5+ quotes from Embrace The Darkness by Alexandra Ivy

Quotes from Embrace The Darkness

Alexandra Ivy ·  334 pages

Rating: (8.6K votes)


“What was the point in satin and lace if it didn't make a man struggle to speak?”
― Alexandra Ivy, quote from Embrace The Darkness


“Cherie, did the table do something I did not see or were you just attempting to teach it a lesson?"

"I was imagining it was Evor."

"Strange that they do not resemble each other."

"I have a good imagination."

"Ah, in that case, I do not suppose you are imagining I'm Brad Pitt?”
― Alexandra Ivy, quote from Embrace The Darkness


“I hate to interrupt such a touching scene but those hellhounds are not going to wait for you two to play kissey face. So, unless you intend to nail a chunk of roast beef to my butt and have me run around as a distraction, I would suggest we prepare for battle." Pg. 113-114”
― Alexandra Ivy, quote from Embrace The Darkness


“Oui, oui, he snapped with an obvious lack of awe. "Ding dong the demon's dead, now can we admire
our delightful handiwork someplace where the ceiling is not about to cave in and your oh-so-handsome
vampire is not about to become a dust bunny? (Levet)”
― Alexandra Ivy, quote from Embrace The Darkness


“Bon chance, mon ami," Dante called softly.
Levet allowed himself a small smile. A vampire who could speak French. He couldn't be all bad.”
― Alexandra Ivy, quote from Embrace The Darkness


About the author

Alexandra Ivy
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Popular quotes

“So you want to turn around? Give up on the chance of having him back?”
Oscar took a swig of his canteen, then capped it. He held her stare. “I just want you alive.”
Camille glanced toward Ira. He sat far enough away to hear just the murmur of their voices. This was her only opportunity to clean up after the messy scene in the pantry. Where to begin baffled her. The cold manner in which they were now acting made it difficult to believe Oscar had held her so lovingly, her body curled into his. She’d felt his hot breath on her shoulder as he dipped into sleep and out again to bury his nose in her hair or race her scar from the Christina with his finger. Camille had never wanted to leave that bed.
“I don’t love him,” she said with little fanfare. Plain. Simple. The truth. “He’s a decent man, and things would be easier if I did love him. But I want what only you can give me, Oscar.”
She couldn’t imagine feeling warm and safe and loved in Randall’s arms the way she had in Oscar’s. She didn’t know what would happen once her father returned to them or how he’d react. Right then, it didn’t matter.
“Good night, then,” she said when he remained quiet. Camille turned onto her other side, away from the fire. The immediate cold lashed at her. A moment passed before she heard the scrape of his boots on the ground. His footsteps rounded the fire. Without saying a word, he lay down beside her. Oscar pulled her close to him without checking to see if Ira was watching.
He kissed the crown of her head. “Good night, then.”
― Angie Frazier, quote from Everlasting


“It wasn’t that she didn’t want to die. Nor was it that she wanted to live. She just didn’t want to give up.”
― Fuyumi Ono, quote from The Twelve Kingdoms: Sea of Shadow


“There is always, for some reason, an element of sadness mingled with my thoughts of human happiness, and, on this occasion, at the sight of a happy man I was overcome by an oppressive feeling that was close upon despair. It was particularly oppressive at night. A bed was made up for me in the room next to my brother’s bedroom, and I could hear that he was awake, and that he kept getting up and going to the plate of gooseberries and taking one. I reflected how many satisfied, happy people there really are! ‘What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there is not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes... Everything is quiet and peaceful, and nothing protests but mute statistics: so many people gone out of their minds, so many gallons of vodka drunk, so many children dead from malnutrition... And this order of things is evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible. It’s a case of general hypnotism. There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him—disease, poverty, losses, and no one will see or hear, just as now he neither sees nor hears others. But there is no man with a hammer; the happy man lives at his ease, and trivial daily cares faintly agitate him like the wind in the aspen-tree—and all goes well.”
― Anton Chekhov, quote from Racconti


“Perhaps you considered yourself an oracle,
Mouthpiece of the dead, or of some god or other.
Thirty years now I have labored
To dredge the silt from your throat.
I am none the wiser.”
― Sylvia Plath, quote from Plath: Poems


“Oh.' A syllable can express a great deal. Will's sounded of resignation but also of swear words, and the smell of rotting vegetation, and wary amusement and bitten fingernails.”
― Katherine Rundell, quote from The Girl Savage


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