“You do not win a war by dying for your country. You win a war by making sure that some poor bastard dies for his.”
― Mal Peet, quote from Tamar
“What I'm trying to explain to my sulky little cousin is that we are doing things backwards. We are going from the end of the river to the start of the river. And endings are always sad. We are doing the sad bit first, which is wrong. Strange.”
― Mal Peet, quote from Tamar
“So? You think people stop talking to you when they are dead?”
― Mal Peet, quote from Tamar
“Boredom had not been among the dangers that the SOE had prepared him for. No pompous little officer had stood in front of his class and said, "Right, chaps, today we're going to learn how to deal with a particularly nasty little situation that secret agents tend to find themselves in: being bored abso-bloody-lutely rigid".”
― Mal Peet, quote from Tamar
“The past is a dark house, and we have only torches with dying batteries. It's probably best not to spend too much time in there in case the rotten floor gives way beneath our feet.”
― Mal Peet, quote from Tamar
“He taught me that language was rubbery, plastic. It wasn't, as I thought, something you just use, but something you can play with. Words were made up of little bits that could be shuffled, turned back to front, remixed. They could be tucked and folded into other words to produce unexpected things. It was like cookery, like alchemy. Language hid more than it revealed.”
― Mal Peet, quote from Tamar
“This line of reasoning could have frightened him, but it did not. He gained a certain strength from it. Because, after all, what can be imagined can be achieved.
At the head of the stairs, he paused to straighten a mask that had been knocked askew.”
― Mal Peet, quote from Tamar
“I'm so angry,' she said. 'I was all right until you came back. I'd given up. So many terrible things. Relatives, neighbors disappearing. Opa. The bloody Germans coming to...to strip us bare. Oma's silence. Bam, bam, bam. Like being punched over and over again. You get numb. It doesn't hurt anymore. Unless you start to hope. That's the trick, you see: you can take anything unless you start to hope.”
― Mal Peet, quote from Tamar
“Sprawled, bloody, holding the pistol, he looked like a police photograph of a suicide. Dart went back to his chair and picked up the Smith and Wesson. Five minutes passed like a year.”
― Mal Peet, quote from Tamar
“Yes, I still think of him as that, call him that. It's as real as any of his other names.”
― Mal Peet, quote from Tamar
“He loved her. It was dead simple, the way he loved her. Seamless. His love was like a wall that he'd built around her, and there wasn't a chink or flaw in it. Or so he thought. But then she started to float out of the real world, his world, and he was like a little boy trying to dam a stream with stones and mud, knowing that the water would always break through at a place he wasn't looking at. There was nothing desperate about the way he did it, though. He was always calm, it seemed. Expecting the worst and determined not to crack. She started to get up in the night and turn on all the taps, and he would get up too and stand quietly beside her watching the endless flow of water as if he found it as fascinating as she did. Then he'd guide her back to bed before turning the taps off. One night I heard something and went into the living room and saw the two of them standing out on the balcony. He'd wrapped his dressing gown around her, and I heard him say, "Yes, you are right, Marijke. The traffic is like a river of stars. Would you like to watch is some more, or go back to bed?”
― Mal Peet, quote from Tamar
“Yoyo said to me recently, 'Love and pain, that's what families are, and they fit together like this'--he slotted the tips of our fingers together--'like cogs.' Then he smiled and put a hand on my swollen belly. 'And what makes these cogs turn is hope, of course.”
― Mal Peet, quote from Tamar
“If you weren't here and Oma died, I'd deal with it. Because there'd be nothing more to lose. It'd be just me. But now it's different; it's worse. Because you're yet another person to lose. You do stupid, dangerous things, and every time you go away, I pray in agony that you'll come back. It's unfair. Hope is pulling me to pieces. I can't stand it.”
― Mal Peet, quote from Tamar
“Algebra messed up one of those divisions between things that help you make sense of the world and keep it tidy. Letters make words; figures make numbers. They had no business getting tangled up together.”
― Mal Peet, quote from Tamar
“I can explain to you why algebra is useful. But that is not what algebra is really for.' He moved his fingers gently on my temples. 'It's to keep what is in here healthy. PE for the head. And the great thing is you can do it sitting down.”
― Mal Peet, quote from Tamar
“Grandad taught me that the alien signs and symbols of algebraic equations were not just marks on paper. They were not flat. They were three-dimensional, and you could approach them from different directions, look at them from different ways, stand them on their heads. You could take them apart and put them back together in a variety of shapes, like Legos. I stopped being scared of them.”
― Mal Peet, quote from Tamar
“The thing about the Nazis," Ruud said, "is that they're paranoid, but they never see what's right under their noses. If they did, Hitler wouldn't wear that bloody silly little moustache.”
― Mal Peet, quote from Tamar
“In London, I was unique. But down here, where I was a bungalow one minute and a funeral parlour the next, I felt as thought I was dissolving. I mean, if you're everywhere, you're nowhere. If you're everything, you're nothing.”
― Mal Peet, quote from Tamar
“He didn't respond for several seconds. Then he said, "You see things... sometimes you see things that make you think the rest of your life is impossible. Just seeing them damages you so much, you think, I cannot go on being human."
Marijke wrapped her fingers over his clenched fist. He didn't look at her.
"I keep thinking about the Germans in the firing squad. Killing and then killing again and again, looking at the faces... How? How did they do that? I can't... I can't even imagine. But, the thing is, if you took one of those men and stripped away the uniform, and sat him next to me, how different would we be? Would you be able to see murder on his skin? Smell murder on his breath? And not on mine?”
― Mal Peet, quote from Tamar
“But when I stood there and saw that the end of the journey was as vague and unreachable as the beginning had been, I realized I didn't care. No, more than that: I was relieved. I didn't want an ending, didn't want to get to the full stop of our story.”
― Mal Peet, quote from Tamar
“I felt suddenly let down. Not depressed, exactly. I can only describe it as that feeling you get when you have to go back to school after a perfect holiday. Reality tugging at you, like a friend you don't really like.”
― Mal Peet, quote from Tamar
“So? You think people stop talking to you when they are dead?”
― Mal Peet, quote from Tamar
“Sufre mas el que espera siempre
que aquel que nunca espero a nadie?
Does he who is always waiting suffer more than he who’s never waited for anyone?”
― Pablo Neruda, quote from The Book of Questions
“This is fun for you?” she said. I shook my head, irritated that she was deliberately missing the point. “No, it’s not, that’s what I’m trying to say. The killing part is supposed to be fun, and the bodies should reveal that. Instead, the killing wasn’t the point at all, it was just a means to an end. Instead of the end itself … Why are you looking at me like that?” “Is that what it’s like for you?” she said. I found myself somewhat taken aback, an unusual situation for Dashing Dexter, always ready with a quip. Deborah was still coming to terms with what I was, and what her father had done with me, and I could appreciate that it was difficult for her to deal with on a daily basis, especially at work—which for her, after all, involved finding people like me and sending them to Old Sparky.”
― Jeff Lindsay, quote from Dexter By Design
“He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.”
― Colson Whitehead, quote from Apex Hides the Hurt
“Some must break
Upon the wheel of love, but not the strange,
The secret lords, whom only death can change.”
― Stanley Kunitz, quote from The Collected Poems of Stanley Kunitz
“After killing the dancer, he dismembered her body, boiled her head in a kitchen pot, and placed bits of her flesh in buckets he then kept in storage facilities. Having cooked her flesh, he then, in an act of grotesque generosity, dispensed some to the homeless in his neighborhood as "meat.”
― quote from The Anatomy of Evil
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