Quotes from Fairy Tales from the Brothers Grimm: A New English Version

“Finally, I’d say to anyone who wants to tell these tales, don’t be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I’m at work I’m highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what’s more, they’re completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, ‘Of course, and this is the way my imagination works.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version

“The fairy tale is in a perpetual state of becoming and alteration. To keep to one version or one translation alone is to put robin redbreast in a cage.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version

“Princess, princess, youngest daughter,
Open up and let me in!
Or else your promise by the water
Isn’t worth a rusty pin.
Keep your promise, royal daughter,
Open up and let me in!”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version

“He sat down and collected his thoughts. They were quite easy to collect, because there weren't very many of them, and they all concerned the same subject--what a burden his life was.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version

“the particular plant longed for by the wife, which was originally parsley, was a well-known abortifacient.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version

“Much ingenious interpretation of story is little more than seeing pleasing patterns in the sparks of a fire, but it does no harm.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version

“and she saw a bed of lamb’s lettuce, or rapunzel.”
― Philip Pullman, quote from Fairy Tales from the Brothers Grimm: A New English Version

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“Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer.
What?”
The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away.
Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control.
What?” he asked Halt, and the smaller man made a gesture of exasperation.
That’s what I want to know,” he said irritably. “What?”
Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper.
What?” said Horace, now totally puzzled.
Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?”
Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.”
Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him.
What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?”
Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.”
Horace frowned. “I was?”
Halt nodded. “You were. I saw you take a breath to ask it.”
I see,” Horace said. “And what was it about?”
For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak.
That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.”
I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded.
Then what, if I may use that word once more, were you about to ask me?”
Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?”
― John Flanagan, quote from The Battle for Skandia

“Alone had always felt like an actual place to me, as if it weren’t a state of being, but rather a room where I could retreat to be who I really was.”
― Cheryl Strayed, quote from Wild: From Lost to Found on the Pacific Crest Trail

“And this,' he was saying aloud. 'And this. And this.”
― Ernest Hemingway, quote from The Complete Short Stories

“It depends on how you look at it.”
― Lemony Snicket, quote from The End

“HANNAH: Don't let Bernard get to you. It's only performance art, you know. Rhetoric, they used to teach it in ancient times, like PT. It's not about being right, they had philosophy for that. Rhetoric was their chat show. Bernard's indignation is a sort of aerobics for when he gets on television.”
― Tom Stoppard, quote from Arcadia

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