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On the Road

by Jack Kerouac

On the Road is Jack Kerouac's 1957 novel following narrator Sal Paradise and his charismatic, restless friend Dean Moriarty as they crisscross the United States between 1947 and 1950. Across a series of frenetic… more

First published 1957 · 310 pages · English

60 quotes ★ 3.61 (456,195) Classics

Quotes from the Book

[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!
Nothing behind me, everything ahead of me, as is ever so on the road.
What is that feeling when you're driving away from people and they recede on the plain till you see their specks dispersing? - it's the too-huge world vaulting us, and it's good-bye. But we lean forward to the next crazy venture beneath the skies.
A pain stabbed my heart, as it did every time I saw a girl I loved who was going the opposite direction in this too-big world.
The best teacher is experience and not through someone's distorted point of view
I was surprised, as always, by how easy the act of leaving was, and how good it felt. The world was suddenly rich with possibility.
Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk — real straight talk about souls, for life is holy and every moment is precious.
I realized these were all the snapshots which our children would look at someday with wonder, thinking their parents had lived smooth, well-ordered lives and got up in the morning to walk proudly on the sidewalks of life, never dreaming the raggedy madness and riot of our actual lives, our actual night, the hell of it, the senseless emptiness.
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was - I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
because he had no place he could stay in without getting tired of it and because there was nowhere to go but everywhere, keep rolling under the stars...
Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life
Sal, we gotta go and never stop going 'till we get there.' 'Where we going, man?' 'I don't know but we gotta go.
But why think about that when all the golden lands ahead of you and all kinds of unforseen events wait lurking to surprise you and make you glad you're alive to see?
So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, and all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all the rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.
My aunt once said that the world would never find peace until men fell at their women's feet and asked for forgiveness.
Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.
We agreed to love each other madly.
What do you want out of life?" I asked, and I used to ask that all the time of girls. I don't know," she said. "Just wait on tables and try to get along." She yawned. I put my hand over her mouth and told her not to yawn. I tried to tell her how excited I was about life and the things we could do together; saying that, and planning to leave Denver in two days. She turned away wearily. We lay on our backs, looking at the ceiling and wondering what God had wrought when He made life so sad.
I was halfway across America, at the dividing line between the East of my youth and the West of my future.
I just won't sleep," I decided. There were so many other interesting things to do.
And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotuslands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn't in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of the wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn't die...
LA is the loneliest and most brutal of American cities; NY gets god-awful cold in the winter but there's a feeling of wacky comradeship somewhere in some streets. LA is a jungle.
Better to sleep in an uncomfortable bed free, than sleep in a comfortable bed unfree.
His friends said, "Why do you have that ugly thing hanging there?" and Bull said, "I like it because it's ugly." All his life was in that line.
Sure baby, mañana. It was always mañana. For the next few weeks that was all I heard––mañana a lovely word and one that probably means heaven.
For the first time in my life the weather was not something that touched me, that caressed me, froze or sweated me, but became me.
Ah, it was a fine night, a warm night, a wine-drinking night, a moony night, and a night to hug your girl and talk and spit and be heavengoing.
...we all must admit that everything is fine and there's no need in the world to worry, and in fact we should realize what it would mean to us to UNDERSTAND that we're not REALLY worried about ANYTHING.
I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you.
As we crossed the Colorado-Utah border I saw God in the sky in the form of huge gold sunburning clouds above the desert that seemed to point a finger at me and say, "Pass here and go on, you're on the road to heaven.
There was nowhere to go but everywhere, so just keep on rolling under the stars.
The air was soft, the stars so fine, the promise of every cobbled alley so great, that I thought I was in a dream.
My whole wretched life swam before my weary eyes, and I realized no matter what you do it's bound to be a waste of time in the end so you might as well go mad.
They have worries, they're counting the miles, they're thinking about where to sleep tonight, how much money for gas, the weather, how they'll get there - and all the time they'll get there anyway, you see.
This is the story of America. Everybody's doing what they think they're supposed to do.
Things are so hard to figure out when you live from day to day in this feverish and silly world.
I believed in a good home, in sane and sound living, in good food, good times, work, faith and hope. I have always believed in these things. It was with some amazement that I realized I was one of the few people in the world who really believed in these things without going around making a dull middle class philosophy out of it. I was suddenly left with nothing in my hands but a handful of crazy stars.
