Quotes from Dark Frost

Jennifer Estep ·  336 pages

Rating: (17K votes)


“You won't hurt me. I know you won't." Logan said.
"How can you be so sure?" I whispered.
"Because you're that Gypsy girl, and I'm the bad-boy Spartan. And I think it's time we were finally together, don't you?”
― Jennifer Estep, quote from Dark Frost


“I was so getting tired of fighting for my life in the library.”
― Jennifer Estep, quote from Dark Frost


“They still weren't as cold as my heart was, though.”
― Jennifer Estep, quote from Dark Frost


“All black, of course. Just like his rotting soul.”
― Jennifer Estep, quote from Dark Frost


About the author

Jennifer Estep
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Light is safety; light is life
The first rule of the Arclight.”
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“What we become a part of becomes a part of us.”
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“And red is not the color of apples or roses or the dresses that pretty girls wear in the summertime.

That is not the color of red at all.”
― Rick Yancey, quote from The Isle of Blood


“Non conosceva abbastanza il bondage o qualunque cosa fosse per potersi formare un’opinione personale.
E visto che la conoscenza era l’unica arma in suo possesso per scacciare la paura, Amery aprì il portatile e digitò
“shibari” nel motore di ricerca.
La prima cosa che cercò fu la definizione.
"Shibari-kinbaku è una tecnica che prevede l’utilizzo di corde per dare
vita a un bondage sensuale, spettacolare ed erotico; questa tecnica ha origine nelle arti marziali giapponesi del XVI secolo, nelle punizioni giudiziarie del Giappone del XVIII secolo e nelle produzioni teatrali giapponesi del XIX secolo"
Approfondì la lettura e apprese che quelle pratiche erano inizialmente basate sulle punizioni del bondage jujitsu chiamato hojojutsu. Non c’era da sorprendersi se Ronin si era interessato a quella tecnica, visto che nasceva da
quell’arte marziale che aveva praticato per tutta la vita.
Sembrava che l’hojojutsu fosse diffuso sin dai tempi dei samurai. Quando essi trasportavano i prigionieri, usavano
delle corde per legarli e controllarli dopo la cattura. Alcuni samurai divennero famosi per la loro abilità nell’intrecciare le corde, attività che doveva essere funzionale, ma anche
umana. I samurai entrarono in competizione tra loro: più elaborate e diverse erano le loro opere, maggiore rispetto acquisiva il maestro della corda. Amery apprese anche che i termini si riferivano a due tipi leggermente diversi della stessa disciplina bondage. Lo shibari era più artistico e si concentrava sulla bellezza del disegno delle corde sulla tela umana, era costituito da motivi elaborati e spesso
veniva messo in scena come performance artistica.
Il kinbaku, sebbene avesse in comune molti nodi e legature con lo Shibari, aveva una carica sessuale più marcata.
Istituiva un legame tra il maestro della corda e la persona che veniva legata, fondato sul contatto della pelle durante il processo di legatura, e spesso i nodi venivano posti in zone erogene strategiche.
The Mastered Series - Legami”
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