“If happy I can be I will, if suffer I must I can.”
“You get born and you try this and you don't know why only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with strings only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way like five or six people all trying to make a rug on the same loom only each one wants to weave his own pattern into the rug; and it can't matter, you know that, or the Ones that set up the loom would have arranged things a little better, and yet it must matter because you keep on trying or having to keep on trying and then all of a sudden it's all over.”
“I dont hate it he thought, panting in the cold air, the iron New England dark; I dont. I dont! I dont hate it! I dont hate it!”
“I am older at twenty than a lot of people who have died.”
“Because there is something in the touch of flesh with flesh which abrogates, cuts sharp and straight across the devious intricate channels of decorous ordering, which enemies as well as lovers know because it makes them both:---touch and touch of that which is the citadel of the central I-Am's private own: not spirit, soul; the liquorish and ungirdled mind is anyone's to take in any any darkened hallway of this earthly tenement. But let flesh touch with flesh, and watch the fall of all the eggshell shibboleth of caste and color too.
“Tell about the South. What's it like there. What do they do there. Why do they live there. Why do they live at all.”
“I was wrong. I admit it. I believed that there were things which still mattered just because they had mattered once. But I was wrong. Nothing matters but breath, breathing, to know and to be alive.”
“...surely there is something in madness, even the demoniac, which Satan flees, aghast at his own handiwork, and which God looks on in pity..”
“It's just incredible. It just does not explain. Or perhaps that's it: they don't explain and we are not supposed to know. We have a few old mouth-to-mouth tales, we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable - Yes, Judith, Bon, Henry, Sutpen: all of them. They are there, yet something is missing; they are like a chemical formula exhumed along with the letters from that forgotten chest, carefully, the paper old and faded and falling to pieces, the writing faded, almost indecipherable, yet meaningful, familiar in shape and sense, the name and presence of volatile and sentient forces; you bring them together in the proportions called for, but nothing happens; you re-read, tedious and intent, poring, making sure that you have forgotten nothing, made no miscalculation; you bring them together again and again nothing happens: just the words, the symbols, the shapes themselves, shadowy inscrutable and serene, against that turgid background of a horrible and bloody mischancing of human affairs.”
“...only the peak feels so sound and stable that the beginning of the falling is hidden for a little while...”
“Read it if you like or don't read it if you like. Because you make so little impression, you see. You get born and you try this and you don't know why only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with string only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way like five or six people all trying to make a rug on the same loom only each one wants to weave his own pattern into the rug; and it can't matter, you know that, or the Ones that set up the loom would have arranged things a little better, and yet it must matter because you keep on trying and then all of a sudden it's all over and all you have left is a block of stone with scratches on it provided there was someone to remember to have the marble scratched and set up or had time to, and it rains on it and then sun shines on it and after a while they don't even remember the name and what the scratches were trying to tell, and it doesn't matter. And so maybe if you could go to someone, the stranger the better, and give them something-a scrap of paper-something, anything, it not to mean anything in itself and them not even to read it or keep it, not even bother to throw it away or destroy it, at least it would be something just because it would have happened, be remembered even if only from passing from one hand to another, one mind to another, and it would be at least a scratch, something, something that might make a mark on something that was once for the reason that it can die someday, while the block of stone can't be is because it never can become was because it can't ever die or perish...”
“Maybe nothing ever happens once and is finished. Maybe happen is never once but like ripples maybe on water after the pebble sinks, the ripples moving on, spreading, the pool attached by a narrow umbilical water-cord to the next pool which the first pool feeds, has fed, did feed, let this second pool contain a different temperature of water, a different molecularity of having seen, felt, remembered, reflect in a different tone the infinite unchanging sky, it doesn’t matter: that pebble’s watery echo whose fall it did not even see moves across its surface too at the original ripple-space, to the old ineradicable rhythm”
“...women will show pride and honor about almost anything except love ...”
“I, the dreamer clinging yet to the dream as the patient clings to the last thin unbearable ecstatic instant of agony in order to sharpen the savor of the pain’s surcease, waking into the reality, the more than reality, not to the unchanged and unaltered old time but into a time altered to fit the dream which, conjunctive with the dreamer, becomes immolated and apotheosized”
“...like old married people who no longer have anything in common, to do or to talk about, save the same general weight of air to displace and breathe and general oblivious biding earth to bear their weight...”
“It's because she wants it told he thought so that people whom she will never see and whose names she will never hear and who have never heard her name nor seen her face will read it and know at last why God let us lose the War: that only through the blood of our men and the tears of our women could He stay this demon and efface his name and lineage from the earth.”
“...probably by that time he had learned that there were three things and no more: breathing, pleasure, darkness; and without money there could be no pleasure, and without pleasure it would not even be breathing but mere protoplasmic inhale and collapse of blind unorganism in a darkness where light never began.”
