“Sanabalis never seemed to eat, and he deflected most of her questions about Dragon cuisine. Then again, he deflected most of her questions about Dragons, period. Which was annoying because he was one, and could in theory be authorative.”
― Michelle Sagara, quote from Cast in Silence
“Stop judging your life only by the failures," he whispered.
"What should I do?" she whispered. "I'm always going to fail."
"We all do," he said softly, his voice closer now. "We all fail. But none of us fail all the time.”
― Michelle Sagara, quote from Cast in Silence
“Manners,[...] are severly underappreciated in my opinion".
"Oh?"
Where practiced well, they remove the probability that someone in my position will be forced to go through the effort of killing someone in yours. Belive that on occasion that much death can become tedious.”
― Michelle Sagara, quote from Cast in Silence
“What would this have been, if it had more power to give?"
"This may come as a surprise to you," he replied dryly, "But I am not an Ancient. Nor am I, human philosophy aside, a living construct."
"Which means you don't know."
"Which means, as you so succinctly put it, I do not know." - Kaylin & Tiamaris”
― Michelle Sagara, quote from Cast in Silence
“There is not a man born among us who dreams—at first—of service, although in the end, many are bent that way.”
― Michelle Sagara, quote from Cast in Silence
“There were always people who struggled their way to the top of the heap, no matter how much that heap looked like garbage when seen from the outside.”
― Michelle Sagara, quote from Cast in Silence
“Which would pretty much end most of the lives that Kaylin cared about, although to be fair, it would probably end the other ones, as well.”
― Michelle Sagara, quote from Cast in Silence
Michelle Sagara
Born date January 1, 1963
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“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“He looks good for a while, but ya know, ya can’t shine a sneaker.”
― Claire Cook, quote from Must Love Dogs
“But I don't care about guys all the time. I want to fall in love with Daniel. But I don't want to get hurt, and that's what love means. It means getting hurt.”
― Andra Brynn, quote from Where I End and You Begin
“Isabelle's moods began to vary with alarming speed. She wondered if she had always been this way and simply failed to notice. No. Good heavens, you noticed something like this: driving to the A&P feeling collected and cozy, as though your clothes fit around you exactly right, and by the time you drove home feeling completely undone, because as you walked across the parking lot the smell of the grocery bag you held in your arms mingled with the smell of spring and produced some scrape of longing in your heart. Frankly, it was exhausting. Because for all those moments of hope that God was near, of some bursting, some widening seeming to take place in her heart, Isabelle had other moments that could only be described as rage. (117)”
― Elizabeth Strout, quote from Amy and Isabelle
“intense feeling is the mother of eloquence.”
― H. Rider Haggard, quote from Dawn
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