“In many of the films now being made, there is very little cinema: they are mostly what I call 'photographs of people talking.' When we tell a story in cinema we should resort to dialogue only when it's impossible to do otherwise. I always try to tell a story in the cinematic way, through a succession of shots and bits of film in between.”
― François Truffaut, quote from Hitchcock
“To reproach Hitchcock for specializing in suspense is to accuse him of being the least boring of filmmakers; it is also tantamount to blaming a lover who instead of concentrating on his own pleasure insists on sharing it with his partner.”
― François Truffaut, quote from Hitchcock
“The camera should never anticipate what’s about to follow.”
― François Truffaut, quote from Hitchcock
“Nowadays, the work of Alfred Hitchcock is admired all over the world. Young people who are just discovering his art through the current rerelease of Rear Window and Vertigo, or through North by Northwest, may assume his prestige has always been recognized, but this is far from being the case.
In the fifties and sixties, Hitchcock was at the height of his creativity and popularity. He was, of course, famous due to the publicity masterminded by producer David O. Selznick during the six or seven years of their collaboration on such films as Rebecca, Notorious, Spellbound, and The Paradine Case.
His fame had spread further throughout the world via the television series Alfred Hitchcock Presents in the mid-fifties. But American and European critics made him pay for his commercial success by reviewing his work with condescension, and by belittling each new film.
(...)
In examining his films, it was obvious that he had given more thought to the potential of his art than any of his colleagues. It occurred to me that if he would, for the first time, agree to respond seriously to a systematic questionnaire, the resulting document might modify the American critics’ approach to Hitchcock.
That is what this book is all about.”
― François Truffaut, quote from Hitchcock
“That’s because the theme of the innocent man being accused, I feel, provides the audience with a greater sense of danger. It’s easier for them to identify with him than with a guilty man on the run. I always take the audience into account.”
― François Truffaut, quote from Hitchcock
“gatherings I would sit quietly in a corner, saying nothing. I looked and observed a good deal. I’ve always been that way and still am. I was anything but expansive. I was a loner—can’t remember ever”
― François Truffaut, quote from Hitchcock
“Suspense is simply the dramatization of a film’s narrative, or if you will, the most intense presentation possible of dramatic situations.”
― François Truffaut, quote from Hitchcock
“The art of creating suspense is also the art of involving the audience, so that the viewer is actually a participant in the film.”
― François Truffaut, quote from Hitchcock
François Truffaut
Born place: in Paris, France
Born date February 6, 1932
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“almost met in the middle. From either hand the notes of the small birds that had not yet given up singing went winging out across the water, and so quiet it was that though they were only such thin songs as those of willow wrens and robins, you could hear them all across the mere. Even on such a burning day as this, when I pulled the honeysuckle wrathes, there was a sweet, cool air from the water, very heady and full of life. For though Sarn was an ill place to live, and in the wintry months a very mournful place, at this one time of the year it left one dreaming of sorrow and was as other fair stretches of wood and water. All around the lake stood the tall bulrushes with their stout heads of brown plush, just like a long coat Miss Dorabella had. Within the ring of rushes was another ring of lilies, and at this time of the year they were the most beautiful thing at Sarn, and the most beautiful thing I'd ever seen. The big bright leaves lay calm upon the water, and calmer yet upon the leaves lay the lilies, white and yellow. When they were buds, they were like white and gold birds sleeping, head under wing, or like summat carven out of glistering stone, or, as I said afore, they were like gouts of pale wax. But when they were come into full blow they wunna like anything but themselves, and they were so lovely you couldna choose but cry to see them. The yellow ones had more of a spread of petals, having five or six apiece, but the white ones opened their four wider and each petal was bigger. These petals are of a glistening white within, like the raiment of those men who stood with Christ upon the mountain top, and without they are stained with tender green, as if they had taken colour from the green shadows in the water. Some of the dragon-flies look like this also, for their lacy wings without other colour are sometimes touched with shifting”
― Mary Webb, quote from Precious Bane
“...learn not to overstretch ourselves with extraneous activities and preoccupations, but to simplify our lives more and more. The key to finding a happy balance in modern lives is simplicity.”
― Sogyal Rinpoche, quote from The Tibetan Book of Living and Dying
“Oh, Val," said Father. "All you have to do is live your life, and everyone around you will be happier."
"No greatness, then."
"Val," said Mother, "goodness trumps greatness any day."
"Not in the history books," said Valentine.
"Then the wrong people are writing history, aren't they?" said Father.”
― Orson Scott Card, quote from Ender in Exile
“Objection!" Metz shouts.
Grounds?" the judge asks.
Well...he's my witness!”
― Jodi Picoult, quote from Keeping Faith
“Twelve days north of Hopeless and a few degrees south of Freezing to Death”
― Cressida Cowell, quote from How to Train Your Dragon
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