All he needed was a wheel in his hand and four on the road.
I wished I was on the same bus as her. A pain stabbed my heart as it did everytime I saw a girl I loved who was going the opposite direction in this too-big world of ours.
I looked up at the dark sky and prayed to God for a better break in life and a better chance to do something for the little people I loved.
What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow. Where body how?
We lay on our backs looking at the ceiling and wondering what God had wrought when he made life so sad and disinclined.
You have absolutely no regard but yourself and your damned kicks. All you think about is what's hanging between your legs and how much money or fun you can get out of people and then you just throw them aside. Not only that but you're silly about it. It never occurs to you that life is serious and that there are people trying to make something decent out of it instead of just goofing all the time.
And just for a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, wiht a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. - Sal Paradise
Here I was at the end of America...no more land...and nowhere was nowhere to go but back
and never really thought I'd amount to anything. It was precisely what I wanted the whole world to think; then I could sneak in, if that's what they wanted, and sneak out again, which I did.
Somebody had tipped the American continent like a pinball machine and all the goofballs had come rolling to LA in the southwest corner. I cried for all of us. There was no end to the American sadness and the American madness. Someday we'll all start laughing and roll on the ground when we realize how funny it's been.
This can't go on all the time...all this franticness and jumping around. We've got to go someplace, find something.
All I wanted and all Neal wanted and all anybody wanted was some kind of penetration into the heart of things where, like in a womb, we could curl up and sleep the ecstatic sleep that Burroughs was experiencing with a good big mainline shot of M. and advertising executives in NY were experiencing with twelve Scotch & Sodas in Stouffers before they made the drunkard's train to Westchester---but without hangovers.
And before me was the great raw bulge and bulk of my American continent; somewhat far across, gloomy, crazy New York was throwing up its cloud of dust and brown steam. There is something brown and holy about the East; and California is white like washlines and emptyheaded - at least that's what I thought then.
the only people that interest me are the mad ones, the ones who are mad to live, mad to talk, desirous of everything at the same time, the ones that never yawn or say a commonplace thing.. but burn, burn, burn like roman candles across the night. Allen
Great laughter rang from all sides. I wondered what the spirit of the Mountain was thinking; and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great western slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the eastern Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. And beyond, beyond, over the Sierras the other side if Carson sink was bejeweled bay-encircled nightlike old Frisco of my dreams. We were situated on the roof of America and all we could do was yell, I guess - across the night, eastward over the plains where somewhere a man with white hair was probably walking toward us with the Word and would arrive any minute and make us silent.
In the hall itself the din of the music - for this is the real way to play a jukebox and what it was originally for - was so tremendous that it shattered Dean and Stan and me for a moment in the realization that we had never dared to play music as we wanted, and this was how loud we wanted.
And for just a moment I had reached the point of ecstasy that I always wanted to reach and which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the Angels dove off and flew into infinity.
All around me were the noise of the crazy gold-coast city. And this was my Hollywood career - this was my last night in Hollywood, and I was spreading mustard on my lap in back of a parking-lot john.
I remember him standing under a streetlamp. 'Just as we passed that other lamp I was going to tell you a further thing, Sal, but now I am parenthetically continuing with a new thought and by the time we reach the next I'll return to the original subject, agreed?' I certainly agreed.
a traveling epic Hunkey, crossing and recrossing the country every year, south in the winter and north in the summer and only because he has no place he can stay in without getting tired of it and because there was nowhere to go but everywhere, and keep rolling under the stars
But you can go on thinking and imagining forever further and stop at no decisions to pick up a bag for the thinkings. Turn your thinking into your work, your thoughts a book, in sieges.
Oh these dumb dumb dumb Okies, they'll never change, how com-pletely and how unbelievably dumb, the moment it comes time to act, this paralysis, scared, hysterical, nothing frightens em more than what they WANT- it's MY FATHER MY FATER MY FATHER all over again!
Then he told me how Dean had met Camille. Roy Johnson, the poolhall boy, had found her in a bar and took her to a hotel; pride taking over his sense, he invited the whole gang to come up and see her. Everybody sat around talking with Camille. Dean did nothing but look out a window. Then when everybody left, Dean merely looked at Camille, pointed at his wrist, made the sign 'four' (meaning he'd be back at four), and went on. At three the door was locked to Roy Johnson. At four it was open to Dean. I wanted to go right out and see the madman.

