In Cold Blood
Quotes from the Book
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky." "She's drunk," Joe Bell informed me. "Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
You call yourself a free spirit, a "wild thing," and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself.
It may be normal, darling; but I'd rather be natural.
The answer is good things only happen to you if you're good. Good? Honest is more what I mean... Be anything but a coward, a pretender, an emotional crook, a whore: I'd rather have cancer than a dishonest heart.
Anyone who ever gave you confidence, you owe them a lot.
I don't want to own anything until I find a place where me and things go together.
Aprils have never meant much to me, autumns seem that season of beginning, spring.
You know the days when you get the mean reds? Paul Varjak: The mean reds. You mean like the blues? Holly Golightly: No. The blues are because you’re getting fat, and maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid, and you don’t know what you’re afraid of. Do you ever get that feeling?
It’s better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes.
You can love somebody without it being like that. You keep them a stranger, a stranger who's a friend.
Home is where you feel at home. I'm still looking.
She was still hugging the cat. "Poor slob," she said, tickling his head, "poor slob without a name. It's a little inconvenient, his not having a name. But I haven't any right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together. I'm not quite sure where that is just yet. But I know what it's like." She smiled, and let the cat drop to the floor. "It's like Tiffany's," she said. [...] It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany's, then I'd buy some furniture and give the cat a name.
Never love a wild thing...If you let yourself love a wild thing. You'll end up looking at the sky.
Everybody has to feel superior to somebody," she said. "But it's customary to present a little proof before you take the privilege.
I told you: you can make yourself love anybody.
Don't wanna sleep, don't wanna die, just wanna go a-travellin' through the pastures of the sky
would you reach in the drawer there and give me my purse. A girl doesn't read this sort of thing without her lipstick.
I loved her enough to forget myself, my self pitying despairs, and be content that something she thought happy was going to happen.
Leave it to me: I'm always top banana in the shock department.
Good luck and believe me, dearest Doc - it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
we don't belong to each other: he's an independent, and so am I.
I'm very scared, Buster. Yes, at last. Because it could go on forever. Not knowing what's yours until you've thrown it away.
Reading dreams. That's what started her walking down the road. Every day she'd walk a little further: a mile, and come home. Two miles, and come home. One day she just kept on.
You’re wrong. She is a phony. But on the other hand you’re right. She isn’t a phony because she’s a real phony. She believes all this crap she believes. You can’t talk her out of it.
It should take you about four seconds to walk from here to the door. I'll give you two.
You're wonderful. Unique. I love you.
I'll never get used to anything. Anybody that does they might as well be dead.
Love should be allowed. I’m all for it. Now that I’ve got a pretty good idea what it is.
But it's Sunday, Mr. Bell. Clocks are slow on Sundays.
What I found does the most good is just to get into a taxi and go to Tiffany's. It calms me down right away, the quietness and the proud look of it;nothing very bad could happen to you there.
Did you know?
- The novella was first published in 1958 in a volume that also contained three short stories: House of Flowers, A Diamond Guitar, and A Christmas Memory.
- Truman Capote reportedly wanted Marilyn Monroe to play Holly Golightly, but the role went to Audrey Hepburn in the 1961 film.
- The story is set in the Upper East Side of Manhattan during the early years of World War II.
- The narrator of the novella is an unnamed writer who recalls Holly through a series of flashbacks.
About Truman Capote
More by Truman Capote
In Cold Blood
Other Voices, Other Rooms
The Grass Harp, Including A Tree of Night and Other Stories
A Christmas Memory
About the book
"Breakfast at Tiffany's" is a novella by Truman Capote, first published by Random House in 1958 in a volume alongside three short stories. Narrated years later by an unnamed writer, it recalls his friendship in early-1940s wartime Manhattan with Holly Golightly, his neighbor in an Upper East Side brownstone. Holly is a captivating young woman who lives off wealthy men, drifts through New York's social world, and makes weekly visits to a jailed racketeer named Sally Tomato, an arrangement that eventually entangles her in trouble.
At its heart the story is a portrait of restlessness and the longing for a place to belong. Holly is a self-invented figure who resists being pinned down, and the novella explores freedom, identity, loneliness, and the impossibility of ever truly possessing another person. The narrator's affection frames her as both dazzling and elusive, a woman perpetually on her way somewhere else.
The novella cemented Capote's reputation and became one of his most beloved works, its heroine an enduring icon of mid-century American fiction. It was adapted into the celebrated 1961 film directed by Blake Edwards and starring Audrey Hepburn, whose performance made the character world-famous, though the film softened much of the book's edge. Capote is also known for his pioneering true-crime work In Cold Blood, and Breakfast at Tiffany's remains a touchstone of his elegant, observational style.
Key characters
- Holly GolightlyFree-spirited young socialite at the center of the story
- The narratorUnnamed writer and neighbor who recounts his friendship with Holly
- Doc GolightlyTexas veterinarian who was Holly's teenage husband
- Joe BellBartender acquainted with both Holly and the narrator
- Sally TomatoImprisoned racketeer whom Holly visits for weekly payments
- Jose Ybarra-JaegarBrazilian diplomat romantically involved with Holly
Book details
- First published
- 1958
- Length
- 179 pages
- Reading time
- 3 hours
- Author
- Truman Capote
- Genre
- Classics
- Goodreads rating
- 3.85 (255k ratings) →
- First line
- “I am always drawn back to places where I have lived, the houses and their neighborhoods.”
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1The Great GatsbyAnother lyrical American tale of reinvention, glamour, and elusive longing
- 2In Cold BloodCapote's own landmark work, showcasing the same precise, observational prose
Keep reading
No One Belongs Here More Than You
The Jewel
Fiesta
The Sea of Tranquility
Endless Night
The Help
Looking for Alibrandi
Where'd You Go, Bernadette
Unlit Star
Shopaholic Takes Manhattan
In a Holidaze
Norwegian Wood
You Know Me Well
Twenties Girl
Chasing Brooklyn
Blue Moon
Water for Elephants
Belong to Me
This Side of Paradise
Cackle
Raise High the Roof Beam, Carpenters & Seymour: An Introduction
Funny Story
Anne of Windy Poplars
When You Reach Me
The Portable Dorothy Parker
Return to Paradise
Eleanor Oliphant Is Completely Fine
One Day
Second Helpings
Business Casual
Franny and Zooey
Suddenly Royal
The Powerbook
You
Leaving Paradise
Dry
An Abundance of Katherines
Jazz
Love from A to Z
The Spectacular Now
How to Say Goodbye in Robot
Hallowed
Picture Perfect
Take Me With You
A Fine and Private Place
All the Bright Places
Now is Good
Lost and Found Sisters
Confessions of a Shopaholic
The Feast of Love
A Kiss in Time
Sundays at Tiffany's
White Horse
An Artificial Night
Tell the Wolves I'm Home
Attachments
The Sisterhood of the Traveling Pants
Embrace
Part of Your World
Geekerella

