Louise Erdrich · 416 pages
Rating: (19.4K votes)
“Our songs travel the earth. We sing to one another. Not a single note is ever lost and no song is original. They all come from the same place and go back to a time when only the stones howled.”
“She had always been a reader… but now she was obsessed. Since her discovery of the book hoard downstairs from her job, she’d been caught up in one such collection of people and their doings after the next…The pleasure of this sort of life – bookish, she supposed it might be called, a reading life – had made her isolation into a rich and even subversive thing. She inhabited one consoling or horrifying persona after another…That she was childless and husbandless and poor meant less once she picked up a book. Her mistakes disappeared into it. She lived with an invented force.”
“When small towns find they cannot harm the strangest of their members, when eccentrics show resilience, they are eventually embraced and even cherished.”
“She slowly became convinced…that at the center of the universe not God but a tremendous deadness reigned. The stillness of a drunk God, passed out cold…She had learned of it in that house…where the drunks crashed…Things had happened to her there. She was neither raped nor robbed, nor did she experience God’s absence to any greater degree than other people did. She wasn’t threatened or made to harm anyone against her will. She wasn’t beaten, either, or deprived of speech or voice. It was, rather, the sad blubbering stories she heard in the house. Delphine witnessed awful things occurring to other humans. Worse than that, she was powerless to alter their fate. It would be that way all her life – disasters, falling like chairs all around her, falling so close they disarranged her hair, but not touching her.”
“As Delphine watched, into her head there popped a strange notion: the idea that perhaps strongly experienced moments, as when Eva turned and the sun met her hair and for that one instant the symbol blazed out, those particular moments were eternal. Those moments actually went somewhere. Into a file of moments that existed out of time's range and could not be pilfered by God.”
“Delphine witnessed awful things occurring to other humans. Worse than that, she was powerless to alter their fate. It would be that way all her life--disasters, falling like chairs all around her, falling so close they disarranged her hair, but not touching her.”
“Upon walking into Eva's kitchen, something profound happened to Delphine. She experienced a fabulous expansion of being. Light-headed, she felt a swooping sensation and then a quiet, as though she'd settled like a bird.”
“Something in her was changing as she read the books. Life after life flashed before her eyes, yet she stayed safe from misery. And the urge to act things out onstage could be satisfied cheaply, and at home, and without the annoyance of other members of an acting company. Her ambition to leave faded and a kind of contentment set in. She hadn't exactly feared the word contentment, but had always associated it with a vague sense of failure. To be discontented had always seemed much richer a thing. To be restless, striving. That view was romantic. In truth, she was finding out, life was better lived in a tranquil pattern. As long as she could read, she never tired of the design of her days.”
“Delphine began to read with a mad attention when she wanted to talk to Clarisse. She saw that in her life there was a woman-shaped hole, a cutout that led to a mysterious place. Through it, her mother, then Eva, and now Clarisse had walked. If only she could plunge her arms through and drag them back.”
“Why now that he's sober and thoughtful, and living as a good man, does he get in the worst trouble of his life?”
“Bad smells made her angry, they were a personal affront.”
“..She had started to understand how a woman's attention could succeed in making sense of a man's blind chaos..”
“If you march your Winter Journeys you will have your reward, so long as all you want is a penguin's egg.”
“Capturing the beauty of the conversion of the water into wine, the poet Alexander Pope said, "The conscious water saw its Master and blushed." That sublime description could be reworked to explain each one of these miracles. Was it any different in principle for a broken body to mend at the command of its Maker? Was it far-fetched for the Creator of the universe, who fashioned matter out of nothing, to multiply bread for the crowd? Was it not within the power of the One who called all the molecules into existence to interlock them that they might bear His footsteps?”
“The man in ecstasy and the man drowning—both throw up their arms.”
“One night between sunset and river
On the old bridge we stood, you and I.
Will you ever forget it, I queried,
- That particular swift that went by?
And you answered, so earnestly: Never!
And what sobs made us suddenly shiver,
What a cry life emitted in flight!
Till we die, till tomorrow, for ever,
You and I on the old bridge one night.”
“BARBARA: Johnna . . . what did my father say to you? (Pause.) JOHNNA: He talked a lot about his daughters . . . his three daughters, and his granddaughter. That was his joy. BARBARA: Thank you. That makes me feel better. Knowing that you can lie.”
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