“it takes an awful lot of character to quit anything when you are losing,”
“Beautiful lives women live—women do. In very breathing they draw meat and drink from some beautiful attenuation of unreality in which the shades and shapes of facts—of birth and bereavement, of suffering and bewilderment and despair—move with the substanceless decorum of lawn party charades, perfect in gesture and without significance or any ability to hurt.”
“What is it? something you live and breathe in like air? a kind of vacuum filled with wraithlike and indomitable anger and pride and glory at and in happenings that occurred and ceased fifty years ago? a kind of entailed birthright father and son and father and son of never forgiving General Sherman, so that forevermore as long as your childrens' children produce children you wont be anything but a descendant of a long line of colonels killed in Pickett's charge at Manassas?" 'Gettysburg,' Quentin said. 'You cant understand it. You would have to be born there.”
“That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less; and its resultant sum is usually incorrect and false and worthy only of the name of dream.”
“Quentin did not answer, staring at the window; then he could not tell if it was the actual window or the window's pale rectangle upon his eyelids, though after a moment it began to emerge. It began to take shape in its same curious, light, gravity-defying attitude--the once-folded sheet out of the wistaria Mississippi summer, the cigar smell, the random blowing of the fireflies. "The South," Shreve said. "The South. Jesus. No wonder you folks all outlive yourselves by years and years and years." It was becoming quite distinct. He would be able to decipher the words soon, in a moment; even almost now, now, now.
"I am older at twenty than a lot of people who have died," Quentin said.”
“He had been too successful, you see; his was that solitude of contempt and distrust which success brings to him who gained it because he was strong instead of merely lucky.”
“This was the mother, the dead sister Ellen: this Niobe without tears who had conceived to the demon in a kind of nightmare, who even while alive had moved but without life and grieved but without weeping, who now had an air of tranquil and unwitting desolation, not as if she had either outlived the others or had died first, but as if she had never lived at all.”
“she died without regaining consciousness and without pain they say, and whatever they mean by that since it has always seemed to me that the only painless death must be that which takes the intelligence by violent surprise and from the rear so to speak, since if death be anything at all beyond a brief and peculiar emotional state of the bereaved it must be a brief and likewise peculiar state of the subject as well. And if aught can be more painful to any intelligence above that of a child or an idiot than a slow and gradual confronting with that which over a long period of bewilderment and dread it has been taught to regard as an irrevocable and unplumable finality, I do not know it.”
“-that unsleeping care which must have known that it could permit itself but one mistake; that alertness for measuring and weighing event against eventuality, circumstance against human nature, his own fallible judgement and mortal clay against not only human but natural forces, choosing and discarding, compromising with his dream and his ambition like you must with the horse which you take across country, over timber, which you control only through your ability to keep the animal from realizing that actually you cannot, that actually it is the stronger.”
“Yes, we laughed, because I have learned this at least during these four years, that it really requires an empty stomach to laugh with, that only when you are hungry or frightened do you extract some ultimate essence out of laughing just as the empty stomach extracts the ultimate essence out of alcohol.”
“that alertness for measuring and weighing event against eventuality, circumstance against human nature, his own fallible judgement and mortal clay against not only human but natural forces, choosing and discarding, compromising with his dream and his ambition like you must with the horse which you take across country, over timber, which you control only through your ability to keep the animal from realizing that actually you cannot, that actually it is the stronger.”
“in a few thousand years, I who regard you will also have sprung from the loins of African kings.”
“There are some things which happen to us which the intelligence and the senses refuse just as the stomach sometimes refuses what the palate has accepted but which digestion cannot compass _occurences which stop us dead as though by some impalpable intervention, like a sheet of glass through which we watch all subsequent events transpire as though in a soundless vacuum, and fade, vanish; are gone, leaving us immobile, impotent, helpless; fixed, until we can die.”
“I think I will do nothing for a long time but listen,” Whitman writes. And then for two pages, he’s just hearing: hearing a steam whistle, hearing people’s voices, hearing an opera. He sits on the grass and lets the sound pour through him. And this is what I was trying to do, too, I guess: to listen to all the little sounds of her, because before any of it could make sense, it had to be heard.”
“He stepped forward and took both her hands in his cool ones. For a moment, she thought he intended to kiss her, and for a panicked moment she wasn’t sure if she ought to stop him, wanted to stop him…but then he just touched his forehead to hers and held it there.”
“Rest against my heart. Let me watch over your dreams. And know that tomorrow morning, and every morning after that, you'll awaken next to someone who loves you.”
“He'd rather have anyone but you. He's not going to give you more than an inch in any direction. So good luck with your short leash.”
“The stale coffee is boiling up but he catches it before it goes over the side, pours it into a stained cup and blows on the black liquid, lets a panel of the dream slide forward. If he does not force his attention on it, it might stoke the day, rewarm that old, cold time on the mountain when they owned the world and nothing seemed wrong.”
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