“Books are always obviously having conversations with other books, and some times they're amiable and sometimes not.”
― China Miéville, quote from The City & the City
“Is it more childish and foolish to insist that there is a conspiracy or that there is not?”
― China Miéville, quote from The City & the City
“He walked with equipoise, possibly in either city. Schrödinger’s pedestrian.”
― China Miéville, quote from The City & the City
“We would never call inexplicable little insights 'hunches,' for fear of drawing the universe's attention. But they happened, and you knew you had been in the proximity of one that had come through if you saw a detective kiss his or her fingers and touch his or her chest where a pendant to Warsha, patron saint of inexplicable inspirations, would, theoretically, hang.”
― China Miéville, quote from The City & the City
“From that historically brief quite opaque moment, came the chaos of our material history, an anarchy of chronology, of mismatched remnants that delighted and horrified investigators.”
― China Miéville, quote from The City & the City
“You cannot train yourself to successfully and sustainedly unsee and unhear you do them all the time, but they also fail, repeatedly, and you cheat, repeatedly, in all sorts of small ways. The book mentions that several times. It is absolutely about absolute fidelity to those particular urban protocols, exaggerations or extrapolations of the ones that I think are all around us all the time in the real world; but it's also about cheating them, and failing them, and playing a little fast and loose, which I think is an inextricable part of such norms.”
― China Miéville, quote from The City & the City
“While yes we can both agree the sudden recovery of this footage smells not a little, and that we appear to be bits of tinfoil-on-string to some malevolent government kitten, yes yes yes but, Borlu, however they've come by this evidence, this is the correct decision.”
― China Miéville, quote from The City & the City
“There is no case,” he told her. “There’s a series of random and implausible crises that make no sense other than if you believe the most dramatic possible shit. And there’s a dead girl at the end of it all.”
― China Miéville, quote from The City & the City
“Interstiality is a theme that is simultaneously genuinely interesting and potentially quite useful, and also a terrible cliché, so if you're going to use it, it helps to be at least respectfully skeptical about the wilder claims of its theoretical partisans, I think.”
― China Miéville, quote from The City & the City
“His fidelity to the cliche transcended the necessity to communicate.”
― China Miéville, quote from The City & the City
“Like any dissidents they were neurotic archivists. Agree, disagree, show no interest in or obsess over their narrative of history, you couldn't say their didn't shore it up with footnotes and research.”
― China Miéville, quote from The City & the City
“At the social/political/ juridical, etc., level, the organizing principle was less to do with games and more to do with the nature of taboos—enormously powerful, often enormously arbitrary, and (crucially) regularly quietly broken, without undermining the fact of the taboo itself. That last element, I think, is sometimes underestimated in the discussions of cultural norms, where they are both asserted and breached. Both those elements are foundational.
— author interview”
― China Miéville, quote from The City & the City
“…where the two cities are close up they make for interference patterns, harder to read or predict. They are more than a city and a city; that is elementary urban arithmetic.”
― China Miéville, quote from The City & the City
“If the techs are on it we're fine, but Briamiv and his buddy could fuck up a full stop at the end of a sentence.”
― China Miéville, quote from The City & the City
“But here’s the problem you’re not addressing. While yes we can both agree the sudden recovery of this footage smells not a little, and that we appear to be bits of tinfoil-on-string to some malevolent government kitten, yes yes yes but, Borlú, however they’ve come by the evidence, this is the correct decision.”
― China Miéville, quote from The City & the City
“Volunteering’s an early and strong indication that you’re not suited,” he said.”
― China Miéville, quote from The City & the City
“But pass through Copula Hall and she or he might leave Beszel, and at the end of the hall come back to exactly (corporeally) where they had just been, but in another country, a tourist, a marvelling visitor, to a street that shared the latitude-longitude of their own address, a street they had never visited before, whose architecture they had always unseen, to the Ul Qoman house sitting next to and a whole city away from their own building, unvisible there now they had come through, all the way across the Breach, back home.”
