“In many of the films now being made, there is very little cinema: they are mostly what I call 'photographs of people talking.' When we tell a story in cinema we should resort to dialogue only when it's impossible to do otherwise. I always try to tell a story in the cinematic way, through a succession of shots and bits of film in between.”
― François Truffaut, quote from Hitchcock
“To reproach Hitchcock for specializing in suspense is to accuse him of being the least boring of filmmakers; it is also tantamount to blaming a lover who instead of concentrating on his own pleasure insists on sharing it with his partner.”
― François Truffaut, quote from Hitchcock
“The camera should never anticipate what’s about to follow.”
― François Truffaut, quote from Hitchcock
“Nowadays, the work of Alfred Hitchcock is admired all over the world. Young people who are just discovering his art through the current rerelease of Rear Window and Vertigo, or through North by Northwest, may assume his prestige has always been recognized, but this is far from being the case.
In the fifties and sixties, Hitchcock was at the height of his creativity and popularity. He was, of course, famous due to the publicity masterminded by producer David O. Selznick during the six or seven years of their collaboration on such films as Rebecca, Notorious, Spellbound, and The Paradine Case.
His fame had spread further throughout the world via the television series Alfred Hitchcock Presents in the mid-fifties. But American and European critics made him pay for his commercial success by reviewing his work with condescension, and by belittling each new film.
(...)
In examining his films, it was obvious that he had given more thought to the potential of his art than any of his colleagues. It occurred to me that if he would, for the first time, agree to respond seriously to a systematic questionnaire, the resulting document might modify the American critics’ approach to Hitchcock.
That is what this book is all about.”
― François Truffaut, quote from Hitchcock
“That’s because the theme of the innocent man being accused, I feel, provides the audience with a greater sense of danger. It’s easier for them to identify with him than with a guilty man on the run. I always take the audience into account.”
― François Truffaut, quote from Hitchcock
“gatherings I would sit quietly in a corner, saying nothing. I looked and observed a good deal. I’ve always been that way and still am. I was anything but expansive. I was a loner—can’t remember ever”
― François Truffaut, quote from Hitchcock
“Suspense is simply the dramatization of a film’s narrative, or if you will, the most intense presentation possible of dramatic situations.”
― François Truffaut, quote from Hitchcock
“The art of creating suspense is also the art of involving the audience, so that the viewer is actually a participant in the film.”
― François Truffaut, quote from Hitchcock
François Truffaut
Born place: in Paris, France
Born date February 6, 1932
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“Happiness, like life itself, was as fragile as a bird’s heartbeat, as fleeting as the bluebells in the wood, but while it lasted, Fox Corner was an Arcadian dream.”
― Kate Atkinson, quote from A God in Ruins
“The air was cool and fresh and smelled of the kelp and salt that streamed in off the bay at the full of the tide. The sun was high in the tender vault of the sky, and the thunderheads that would sweep in late in the day were still only white marble puffs at the margins of the sky, solid and silver-lined. There was a blue clarity about the horizon and the distant hills that spoke of a weather change but not for another day or two. Along the meadows' edges, as we drove past, I saw pink clover and purple lupine, hawkweed and wild daylilies. Brilliant pink wild azaleas, called lambkill here, flickered like wildfire in the birch groves. Daisies, buttercups, wild columbine, and the purple flags of wild iris starred the roadside. Behind them all was the eternal dark of the pines and firs and spruce thickets and, between those, the glittering indigo of the bay.”
― Anne Rivers Siddons, quote from Colony
“Is that boy from your country?” she asked me. “Why, yes,” I wanted to tell her. “In my country, which I own, this is National Lose Your Child at Disneyland Day.” “No,” I told her. “He’s not from my country.”
― Firoozeh Dumas, quote from Funny in Farsi: A Memoir of Growing Up Iranian in America
“his coven’s territory? It made his coven look bad—worse than bad. It made them look defenseless. The entire vampire race would convene and hold them to account. And if they didn’t find this rogue, it could mean an outright war. War at a time when they could not afford to have one, at just the moment they were”
― Morgan Rice, quote from Turned
“Someone had your pain to take.” “And Deep volunteered?” For some reason Kat found tears in her eyes. “Why?” Mother L’rin put a hand on Kat’s arm and looked into her eyes. “Why do you think, child?” she said gently. “I d-don’t know.” Kat sniffed and blotted her eyes against the long sleeve of her toga-dress. “I honestly don’t. He hates me. Or at least he doesn’t like me very much.” “Himself he hates,” Mother L’rin said, releasing her arm. “Cleansed of his hate he must be before you bond.” “But I can’t bond with him and Lock. Don’t you see? It would never work out.”
― Evangeline Anderson, quote from Sought
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