and pocketed them. «I'm sure you don't need to hear it, but a sponsor should never get too…involved with his client.»
Shit. Phil was careful to show no emotion, even though he was howling inside. Plan A had just gone down the tubes. So much for channeling Vanda's anger into a glorious eruption of lust. He'd have to resort to Plan B.
There was no Plan B. His thoughts had never progressed past the bedroom. The priest was right. He was an animal.”
― Kerrelyn Sparks, quote from Forbidden Nights with a Vampire
Kerrelyn Sparks
Born place: The United States
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“Joy is an incredible alarm clock. It will wake you up and keep you up and pick you up and gently pull you through a thousand rejections along the way.”
― Jon Acuff, quote from Start: Punch Fear in the Face, Escape Average and Do Work that Matters
“[…] alla fin fine, bisogna saper apprezzare i vantaggi che si traggono dalle proprie origini.”
― Czesław Miłosz, quote from Native Realm: A Search for Self-Definition
“To renounce freedom is to renounce one's humanity, one's rights as a man and equally one's duties.”
― Jean-Jacques Rousseau, quote from The Social Contract
“Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.”
― Philip Roth, quote from I Married a Communist
“He was forty, which is the most frightening age in life. You don't feel sorry for the old, because they are old already; you don't feel sorry for the dead, because they are dead already. But you do feel sorry for those approaching old age, those approaching death. Forty! At fairgrounds you see roller coasters dashing up a steep slope followed by a steep drop and then another ascent. At the top of the slope, or rather just before the top, the vehicle has used up all the energy it acquired in the descent and it slows down and hesitates as if the top were unattainable, as it it were terrified of the approaching plunge. The man approaching forty is in a similar state of hesitation and uncertainty; his pace slackens, he is paralyzed by the approaching summit and the descent he cannot see but knows lies just ahead.”
― Pitigrilli, quote from Cocaine
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