Did you know?

  • Kerouac wrote the first draft in about three weeks in April 1951.
  • He typed the draft onto a continuous 120-foot scroll of taped-together tracing paper to avoid pausing to change sheets.
  • The characters are based on real people: Sal Paradise is Kerouac, Dean Moriarty is Neal Cassady, and Carlo Marx is Allen Ginsberg.
  • Old Bull Lee is modeled on William S. Burroughs.
  • The novel was ranked 55th on the Modern Library's 1998 list of the 100 best English-language novels.
  • The original scroll manuscript was later published in 2007 as On the Road: The Original Scroll.

About Jack Kerouac

Jack Kerouac (1922-1969) was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, pioneered the Beat Generation. He achieved widespread fame with his 1957 novel On the Road, which made him a cultural icon.

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About the book

On the Road is Jack Kerouac's 1957 novel following narrator Sal Paradise and his charismatic, restless friend Dean Moriarty as they crisscross the United States between 1947 and 1950. Across a series of frenetic cross-country journeys, the pair chase experience for its own sake against a backdrop of jazz, poetry, drink, and improvisation, driven by youthful hunger and a spiritual search Kerouac calls a pursuit of "IT." The characters are closely modeled on the author and his circle: Sal is Kerouac himself, Dean is Neal Cassady, and figures such as Carlo Marx and Old Bull Lee stand in for Allen Ginsberg and William S. Burroughs.

The book explores the search for meaning and transcendence, the intensity and limits of male friendship, and a restless conception of American freedom and self-invention. Beneath its exuberant momentum runs a current of disillusionment and loss, as the exhilaration of the road repeatedly gives way to exhaustion and the recognition that the freedom being chased is fragile. Its famously spontaneous, breathless prose was meant to mirror the improvisatory feel of the bebop jazz that the characters revere.

On the Road became a defining text of the Beat Generation and a cultural touchstone for postwar American youth, its influence extending to musicians such as Bob Dylan and Jim Morrison and to the counterculture of the 1960s. Kerouac drafted it in a legendary three-week burst in April 1951, typing onto a continuous scroll of taped-together paper to keep his prose unbroken. The novel was later ranked among the Modern Library's hundred best English-language novels of the twentieth century.

Key characters

  • Sal ParadiseThe narrator, a young writer restlessly searching for meaning; based on Kerouac.
  • Dean MoriartySal's magnetic, reckless friend who drives the journeys; based on Neal Cassady.
  • Carlo MarxA poet in Sal's circle; based on Allen Ginsberg.
  • Old Bull LeeAn older, drug-using intellectual the travelers visit; based on William S. Burroughs.
  • CamilleDean's long-suffering wife in San Francisco; based on Carolyn Cassady.

Book details

First published
1957
Length
310 pages
Reading time
6 hours
Goodreads rating
3.61 (456k ratings)
First line
“I first met Dean not long after my wife and I split up.”

Movie & TV adaptations

  • IMDb
    On the Road 2012

    Film directed by Walter Salles, starring Sam Riley and Garrett Hedlund.

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  2. 2
    Howl and Other PoemsAllen Ginsberg's landmark Beat Generation work from the same circle of friends.
  3. 3
    Fear and Loathing in Las VegasAnother frenetic, drug-soaked American road narrative chasing an elusive dream.

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