“In many of the films now being made, there is very little cinema: they are mostly what I call 'photographs of people talking.' When we tell a story in cinema we should resort to dialogue only when it's impossible to do otherwise. I always try to tell a story in the cinematic way, through a succession of shots and bits of film in between.”
― François Truffaut, quote from Hitchcock
“To reproach Hitchcock for specializing in suspense is to accuse him of being the least boring of filmmakers; it is also tantamount to blaming a lover who instead of concentrating on his own pleasure insists on sharing it with his partner.”
― François Truffaut, quote from Hitchcock
“The camera should never anticipate what’s about to follow.”
― François Truffaut, quote from Hitchcock
“Nowadays, the work of Alfred Hitchcock is admired all over the world. Young people who are just discovering his art through the current rerelease of Rear Window and Vertigo, or through North by Northwest, may assume his prestige has always been recognized, but this is far from being the case.
In the fifties and sixties, Hitchcock was at the height of his creativity and popularity. He was, of course, famous due to the publicity masterminded by producer David O. Selznick during the six or seven years of their collaboration on such films as Rebecca, Notorious, Spellbound, and The Paradine Case.
His fame had spread further throughout the world via the television series Alfred Hitchcock Presents in the mid-fifties. But American and European critics made him pay for his commercial success by reviewing his work with condescension, and by belittling each new film.
(...)
In examining his films, it was obvious that he had given more thought to the potential of his art than any of his colleagues. It occurred to me that if he would, for the first time, agree to respond seriously to a systematic questionnaire, the resulting document might modify the American critics’ approach to Hitchcock.
That is what this book is all about.”
― François Truffaut, quote from Hitchcock
“That’s because the theme of the innocent man being accused, I feel, provides the audience with a greater sense of danger. It’s easier for them to identify with him than with a guilty man on the run. I always take the audience into account.”
― François Truffaut, quote from Hitchcock
“gatherings I would sit quietly in a corner, saying nothing. I looked and observed a good deal. I’ve always been that way and still am. I was anything but expansive. I was a loner—can’t remember ever”
― François Truffaut, quote from Hitchcock
“Suspense is simply the dramatization of a film’s narrative, or if you will, the most intense presentation possible of dramatic situations.”
― François Truffaut, quote from Hitchcock
“The art of creating suspense is also the art of involving the audience, so that the viewer is actually a participant in the film.”
― François Truffaut, quote from Hitchcock
François Truffaut
Born place: in Paris, France
Born date February 6, 1932
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“Le abrumaba una serie de emociones tan intensas que, al mismo tiempo, parecían estar en conflicto.”
― Josephine Angelini, quote from Dreamless
“Nobody in my life has ever known me the way you do. Nobody in my life has ever made me feel as good as you do. You know me, you know everything about me, and when you leave me, you're going to be leaving the real me, the me nobody else has ever seen, that's who you're going to be rejecting.”
― Jennifer Crusie, quote from Bet Me
“Things have a habit of working out, you know. Eventually.”
― Angie Sage, quote from Magyk
“and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....”
― Bret Easton Ellis, quote from Less Than Zero
“Hearts were made to be broken and minds were made to be changed...”
― Stephen King, quote from Dreamcatcher
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