“And this time as the lashes come, try to think about the pain, instead of against it, because there is not one single aspect of life, past, present, or future, that does not tear your reason from you, to think on it. So think about the pain. This pain after all has its limits. You can chart its passage through your body. It has a beginning, middle, end. Imagine if it had a color. The first cut of the lash is what, red? Red, spreading into a brilliant yellow. And this one again, red, red, no yellow, and then white, white, white, white. . .Why have you incarcerated yourself in this palazzo of torture chambers, why do you not leave this place? Because you are a monster and this is a school for monsters, and if you leave here, then you will be completely, completely alone! Alone with this!
Don't weep in front of these strangers. Swallow it down. Don't weep in front of these strangers! Cry to heaven, cry to heaven, cry to heaven.”
― Anne Rice, quote from Cry to Heaven
“In all my life,” Ernestino said, “I have never heard a voice like that. God has touched you, Signore. But sing while you can, because it won’t be long before those high notes leave you forever.”
― Anne Rice, quote from Cry to Heaven
“That one, there,” Tonio murmured, but the weight of his suspicion was breaking him, sickening him. Send death for me, like that, some paid assassin? It seemed he’d already been dealt the blow and this was not life any longer, rather some nightmare place where that sentinel stood on the bridge and these strangers urged him to a meaningless portal.”
― Anne Rice, quote from Cry to Heaven
“He was tired and full of shame, and if Ernestino and the others wouldn’t brave this rain, he would go it alone, he would find some place to sing, some place where, anonymous and numbed by drink, he could sing until he had forgotten everything.”
― Anne Rice, quote from Cry to Heaven
“But he could not go up to the room as yet, and seating himself on a stone step, his head on his arms, he wept silently. Years had passed since he had shed tears, or so it seemed. Surely years since he had let them flow so copiously. And what stopped him finally was that he could hear his own crying.”
― Anne Rice, quote from Cry to Heaven
“The Horror of the world was that thousands of evils fell upon innocent people, and no one was punished and with great promise there was nothing but pain and desire Children mutilated to form a choir of seraphim. Their song was a cry to heaven the sky was not listening. ”
― Anne Rice, quote from Cry to Heaven
“Tonio Treschi was that half man, that less than man that arouses the contempt of every whole man who looks upon it. Tonio Treschi was that thing which women cannot leave alone and men find infinitely disturbing, frightening, pathetic, the butt of jokes and endless bullying, the necessary evil of the church choirs and the opera stage which is, outside that artifice and grace and soaring music, very simply monstrous.”
― Anne Rice, quote from Cry to Heaven
“So why must it wound him that the most despairing music is full of beauty? Why must it hurt him and make him cynical and sad and untrusting?”
― Anne Rice, quote from Cry to Heaven
“Who were the men who did this?" Guido demanded suddenly.
Tonio was putting on his cloak. He looked up as if already in deep thought.
"Fools," he answered, "at the command of a coward.”
― Anne Rice, quote from Cry to Heaven
“Who were the men who did this?" Guido demanded suddenly.
Tonio was putting on his cloack. He looked up as if already in deep thought.
"Fools," he answered, "at the command of a coward."
page 139”
― Anne Rice, quote from Cry to Heaven
Anne Rice
Born place: in New Orleans, Louisiana, The United States
Born date October 4, 1941
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“How do people imagine the landscapes they find themselves in? How does the land shape the imaginations of the people who dwell in it? How does desire itself, the desire to comprehend, shape knowledge?”
― Barry López, quote from Arctic Dreams
“Ireland, like Ukraine, is a largely rural country which suffers from its proximity to a more powerful industrialised neighbour. Ireland’s contribution to the history of tractors is the genius engineer Harry Ferguson, who was born in 1884, near Belfast.
Ferguson was a clever and mischievous man, who also had a passion for aviation. It is said that he was the first man in Great Britain to build and fly his own aircraft in 1909. But he soon came to believe that improving efficiency of food production would be his unique service to mankind. Harry Ferguson’s first two-furrow plough was attached to the chassis of the Ford Model T car converted into a tractor, aptly named Eros. This plough was mounted on the rear of the tractor, and through ingenious use of balance springs it could be raised or lowered by the driver using a lever beside his seat. Ford, meanwhile, was developing its own tractors. The Ferguson design was more advanced, and made use of hydraulic linkage, but Ferguson knew that despite his engineering genius, he could not achieve his dream on his own. He needed a larger company to produce his design. So he made an informal agreement with Henry Ford, sealed only by a handshake. This Ford-Ferguson partnership gave to the world a new type of Fordson tractor far superior to any that had been known before, and the precursor of all modern-type tractors. However, this agreement by a handshake collapsed in 1947 when Henry Ford II took over the empire of his father, and started to produce a new Ford 8N tractor, using the Ferguson system. Ferguson’s open and cheerful nature was no match for the ruthless mentality of the American businessman. The matter was decided in court in 1951. Ferguson claimed $240 million, but was awarded only $9.25 million. Undaunted in spirit, Ferguson had a new idea. He approached the Standard Motor Company at Coventry with a plan, to adapt the Vanguard car for use as tractor. But this design had to be modified, because petrol was still rationed in the post-war period. The biggest challenge for Ferguson was the move from petrol-driven to diesel-driven engines and his success gave rise to the famous TE-20, of which more than half a million were built in the UK. Ferguson will be remembered for bringing together two great engineering stories of our time, the tractor and the family car, agriculture and transport, both of which have contributed so richly to the well-being of mankind.”
― Marina Lewycka, quote from A Short History of Tractors in Ukrainian
“He is momentarily filled with a kind of pity for his son. What a task lies ahead of him: to learn literally everything.”
― Maggie O'Farrell, quote from The Hand That First Held Mine
“Rhythm? Not only do I have to defy gravity. I have to have rhythm while I do it?”
― Kristin Walker, quote from A Match Made in High School
“The mere mention of the Farakka Express, which jerks its way eastward each day from Delhi to Calcutta, is enough to throw even a seasoned traveller into fits of apoplexy. At a desert encampment on Namibia's Skeleton Coast, a hard-bitten adventurer had downed a peg of local fire-water then told me the tale. Farakka was a ghost train, he said, haunted by ghouls, Thuggees, and thieves. Only a passenger with a death wish would go anywhere near it.”
― Tahir Shah, quote from Sorcerer's Apprentice
Forever Odd
Endless
I Let You Go
Unbelievable
Phantom
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