Philip Pullman · 405 pages
Rating: (19.3K votes)
“Finally, I’d say to anyone who wants to tell these tales, don’t be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I’m at work I’m highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what’s more, they’re completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, ‘Of course, and this is the way my imagination works.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version
“The fairy tale is in a perpetual state of becoming and alteration. To keep to one version or one translation alone is to put robin redbreast in a cage.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version
“Princess, princess, youngest daughter,
Open up and let me in!
Or else your promise by the water
Isn’t worth a rusty pin.
Keep your promise, royal daughter,
Open up and let me in!”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version
“He sat down and collected his thoughts. They were quite easy to collect, because there weren't very many of them, and they all concerned the same subject--what a burden his life was.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version
“the particular plant longed for by the wife, which was originally parsley, was a well-known abortifacient.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version
“Much ingenious interpretation of story is little more than seeing pleasing patterns in the sparks of a fire, but it does no harm.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version
“and she saw a bed of lamb’s lettuce, or rapunzel.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version
Philip Pullman
Born place: in Norwich, Norfolk, England, The United Kingdom
Born date October 19, 1946
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“You can. It's not a matter of feeling it, it's a matter of doing it - making the decision to bend that iron will of yours in God's direction so that He can hear your prayers and unleash blessings.”
― Julie Lessman, quote from A Hope Undaunted
“We have made a problem for ourselves by confusing the intelligible with the fixed. We think that making sense out of life is impossible unless the flow of events can somehow be fitted into a framework of rigid forms. To be meaningful, life must be understandable in terms of fixed ideas and laws, and these in turn must correspond to unchanging and eternal realities behind the shifting scene. But if this what "making sense out of life" means, we have set ourselves the impossible task of making fixity out of flux.”
― Alan W. Watts, quote from The Wisdom of Insecurity: A Message for an Age of Anxiety
“Do whatever you must, Karigan," he told her, his voice so quiet it would not carry, "to come back. You must come back. To me." ~King Zachary”
― Kristen Britain, quote from Blackveil
“That hatred of the railroad was Winder’s only original notion, and when he got mad that always came in some way. Everything else was what he’d heard somebody, or most everybody, say, only he always got angry enough to make it sound like a conviction.”
― Walter Van Tilburg Clark, quote from The Ox-Bow Incident
“Taking the continent as a whole, this religious tension may be responsible for the revival of the commonest racial feeling. Africa is divided into Black and White, and the names that are substituted- Africa south of the Sahara, Africa north of the Sahara- do not manage to hide this latent racism. Here, it is affirmed that White Africa has a thousand-year-old tradition of culture; that she is Mediterranean, that she is a continuation of Europe and that she shares in Graeco-Latin civilization. Black Africa is looked on as a region that is inert, brutal, uncivilized - in a word, savage.”
― Frantz Fanon, quote from The Wretched of the Earth
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