“There was something heartbreakingly beautiful about the lights of distant ships, I thought. It was something that touched both on human achievement and the vastness against which those achievements seemed so frail. It was the same thing whether the lights belonged to a caravel battling the swell on a stormy horizon or a diamond-hulled starship which had just sliced its way through interstellar space.”
― Alastair Reynolds, quote from Chasm City
“War was about yawning chasms of inactivity, punctuated by brief, screaming interludes of action. And in those brief, screaming interludes, events happened both quickly and with dreamlike slowness, every instant burned into memory.”
― Alastair Reynolds, quote from Chasm City
“Victory loses its meaning without the memory of what you've vanquished.”
― Alastair Reynolds, quote from Chasm City
“Then they'd be wrong. It's only our deeds that make us evil, Tanner; they're what define us, nothing else, not our intentions or feelings. But what are a few bad deeds compared to a life, especially the kinds of lives we can live now?”
― Alastair Reynolds, quote from Chasm City
“You don't usually think of boredom as something similar to pain. That's because you've only been exposed to it in relatively small doses. You don’t know its true colour. The difference between the boredom you know and the boredom I know is like the difference between touching snow and putting your hand in a vat of liquid nitrogen.”
― Alastair Reynolds, quote from Chasm City
“The Melding Plague attacked our society at the core. It was not quite a biological virus, not quite a software virus, but a strange and shifting chimera of the two. No pure strain of the plague has ever been isolated, but in its pure form it must resemble a kind of nano-machinery, analogous to the molecular-scale assemblers of our own medichine technology. That it must be of alien origin seems beyond doubt. Equally clear is the fact that nothing we have thrown against the plague has done more than slow it. More often than not, our interventions have only made things worse. The plague adapts to our attacks; it perverts our weapons and turns them against us. Some kind of buried intelligence seems to guide it. We don’t know whether the plague was directed toward humanity—or whether we have just been terribly unlucky.”
― Alastair Reynolds, quote from Chasm City
“To Sky, Clown had become something to be understood; something to be dissected and parameterised. Clown, he now recognised, was something like the bubble-drawing the dolphin had made in the water: a projection carved from light rather than sound.”
― Alastair Reynolds, quote from Chasm City
“There's such a thing as free will, Tanner. You didn't have to go along with me, unless you want to admit your brain is ruled by your dick. And I didn't get the impression you regretted any of that.”
― Alastair Reynolds, quote from Chasm City
“This is how Heaven works. They're practical. We are always looking for rays of light. For lightning bolts or burning bushes. But God is a worker, like us. He made the world — He didn't hire poor Indios to build it for him! God has worker's hands. Just remember — angels carry no harps. Angels carry hammers.”
― Luis Alberto Urrea, quote from The Hummingbird's Daughter
“I swear, if I ever get my hands on the wicked witch I'm going to witch-slap her.”
― Quinn Loftis, quote from Out of the Dark
“Love changes, aye, in the manner of growing to encompass as much of its subject as possible. Virtues, flaws, limitations, everything—love will fondle them all, with child-like fascination.’ She”
― Steven Erikson, quote from House of Chains
“Can we get back to work now?" Haley asked, sounding innocent, but Zoe didn't miss the woman's lips twitching
or the humor sparkling in her eyes. Something told her that this woman truly enjoyed torturing her husband.
"For god sake's, my little grasshopper, you love the Yankees more than I do! What the hell is going on?" He turned accusing eyes on Zoe. "How dare you brainwash my wife?" he hissed.
"A re you going to leave so that we can get some work done?" Haley demanded, turning her attention to the computer.
"No," he said stubbornly, folding his arms over his chest, glaring at them.
"Buttercream frosting," Haley said softly, never taking her eyes away from her computer screen.
Jason licked his lips as he looked his pregnant wife over hungrily. "Tonight?" he croaked out.
"If you're good," Haley said, with a small shrug. "But you have to leave-"
"Bye," Jason said quickly, cutting her off and rushing out of the trailer just as fast as he came.”
― R.L. Mathewson, quote from Perfection
“Non troppi anni fa c'era un modo prefabbricato di essere vecchi, proprio come c'era un modo prefabbricato di essere giovani. Non sono più in vigore, né l'uno né l'altro. Sul permissibile c'è stata una grande lotta; e un grande ribaltamento. Nondimeno, un uomo di settantanni dovrebbe ancora lasciarsi coinvolgere nell'aspetto carnale della commedia umana? Essere, senz'alcuna contrizione, un vecchio secolare ancora sensibile a ciò che di umanamente eccitante lo circonda? Non è la condizione che una volta era simboleggiata dalla pipa e dalla sedia a dondolo. Forse è ancora un po' un affronto, per la gente, rifiutarsi di ubbidire al vecchio orologio della vita. Capisco di non poter contare sul virtuoso rispetto degli altri adulti. Ma cosa posso farci se, per quello che mi riguarda, non ci si mette mai l'animo in pace, mai, per vecchio che uno sia?”
― Philip Roth, quote from The Dying Animal
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