“What was the point in satin and lace if it didn't make a man struggle to speak?”
― Alexandra Ivy, quote from Embrace The Darkness
“Cherie, did the table do something I did not see or were you just attempting to teach it a lesson?"
"I was imagining it was Evor."
"Strange that they do not resemble each other."
"I have a good imagination."
"Ah, in that case, I do not suppose you are imagining I'm Brad Pitt?”
― Alexandra Ivy, quote from Embrace The Darkness
“I hate to interrupt such a touching scene but those hellhounds are not going to wait for you two to play kissey face. So, unless you intend to nail a chunk of roast beef to my butt and have me run around as a distraction, I would suggest we prepare for battle." Pg. 113-114”
― Alexandra Ivy, quote from Embrace The Darkness
“Oui, oui, he snapped with an obvious lack of awe. "Ding dong the demon's dead, now can we admire
our delightful handiwork someplace where the ceiling is not about to cave in and your oh-so-handsome
vampire is not about to become a dust bunny? (Levet)”
― Alexandra Ivy, quote from Embrace The Darkness
“Bon chance, mon ami," Dante called softly.
Levet allowed himself a small smile. A vampire who could speak French. He couldn't be all bad.”
― Alexandra Ivy, quote from Embrace The Darkness
Alexandra Ivy
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“That's kind of what trust is, isn't it? A willful self-delusion.”
― Brandon Sanderson, quote from Mistborn: The Final Empire
“Anyone who's happy in a world this fucked-up has some serious psychological issues. You think I'm crazy because I see things as they are. You'd rather put on Disneyland goggles and watch TV and pretend it's fine. It's not crazy if I see monsters when I live in a fucking nightmare.”
― Elliot Wake, quote from Black Iris
“The whole of my life stood open to His view from the beginning. He foresaw my every fall, my every sin, my every backsliding; yet, nevertheless, fixed His heart upon me. Oh, how the realization of this should bow me in wonder and worship before Him!”
― Arthur W. Pink, quote from The Attributes of God
“There was no control except the "mood of his power... and it is for this reason it is good you never heard him play someplace where the weather for instance could change the next series of notes-- then you should never have heard him at all. He was never recorded. He stayed away while others moved into wax history, electronic history, those who said later that Boldon broke the path. It was just as important to watch him stretch and wheel around the last notes or to watch nerves jumping under the sweat of his head.”
― Michael Ondaatje, quote from Coming Through Slaughter
“The boats were filled mostly with steerage passengers who lived in Trebizond or were visiting relations there, and the women carried great bundles and sacks full of things, but the men carried suit-cases with sharp, square corners, which helped them very much in the struggle to get on and stay on the boats, for this was very violent and intense. More than one woman got shoved overboard into the sea during the struggle, and had to be dragged out by husbands and acquaintances, but one sank too deep and had to be left, for the boat-hooks could not reach her; all we saw were the apples out of her basket bobbing on the waves. I thought that women would not stand much chance in a shipwreck, and in the struggle for the boats many might fall in the sea and be forgotten, but the children would be saved all right, for Turks love their children, even the girls.”
― Rose Macaulay, quote from The Towers of Trebizond
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