Chasm City

There was something heartbreakingly beautiful about the lights of distant ships, I thought. It was something that touched both on human achievement and the vastness against which those achievements seemed so frail. It was the same thing whether the lights belonged to a caravel battling the swell on a stormy horizon or a diamond-hulled starship which had just sliced its way through interstellar space.

War was about yawning chasms of inactivity, punctuated by brief, screaming interludes of action. And in those brief, screaming interludes, events happened both quickly and with dreamlike slowness, every instant burned into memory.

Victory loses its meaning without the memory of what you've vanquished.

Then they'd be wrong. It's only our deeds that make us evil, Tanner; they're what define us, nothing else, not our intentions or feelings. But what are a few bad deeds compared to a life, especially the kinds of lives we can live now?

You don't usually think of boredom as something similar to pain. That's because you've only been exposed to it in relatively small doses. You don’t know its true colour. The difference between the boredom you know and the boredom I know is like the difference between touching snow and putting your hand in a vat of liquid nitrogen.

The Melding Plague attacked our society at the core. It was not quite a biological virus, not quite a software virus, but a strange and shifting chimera of the two. No pure strain of the plague has ever been isolated, but in its pure form it must resemble a kind of nano-machinery, analogous to the molecular-scale assemblers of our own medichine technology. That it must be of alien origin seems beyond doubt. Equally clear is the fact that nothing we have thrown against the plague has done more than slow it. More often than not, our interventions have only made things worse. The plague adapts to our attacks; it perverts our weapons and turns them against us. Some kind of buried intelligence seems to guide it. We don’t know whether the plague was directed toward humanity—or whether we have just been terribly unlucky.

To Sky, Clown had become something to be understood; something to be dissected and parameterised. Clown, he now recognised, was something like the bubble-drawing the dolphin had made in the water: a projection carved from light rather than sound.

There's such a thing as free will, Tanner. You didn't have to go along with me, unless you want to admit your brain is ruled by your dick. And I didn't get the impression you regretted any of that.