“If they wanted their shit stirred, then stirred their shit was jolly well going to be.”
― Stephen Clarke, quote from A Year in the Merde
“I was also sick of my neighbors, as most Parisians are. I now knew every second of the morning routine of the family upstairs. At 7:00 am alarm goes off, boom, Madame gets out of bed, puts on her deep-sea divers’ boots, and stomps across my ceiling to megaphone the kids awake. The kids drop bags of cannonballs onto the floor, then, apparently dragging several sledgehammers each, stampede into the kitchen. They grab their chunks of baguette and go and sit in front of the TV, which is always showing a cartoon about people who do nothing but scream at each other and explode. Every minute, one of the kids cartwheels (while bouncing cannonballs) back into the kitchen for seconds, then returns (bringing with it a family of excitable kangaroos) to the TV. Meanwhile the toilet is flushed, on average, fifty times per drop of urine expelled. Finally, there is a ten-minute period of intensive yelling, and at 8:15 on the dot they all howl and crash their way out of the apartment to school.” (p.137)”
― Stephen Clarke, quote from A Year in the Merde
“There's no room for human rights in a government waiting room.”
― Stephen Clarke, quote from A Year in the Merde
“He could have had “dull” tattooed across his forehead, but that would have made him too exciting.”
― Stephen Clarke, quote from A Year in the Merde
“There is a class of tourists who never seem to see the things they're visiting, I thought. They prefer to look at directions to the next place they're not going to look at.”
― Stephen Clarke, quote from A Year in the Merde
“Only the French, I thought, could attain orgasm by listening to themselves. It was self-inflicted oral sex. A DIY blowjob.”
― Stephen Clarke, quote from A Year in the Merde
“Words, it seems, are like felt pens. If you don't use them for a while they dry up.”
― Stephen Clarke, quote from A Year in the Merde
“Why else is politics the perfect refuge for every liar, cheat, and self-serving toad that was ever born? All you need is a good set of teeth and the ability to smile convincingly with them.
--Cressida”
― Stuart Hill, quote from The Last Battle of the Icemark
“In this mortal frame of mine which is made of a hundred bones and nine orifices there is something, and this something is called a wind-swept spirit for lack of a better name, for it is much like a thin drapery that is torn and swept away at the slightest stir of the wind. This something in me took to writing poetry years ago, merely to amuse itself at first, but finally making it its lifelong business. It must be admitted, however, that there were times when it sank into such dejection that it was almost ready to drop its pursuit, or again times when it was so puffed up with pride that it exulted in vain victories over the others. Indeed, ever since it began to write poetry, it has never found peace with itself, always wavering between doubts of one kind and another. At one time it wanted to gain security by entering the service of a court, and at another it wished to measure the depth of its ignorance by trying to be a scholar, but it was prevented from either because of its unquenchable love of poetry. The fact is, it knows no other art than the art of writing poetry, and therefore, it hangs on to it more or less blindly.”
― Matsuo Bashō, quote from Backroads to Far Towns: Basho's Travel Journal
“Frederick?
Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside.
He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him.
Nothing was said. Not a word.
Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said.
He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress.
Stop! But he didn't.
Don't! But he did.
Nothing. Not one word.
The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done.
Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything.
When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.”
― Timothy Findley, quote from The Piano Man's Daughter
“Аварийна спирачка на времето. Какъвто и да е настоящият момент, аз съм го задържал. Твърде късно. Придържайки се към този прост метод, през нашите, колко бяха, дванайсет, дванайсет години и три месеца съвместен живот би следвало да съм обездвижил стотици хиляди такива мигновения, заплащайки може би умопомрачителни глоби, но съм успявал да спра влака. Кажи. Защо го направи? – би попитал облещеният кондуктор. Защото ми харесваше гледката. Защото исках да спра тези бягащи дървета и пътечката, която се виеше между тях. Като настъпя нейната изплъзваща се опашка. Това, което я сполетя, вероятно нямаше да ѝ се случаи, ако бях имал навика да спирам едно или друго късче от нашия съвместен живот, профилактично, пророчески, да позволявам на този или онзи миг да поеме спокойно дъх и да си почине. Да укротявам времето. Да дам отдих на пулса ѝ. Да се грижа за живота, живота – нашия пациент.”
― Vladimir Nabokov, quote from Bend Sinister
“He stopped. “You're upset. I'll shut up and leave you”
― Iris Johansen, quote from The Killing Game
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