“She has often felt that her outsides were too dull for her insides, that deep within her there was something better than what everyone else could see.”
― Myla Goldberg, quote from Bee Season
“Rushing toward her are all the letters of the alphabet. Each one moves in its own way, X cartwheeling over and over, C hopping forward, M and N marching stiff-legged and resolute.”
― Myla Goldberg, quote from Bee Season
“The two bond over their mutual lack of family ties: Saul from his disownment, Miriam from the car accident that orphaned her as a college junior. Both want children. Miriam has inherited her parents' idea of procreative legitimacy, wants to compensate for her only-child-dom. She sees in Saul the househusband who will enable her parental ambitions without disabling her autonomy. In Miriam, Saul sees the means to a book-lined study and a lifestyle conducive to mystical advancement. They are both absolutely certain these things equal love.”
― Myla Goldberg, quote from Bee Season
“Miriam will never know what kind of dog attacked her, will imagine a Doberman or a German shepherd with snarling, angry teeth despite the fact she bears neither bite marks nor broken skin. It will never cross her mind that the dog was a beagle and that she was knocked over from a surprise more than force. The children of the house she fled will use the incident to convince their parents to keep the dog, which had been on the verge of being given away for its propensity to shit at the slightest hint of thunder it having been sequestered in the garage that night because of a stormy forecast. The family will never know what manner of burglar their fog deflected, will imagine a scruffy, heavy-set man with scars and a limp groping the family jewelery. It will never cross their minds that their intruder was am upper middle-class wife and mother of two who would have had eyes only for their Chinese teakettle. ”
― Myla Goldberg, quote from Bee Season
“While she eventually adjusts to the faded motivational posters featuring long-dead baby animals and the fifties-era reading books whose soporific effects have intensified with each decade of use she can't get it out of of her head that while she is speeding around in circles waiting to be told when to stop other kids are flying to the moon.”
― Myla Goldberg, quote from Bee Season
“Eliza wonders if death is not a sleep you can’t wake up from but life reduced to one inescapable moment.”
― Myla Goldberg, quote from Bee Season
“Miriam came to consider Eliza a gosling born into a family of ducks, loved and accepted, but always and forever a goose.”
― Myla Goldberg, quote from Bee Season
“DADDY
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.
Daddy, I have had to kill you.
You died before I had time―
Marble-heavy, a bag full of God,
Ghastly statue with one grey toe
Big as a Frisco seal
And a head in the freakish Atlantic
When it pours bean green over blue
In the waters of beautiful Nauset.
I used to pray to recover you.
Ach, du.
In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend
Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.
It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene
An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.
The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.
I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You―
Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.
You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
And less the black man who
Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.
But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look
And a love of the rack and the screw.
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,
The voices just can’t worm through.
If I’ve killed one man, I’ve killed two―
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.
There’s a stake in your fat black heart
And the villagers never like you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I’m through.”
― Sylvia Plath, quote from Ariel
“They had Rembrandt on the calendar that year, a rather smeary self-portrait due to imperfectly registered color plate. It showed him holding a smeared palette with a dirty thumb and wearing a tam-o’-shanter which wasn’t any too clean either. His other hand held a brush poised in the air, as if he might be going to do a little work after a while, if somebody made a down payment. His face was aging, saggy, full of the disgust of life and the thickening effects of liquor. But it had a hard cheerfulness that I liked, and the eyes were as bright as drops of dew.
I was looking at him across my office desk at about four-thirty when the phone rang and I heard a cool, supercilious voice that sounded as if it thought it was pretty good. It said drawlingly, after I had answered:
“You are Philip Marlowe, a private detective?”
― Raymond Chandler, quote from Farewell, My Lovely
“She closes her eyes, and I can see the moisture. She’s deep-breathing again, and I notice her hands are clutched around the opposing wrists, nails digging in deep, hard, scratching. Pain to replace pain.”
― Jasinda Wilder, quote from Falling into You
“But why not? He deserved it. It took years to take control of this school—to oust the resisters, to implant the sympathizers, to blind the parents to what was happening to their children. It was no small task.”
― Frank E. Peretti, quote from Piercing the Darkness
“We’ve got to protect Jonathan and Darkness, don’t we?” She swung herself onto Moonlight’s back. “Let’s go, girl.” As one of the last fighters to the point, Alanna could clearly see that the enemy had advanced past the trees, engaging Jon’s men in the clearing around the main path. She glimpsed Jonathan’s silver and sapphire gleaming in the thick of the battle as Darkness reared to fight as well. Myles was beside the prince, with Gary and Raoul flanking them both. The enemy would have trouble”
― Tamora Pierce, quote from In the Hand of the Goddess
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