“There is no mystery-- that's the beauty of it. We are entirely explicable to each other, and yet we stay. What a miracle that is.”
― Kamila Shamsie, quote from Broken Verses
“Can I ask you a personal question"? Of all the rhetorical questions
in the world, that is the one which irritates me most with its
simultaneous gesture towards and denial of the trespass that is about
to follow.”
― Kamila Shamsie, quote from Broken Verses
“Don't you know how much I hero-worshiped you when I was a kid? You
were Marie Curie crossed with Emily Bronte crossed with Joan of Arc to
me when I was ten. And when i told you that, you said my cultural
references were the sign of a colonized mind.”
― Kamila Shamsie, quote from Broken Verses
“The next day it's Virginia Woolf who wafts through. Hers is a
curiously insistent presence; take your eyes off her for a moment and
the next thing you know she's rearranging your syntax as though it
were cutlery improperly laid out for a seven-course meal with some
foreign dignitary who disdains your nation's table manners.”
― Kamila Shamsie, quote from Broken Verses
“At what point does character-playing become habit, something for which we are grateful because it allows us to go through the world with the ease that comes from being predictable to ourselves, even if that predictability takes the form of neurosis, hysteria, depression? And at what point does that habit turn darkly into addiction? I wiped my hands clean. We are so desperate to be explicable to ourselves, to rely on ourselves, that we need to believe a certain version of who we are even when evidence starts to mount that the version is a lie, even when the part of us which is not tamed by habit strains to break free and overwhelm the tired, repetitive creature that our character has become, mouldering at the edges.”
― Kamila Shamsie, quote from Broken Verses
“I think Shehnaz was right. In the end it wasn’t about the Poet, or me or anyone. It was about a minute, five minutes, ten minutes in which she believed, with utter certainty, that she simply could not endure any more.’ It seemed impossible, already, to have denied this truth for so long.”
― Kamila Shamsie, quote from Broken Verses
“I will not be in here for ever, I promise. All metaphors need to come up for air. When I can bear no more of separation, when I have learnt all that absence can teach me of desire, the walls will shimmer and I will step out of the mirage, into your arms, to lose myself and find myself.”
― Kamila Shamsie, quote from Broken Verses
“In his prison poems, the bars on his windows are merely the grid through which he sees shooting stars, each lash of a whip is a reminder of the insecurity of tyrants, and a rumour that orders for his execution have been dispatched is reason to weep for the executioner.”
― Kamila Shamsie, quote from Broken Verses
“Your mother and I had one conversation a little before she died. She was sitting in the garden one evening when I came home from work, and she said, “I have to confess something. When we played ‘chicken’ from KDA to Clifton and I said I made you run three red lights, I lied. I made you stop even when they were only just turning amber.” And I replied, “Samina, I didn’t love you because you were the girl who ran red lights. I loved you because when you covered my eyes with your hands, I knew I could trust you to get me home.” She was afraid of running red lights, Aasmaani. She wasn’t an unbreakable creature of myth. She was entirely human, entirely breakable, and entirely extraordinary.”
― Kamila Shamsie, quote from Broken Verses
“It’s true, that in concrete battles the tyrants may have the upper hand in terms of tactics, weapons, ruthlessness. What our means of protest attempt to do is to move the battles towards abstract space. Force tyranny to defend itself in language. Weaken it with public opinion, with supreme court judgements, with debates and subversive curriculum. Take hold of the media, take hold of the printing presses and the newspapers, broadcast your views from pirate radio channels, spread the word. Don’t do anything less than all you are capable of, and remember that history outlives you. It may not be until your grandchildren’s days that they’ll point back and say, there were sown the seeds of what we’ve now achieved.”
― Kamila Shamsie, quote from Broken Verses
“Local Girl Missing, Feared Dead.
Beneath it was a photo of me-my most recent school photo.
“Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?”
Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.”
He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did.
But what I wanted to do was burst into tears.
“Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before.
“Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?”
My gaze flicked down the page. I wanted to throw up.
“One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.”
This was all so very, very bad.
“One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?”
“That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“
Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort.
“You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.”
― Meg Cabot, quote from Underworld
“Why did the blonde wear condoms on her ears? So she wouldn’t get hearing aids.”
― Jillian Dodd, quote from That Wedding
“Robin Goodfellow, for all his pranks and mischief, was the sweetest, most noble person I’d ever known, and I’d missed him terribly.”
― Julie Kagawa, quote from The Iron Legends
“It's a magical world, Hobbes, ol' buddy... Let's go exploring!”
― Bill Watterson, quote from It's a Magical World
“That is the motto women should constantly repeat over and over again. Good for her! Not for me.”
― Amy Poehler, quote from Yes Please
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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