Dai Sijie · 184 pages
Rating: (45.7K votes)
“I was carried away, swept along by the mighty stream of words pouring from the hundreds of pages. To me it was the ultimate book: once you had read it, neither your own life nor the world you lived in would ever look the same.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“It would evidently take more than a political regime, more than dire poverty to stop a woman from wanting to be well-dressed: it was a desire as old as the world, as old as the desire for children.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“In the end we had changed the position of the hands so many times that we had no idea what the time really was.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“Mozart is thinking of Chairman Mao”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“I kept my door more securely locked than ever and passed the time with foreign novels. Since Balzac was Luo's favourite I put him to one side, and with the ardour and earnestness of my eighteen years I fell in love with one author after another: Flaubert, Gogol, Melville, and even Romain Rolland.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“The only thing Luo was really good at was telling stories. A pleasing talent to be sure, but a marginal one, with little future in it. Modern man has moved beyond the age of the Thousand-and-One-Nights, and modern societies everywhere, whether socialist or capitalist, have done away with the old storytellers — more's the pity.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“She said she had learnt one thing from Balzac: that a woman's beauty is a treasure beyond price.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“La beauté d'une femme est un trésor qui n'a pas de prix.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“Often, after extinguishing the oil lamp in our house on stilts, we would lie on our beds and smoke in the dark. Book titles poured from our lips, the mysterious and exotic names evoking unknown worlds. It was like Tibetan incense, where you need only say the name, Zang Xiang, to smell the subtle, refined fragrance and to see the joss sticks sweating beads of scented moisture which, in the lamplight, resemble drops of liquid gold.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“By the time we arrived the film had already started, and there was only standing room left behind the screen, where everything was in reverse and everyone was left-handed.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“We had been so unlucky. By the time we had finally learnt to read properly, there had been nothing left for us to read.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“Por lo que a las novelas largas se refiere, salvo por algunas excepciones, me mostraba bastante desconfiado. Pero 'Jean-Christophe' -de Romain Rolland-, con su empecinado individualismo, sin mezquindad alguna, fue para mí una saludable revelación. Sin él, nunca hubiera conseguido comprender el esplendor y la amplitud del individualismo. Hasta aquel encuentro robado con 'Jean-Christophe', mi pobre cabeza educada y reeducada ignoraba, sencillamente, que fuera posible luchar en solitario contra el mundo entero".”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“People who really want to make a difference in the world usually do it, in one way or another. And I’ve noticed something about people who make a difference in the world: They hold the unshakable conviction that individuals are extremely important, that every life matters. They get excited over one smile. They are willing to feed one stomach, educate one mind, and treat one wound. They aren’t determined to revolutionize the world all at once; they’re satisfied with small changes. Over time, though, the small changes add up. Sometimes they even transform cities and nations, and yes, the world. People who want to make a difference get frustrated along the way. But if they have a particularly stressful day, they don’t quit. They keep going. Given their accomplishments, most of them are shockingly normal and the way they spend each day can be quite mundane. They don’t teach grand lessons that suddenly enlighten entire communities; they teach small lessons that can bring incremental improvement to one man or woman, boy or girl. They don’t do anything to call attention to themselves, they simply pay attention to the everyday needs of others, even if it’s only one person. They bring change in ways most people will never read about or applaud. And because of the way these world-changers are wired, they wouldn’t think of living their lives any other way.”
― Katie J. Davis, quote from Kisses from Katie: A Young Woman's Journey of Faith A Remote Village A Love without Limits
“he was soon drawn into a circle of associates who did not improve either his habits or his morals.”
― Sojourner Truth, quote from Narrative of Sojourner Truth
“I disliked guns, but I learned to use them. I had come to understand guns, that they were tools and that they were no more evil, in their essence, than pliers and wrenches. At times, they were a necessity. In a world of evil, they were often also a blessing. Now and then, as I’ve said, I was able to”
― Dean Koontz, quote from Saint Odd
“This is as good as it gets. Can’t expect everyone to be on the same page. We’re still humans after all. Some percentage of us are always going to be assholes.”
― quote from Nemesis Games
“There is always a tradeoff. As music gets disseminated, and distinct regional voices find a way to be more widely heard, certain bands and singers (who might be more creative, or possibly have just been marketed by a bigger company) begin to dominate, and peculiar regional styles—what writer Greil Marcus, echoing Harry Smith, called the “old weird America”—eventually end up getting squashed, neglected, abandoned, and often forgotten. This dissemination/homogenization process runs in all directions simultaneously; it’s not just top-down repression of individuality and peculiarity. A recording by some previously obscure backwoods or southside singer can find its way into the ear of a wide public, and an Elvis, Luiz Gonzaga, Woody Guthrie, or James Brown, can suddenly have a massive audience—what was once a local style suddenly exerts a huge influence. Pop music can be thrown off its axis by some previously unknown and talented rapper from the projects. And then the homogenization process begins again. There’s a natural ebb and flow to these things, and it can be tricky to assign a value judgment based on a particular frozen moment in the never-ending cycle of change.”
― David Byrne, quote from How Music Works
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