“I don't want to see another church; the smell of the places makes me sick. Stale incense, old sweat, and lies...
"In the Hills, the Cities”
― Clive Barker, quote from Books of Blood: Volume One
“There was a memory and a promise of blood in the air.”
― Clive Barker, quote from Books of Blood: Volume One
“Kaufman almost smiled at the perfection of its horror. He felt an offer of insanity tickling the base of his skull, tempting him into oblivion, promising a blank indifference to the world.”
― Clive Barker, quote from Books of Blood: Volume One
“He was to be their page, their book, the vessel for their autobiographies. A book of blood. A book made of blood. A book written in blood.”
― Clive Barker, quote from Books of Blood: Volume One
“Kaufman calculated the risks of his situation: the mathematics of panic.”
― Clive Barker, quote from Books of Blood: Volume One
“Especially politics; that was the best trough to wallow in. You could get your snout, eyes, head and front hooves in that mess of muck and have a fine old time splashing around. It was an inexhaustible subject to devour, a swill with a little of everything in it, because everything, according to Judd, was political.”
― Clive Barker, quote from Books of Blood: Volume One
“Minds weren't pictures at an exhibition, all numbered, and hung in order of influence, one marked "Cunning," the next, "Impressionable." They were scrawls; they were sprawling splashes of graffiti, unpredictable, unconfinable.”
― Clive Barker, quote from Books of Blood: Volume One
“Es war ekelerregend, es war sauberste Arbeit, und es verwirrte zutiefst.”
― Clive Barker, quote from Books of Blood: Volume One
“Si el amor se alimenta de música, seguid tocando"
(Shakepeare)”
― Clive Barker, quote from Books of Blood: Volume One
“There was no harm done; and what would a Resurrection be without a few laughs?”
― Clive Barker, quote from Books of Blood: Volume One
“The carcass closest to him was the remains of the pimply youth he'd seen in Car One. The body hung upside-down, swinging back and forth to the rhythm of the train, in unison with its three fellows; an obscene danse macabre. Its arms dangled loosely from the shoulder joints, into which gashes an inch or two deep had been made, so the bodies would hang more neatly.”
― Clive Barker, quote from Books of Blood: Volume One
“Lo tocó como nunca antes se había atrevido a hacerlo, acariciando su cuerpo con la punta de los dedos muy, muy suavemente, recorriendo la piel levantada como una mujer ciega leyendo braille.”
― Clive Barker, quote from Books of Blood: Volume One
“...es mejor estar preparados para lo peor y es de sabios aprender a caminar antes de perder el aliento.”
― Clive Barker, quote from Books of Blood: Volume One
“Logic is the last refuge of a coward.”
― Clive Barker, quote from Books of Blood: Volume One
“He was to be used to record their testaments. He was to be their page, their book, the vessel for their autobiographies. A book of blood. A book made of blood. A book written in blood. She thought of the grimoires that had been made of dead human skin: she'd seen them, touched them. She thought of the tattoos she'd seen: freak show exhibits some of them, others just shirtless laborers in the street with a message to their mothers pricked across their backs. It was not unknown, to write a book of blood.”
― Clive Barker, quote from Books of Blood: Volume One
Clive Barker
Born place: in Liverpool, The United Kingdom
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“If you want to understand what’s most important to a society, don’t examine its art or literature, simply look at its biggest buildings.” In medieval societies, the biggest buildings were its churches and palaces; using Campbell’s method, we can assume these were feudal cultures that revered their leaders and worshipped God. In modern Western cities, the biggest buildings are the banks—bloody great towers that dominate the docklands—and the shopping centers, which architecturally ape the cathedrals they’ve replaced: domes, spires, eerie celestial calm, fountains for fonts, food courts for pews.”
― Russell Brand, quote from Revolution
“He answered the phone to his daughter with a broken but joyous heart, ready to speak with her of astonishment and wonder.”
― Patrick Ness, quote from The Crane Wife
“And an unaware witch means a witch who doesn't know she's a witch, and because she's a women that makes her double trouble. Never trust a women."
My mothers a women," I said, suddenly feeling a little angry, "and I trust her."
Mothers are usually women," said the Spook. "And mothers are usually quite trustworthy, as long as your their son. Otherwise look out!”
― Joseph Delaney, quote from The Spook's Apprentice - Play Edition
“The biggest mistake we can make is to think that we've figured the whole thing out. The people I know who are the greatest skeptics, who are least certain about how the world and the universe works, are also the most intelligent.... Absolute certainty is only for stupid people. It requires a certain intelligence for us to realize how little we actually know.”
― quote from The Last Good Man
“It's as if I've never seen Jane before, never known her. With just an undervest on, she looks unbelievably thin. Arms no wider than the sticks of a bower. A collarbone protuding from the skin in all its detail. And with that one gesture, I learn the fundamental truth of her. When she takes off her sweater and, without thinking, hands it over to David to use as wool, I can see how Jane loves. And I know -with all my heart I know- that there is no protection in the world for someone who loves like that.”
― Helen Humphreys, quote from The Lost Garden
Collected Poems
Dog on It
If Not Now, When?
The World's Religion...
Beauty
ArrowsmithBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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