“In the future if my mother tries to shame me with her disapproval, I will let her know in no uncertain terms that I reject her and all of her codependent baggage. I am Codependent No More.”
― quote from Alice, I Think
“Maybe careers aren’t something you can really plan for. They just sort of happen, like brown eyes or flat feet. I took one of those career aptitude tests last year, and it showed that I should be a flight attendant or a seamstress. Not a fashion designer or anything, mind you, but a sweatshop worker. Apparently stewardesses and sweatshop workers and I enjoy a lot of the same interests and activities.”
― quote from Alice, I Think
“If you are alive and conscious, you are probably codependent.”
― quote from Alice, I Think
“I am not a people person.”
― quote from Alice, I Think
“I think MacGregor might be a genius. Anyone so oblivious to the horror of the human world must be.”
― quote from Alice, I Think
“If you start looking up, they start asking questions.”
― quote from Alice, I Think
“Not being a big one for having friends, I had no idea what I was going to do with Aubrey, you know, to entertain him.”
― quote from Alice, I Think
“Well, at least I can spare myself the ordeal of a whole battery of personality tests. My personality is poor; that much is clear.”
― quote from Alice, I Think
“It’s not a good idea to let on about extreme happy feelings. People get ideas.”
― quote from Alice, I Think
“I may never recover. It was like an out-of-body experience. I’m an alien trying on human rituals.”
― quote from Alice, I Think
“Much as I usually dislike nice, positive people, I have to admit that Margaret isn’t bad.”
― quote from Alice, I Think
“I’m already in the late stages of advanced detachment where my mother is concerned. With a little practice I could feel that way about everyone.”
― quote from Alice, I Think
“I haven’t been that happy since I became conscious for the first time, you know, when I became aware of myself and got so uncomfortable and everything.”
― quote from Alice, I Think
“I don’t care about this stuff. I’m not even sure I’m a girl. I’m an eye in the sky. I am detached. I’m an idiot.”
― quote from Alice, I Think
“It seemed a little risky, enjoying something so… fun, but I couldn’t help it.”
― quote from Alice, I Think
“I have never wanted to be inside a woman more in my life. I'm going mad in my desire for you. The way you moan, the way you taste, the way you come for me with unrestrained devotion, makes me crazy with wanting to know what will happen when I enter you: how your body will arch against mine, the sounds you'll make, the tightness I'll feel as you peak around my cock. I want you so fucking bad it's taking everything I have not to take you against this door, making you so full and stretched with me in you that you're mine and we both know it.”
― quote from The Missing Link
“I used to think fate was for religious nuts and people who were too afraid to take their fate into their own hands. Now I know the truth.”
― Cassia Leo, quote from Black Box
“It only took one mistake, one stupid decision”
― Siobhan Vivian, quote from Not That Kind of Girl
“Text VI,7(3) draws a contrast between the pair of distorted views known as eternalism (sassatav̄da) and annihilationism (ucchedav̄da), also called, respectively, the view of existence (bhavadiṭṭhi) and the view of nonexistence (vibhavadiṭṭhi). Eternalism affirms an eternal component in the individual, an indestructible self, and an eternal ground of the world, such as an all-powerful creator God. Annihilationism denies that there is any survival beyond death, holding that the individual comes to a complete end with the demise of the physical body. Eternalism, according to the Buddha, leads to delight in existence and binds beings to the cycle of existence. Annihilationism is often accompanied by a disgust with existence that, paradoxically, binds its adherents to the same existence that they loathe. As we will see below, the Buddha’s teaching of dependent origination avoids both these futile ends (see IX, pp. 356–57).”
― Bhikkhu Bodhi, quote from In the Buddha's Words: An Anthology of Discourses from the Pali Canon
“per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number”
― Tarquin Hall, quote from The Case of the Missing Servant
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