“She smiled at him as they waited for their dessert, her chin poised on her clasped hands.
'You're being very silent.'
'That's how men cry.”
― John Fowles, quote from Daniel Martin
“We think we grow old, we grow wise and more tolerant; we just grow more lazy.”
― John Fowles, quote from Daniel Martin
“[об американцах]
— Я понимаю, они — туристы, не отличающиеся очень уж развитым воображением. Вспоминаю, как училась там в школе. Ребята там казались мне гораздо более открытыми, по крайней мере в том, что касалось личных пристрастий. Всегда рассказывали, что чувствуют.
— Да дело вовсе не в том, что они об этом не рассказывают.
— А в том, что недостаточно чувствуют?
— Да и не в этом тоже. Недостаточно знают. Не позволяют себе много знать. Как с этим Грамши, о котором ты говорила. — Он помолчал и добавил: — Всё всегда делают по правилам.
Джейн помолчала немного.
— Питер писал о чём-то вроде этого в одном из писем. Как вначале тебе нравится их прямота… а потом начинаешь тосковать по извивам.
— Я испытал то же самое. Прозрачность — прекрасная вещь. Пока не начинаешь понимать, что она основана не столько на внутренней честности, сколько на отсутствии воображения. И эта их так называемая откровенность по поводу секса. Они просто не понимают, что утратили.”
― John Fowles, quote from Daniel Martin
“Страшна не сама смерть, не смертная боль от ножей жатки, не вопль, не окровавленные обрубки ног… но то, что так легко умереть, уйти из жизни прежде, чем снова созреет пшеница.”
― John Fowles, quote from Daniel Martin
“Perhaps twenty minutes later he realized she had gone to sleep. He quietly removed his now stiff arm, then turned away. It must have woken her a little After a moment he felt her turn as well and lay a hand, instinctively, like a sleeping wife, across his hips; as if, in some dream, he was the one who escaped.”
― John Fowles, quote from Daniel Martin
“Cel care creează nu-l poate iubi pe cel care critică. Există o diferență prea mare între cele două activități. Una este naștere, cealaltă chirurgie.”
― John Fowles, quote from Daniel Martin
“They jogged along in silence, Jem playing with the thong of the whip, and Mary aware of his hands beside her. She glanced down at them out of the tail of her eye, and she saw they were long and slim; they had the same strength, the same grace, as his brother's. These attracted her; the others repelled her. She realised for the first time that aversion and attraction ran side by side; that the boundary line was thin between them. The thought was an unpleasant one, and she shrank from it. Supposing this had been Joss beside her ten, twenty years ago? She shuttered the comparison at the back of her mind, fearing the picture it conjured. She knew now why she hated her uncle.”
― Daphne du Maurier, quote from Jamaica Inn
“Özgürlük ağır bir yüktür, ruhun yüklenmesi gereken büyük ve garip bir sorumluluk. Kolay değildir. Verilen bir armağan değil, yapılan bir seçimdir; bu seçim de zor bir seçim olabilir.”
― Ursula K. Le Guin, quote from The Tombs of Atuan
“in the ancient African tradition women are the sacred key to life. They carry, then push all life into existence. They are a metaphor for wisdom. Midnight”
― Sister Souljah, quote from The Coldest Winter Ever
“Excessive caution destroys the soul and the heart, because living is an act of courage, and an act of courage is always an act of love.”
― Paulo Coelho, quote from Manuscript Found in Accra
“Royce understood then why she had come: she had come to finish the task her relatives had begun; to do to him what he had done to her brother. Unmoving, he watched her, noting that tears were pouring down her beautiful face as she slowly bent down. But instead of reaching for his lance or her dagger, she took his hand between both of hers and pressed her lips to it. Through his daze of pain and confusion, Royce finally understood that she was kneeling to him, and a groan tore from his chest: "Darling," he said brokenly, tightening his hand, trying to make her stand, "don't do this…"
But his wife wouldn't listen. In front of seven thousand onlookers, Jennifer Merrick Westmoreland, countess of Rockbourn, knelt before her husband in a public act of humble obeisance, her face pressed to his hand, her shoulders wrenched with violent sobs. By the time she finally arose, there could not have been many among the spectators who had not seen what she had done. Standing up, she stepped back, lifted her tear-streaked face to his, and squared her shoulders.
Pride exploded in Royce's battered being—because, somehow, she was managing to stand as proudly—as defiantly—as if she had just been knighted by a king.”
― Judith McNaught, quote from A Kingdom of Dreams
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