“What was the point in satin and lace if it didn't make a man struggle to speak?”
― Alexandra Ivy, quote from Embrace The Darkness
“Cherie, did the table do something I did not see or were you just attempting to teach it a lesson?"
"I was imagining it was Evor."
"Strange that they do not resemble each other."
"I have a good imagination."
"Ah, in that case, I do not suppose you are imagining I'm Brad Pitt?”
― Alexandra Ivy, quote from Embrace The Darkness
“I hate to interrupt such a touching scene but those hellhounds are not going to wait for you two to play kissey face. So, unless you intend to nail a chunk of roast beef to my butt and have me run around as a distraction, I would suggest we prepare for battle." Pg. 113-114”
― Alexandra Ivy, quote from Embrace The Darkness
“Oui, oui, he snapped with an obvious lack of awe. "Ding dong the demon's dead, now can we admire
our delightful handiwork someplace where the ceiling is not about to cave in and your oh-so-handsome
vampire is not about to become a dust bunny? (Levet)”
― Alexandra Ivy, quote from Embrace The Darkness
“Bon chance, mon ami," Dante called softly.
Levet allowed himself a small smile. A vampire who could speak French. He couldn't be all bad.”
― Alexandra Ivy, quote from Embrace The Darkness
Alexandra Ivy
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“It was the purest love without purpose other than love itself. Without tenure or jealousy.”
― Luis Sepúlveda, quote from The Old Man Who Read Love Stories
“Listen to me, Trace told him. I don’t know who you are, but I am in possession of a very special set of skills. If you bring my sister back right now, unharmed, then I’ll let you go. But if you don’t, I promise you, I will track you down. I will find you. And I will make you pay.”
― Joe Schreiber, quote from Red Harvest
“War, famine, disease, genocide. Death, in a million different forms, often painful and protracted for the poor individual wretches involved. What god would so arrange the universe to predispose its creations to experience such suffering, or be the cause of it in others? What master of simulations or arbitrator of a game would set up the initial conditions to the same pitiless effect? God or programmer, the charge would be the same: that of near-infinitely sadistic cruelty; deliberate, premeditated barbarism on an unspeakably horrific scale.”
Hyrlis looked expectantly at them. “You see?” he said. “By this reasoning we must, after all, be at the most base level of reality – or at the most exalted, however one wishes to look at it. Just as reality can blithely exhibit the most absurd coincidences that no credible fiction could convince us of, so only reality – produced, ultimately, by matter in the raw – can be so unthinkingly cruel. Nothing able to think, nothing able to comprehend culpability, justice or morality could encompass such purposefully invoked savagery without representing the absolute definition of evil. It is that unthinkingness that saves us. And condemns us, too, of course; we are as a result our own moral agents, and there is no escape from that responsibility, no appeal to a higher power that might be said to have artificially constrained or directed us.”
― Iain M. Banks, quote from Matter
“I have no aspiration here to reclaim mystery and paradox from whatever territory they might inhabit, for there is, indeed, often a killing in a kiss, a mercy in the slap that heats your face . . . There is, nevertheless, a particular poverty in those alloplasts who, addressing tragedy, seek to subdistinguish motives beyond those we have best, because nearest, at hand, and so it is with love and hate--emotions upon whose necks, whether wrung or wreathed, may be found the oldest fingerprints of man. A simple truth intrudes: the basic instincts of every man to every man are known. But who knows when or where or how? For the answers to such questions, summon Augurello, your personal jurisconsult and theological wiseacre, to teach you about primal reality and then to dispel those complexities and cabals you crouch behind in this sad, psychiatric century you call your own. It is the anti-labyrinths of the world that scare. Here is a story for you. Your chair.”
― Alexander Theroux, quote from Darconville’s Cat
“He wants me back." The closing punctuation of "obviously" hung in the air. The confidence in her! Anne would always have it: the certainty that there would be a trail of people following her, wanting her love and her beauty. Flannery saw that confidence, and through the polluted air now between them it no longer charmed her. Not tonight it didn't. Flannery was not inclined to be one of that number.”
― Sylvia Brownrigg, quote from Pages for You
City of Blades
The Spider's War
The Price of Valour
The Dinosaur Lords
Where Angels Fear to...
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