― China Miéville, quote from The City & the City
“It's not just us keeping them apart. It's everyone in Beszel and everyone in Ul Qoma. Every minute, every day. We're only the last ditch: it's everyone in the cities who does most of the work. It works because you don't blink. That's why unseeing and unsensing are so vital. No one can admit it doesn't work. So if you don't admit it, it does. But if you breach, even if it's not your fault, for more than the shortest time ... you can't come back from that.”
― China Miéville, quote from The City & the City
“...If she were studying Orciny, and there might be excellent reasons to do so, she'd be doing her doctorate in Folklore or Anthropology or maybe Comp Lit. Granted, the edges of disciplines are getting vague. Also that Mahalia is one of a number of young archaeologists more interested in Foucault and Baudrillard than in Gordon Childe or in trowels.”
― China Miéville, quote from The City & the City
“The early years of a Bes (and presumably an Ul Qoman) child are intense learnings of cues. We pick up styles of clothing, permissible colours, ways of walking and holding oneself, very fast. Before we were eight or so most of us could be trusted not to breach embarrassingly and illegally, though licence of course is granted children every moment they are in the street.”
― China Miéville, quote from The City & the City
“They looked like people-shaped clay in the moments before God breathed out.”
― China Miéville, quote from The City & the City
“«Si riferisce ai loro poteri magici? Vorrei, lo vorrei tanto. Ma anche così questi scavi sono incomparabili. La cultura materiale non ha nessun senso. Non esiste nessun’altra parte al mondo in cui si possa riportare alla luce quelli che sembrano oggetti della tarda antichità con bordi taglienti, reperti in bronzo bellissimi e compositi mischiati con materiale palesemente neolitico. Con questa roba è come se la stratigrafia andasse a farsi benedire. È stata usata come prova contro il matrix di Harris... erroneamente, ma capirà perché. Ecco perché questi scavi sono così popolari fra i giovani archeologi.”
― China Miéville, quote from The City & the City
“Tutte le note erano come a strati, un palinsesto di interpretazione in progresso. Feci archeologia.”
― China Miéville, quote from The City & the City
“And even if you’re right, the CIA paid millions of dollars to men trying to kill goats by staring at them,” I said.”
― China Miéville, quote from The City & the City
“Same weather over here as back home," I said.”
― China Miéville, quote from The City & the City
“How could one not think of the stories we all grew up on, that surely the Ul Qomans grew up on too? Ul Qoman man and Besź maid, meeting in the middle of Copula Hall, returning to their homes to realise that they live, grosstopically, next door to each other, spending their lives faithful and alone, rising at the same time, walking crosshatched streets close like a couple, each in their own city, never breaching, never quite touching, never speaking a word across the border.”
― China Miéville, quote from The City & the City
“But you, Holmes-you have changed very little-save for that horrible goatee."
"These are the sacrifices one makes for one's country, Watson," said Holmes, pulling at his little tuft. "To-morrow it will be but a dreadful memory.”
― Arthur Conan Doyle, quote from His Last Bow
“We accept without question that we–human beings– are the center of the universe. Talk about hubris. But when a woman says, 'I love you', that won't go through our skulls.”
― Alex Flinn, quote from Breathing Underwater
“...she was afraid of losing her shape, spreading out, not being able to contain herself any longer, beginning (that would be worst of all) to talk a lot, to tell everybody, to cry.”
― Margaret Atwood, quote from The Edible Woman
“I could not help staring back, for they made quite a contrast: Kate's pale skin and elegant purple suit, Nadira's dusky skin and exotic fiery sari.
"Do we clash?" Nadira said dryly.
"We certainly do," said Kate. "Would you like me to move?"
"Don't trouble yourself.”
― Kenneth Oppel, quote from Skybreaker
“Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget
…But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you
Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night.
The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next
At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist
Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain
True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break
Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before
The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night
He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities.
Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing.
I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be
The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything
Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told
You were nothing more than a speck of dust, good-looking dust, but dust all the same
Some people needed saving
She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last
Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move?
At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more
She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more”
― Alice Hoffman, quote from Blue Diary
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