“In many of the films now being made, there is very little cinema: they are mostly what I call 'photographs of people talking.' When we tell a story in cinema we should resort to dialogue only when it's impossible to do otherwise. I always try to tell a story in the cinematic way, through a succession of shots and bits of film in between.”
― François Truffaut, quote from Hitchcock
“To reproach Hitchcock for specializing in suspense is to accuse him of being the least boring of filmmakers; it is also tantamount to blaming a lover who instead of concentrating on his own pleasure insists on sharing it with his partner.”
― François Truffaut, quote from Hitchcock
“The camera should never anticipate what’s about to follow.”
― François Truffaut, quote from Hitchcock
“Nowadays, the work of Alfred Hitchcock is admired all over the world. Young people who are just discovering his art through the current rerelease of Rear Window and Vertigo, or through North by Northwest, may assume his prestige has always been recognized, but this is far from being the case.
In the fifties and sixties, Hitchcock was at the height of his creativity and popularity. He was, of course, famous due to the publicity masterminded by producer David O. Selznick during the six or seven years of their collaboration on such films as Rebecca, Notorious, Spellbound, and The Paradine Case.
His fame had spread further throughout the world via the television series Alfred Hitchcock Presents in the mid-fifties. But American and European critics made him pay for his commercial success by reviewing his work with condescension, and by belittling each new film.
(...)
In examining his films, it was obvious that he had given more thought to the potential of his art than any of his colleagues. It occurred to me that if he would, for the first time, agree to respond seriously to a systematic questionnaire, the resulting document might modify the American critics’ approach to Hitchcock.
That is what this book is all about.”
― François Truffaut, quote from Hitchcock
“That’s because the theme of the innocent man being accused, I feel, provides the audience with a greater sense of danger. It’s easier for them to identify with him than with a guilty man on the run. I always take the audience into account.”
― François Truffaut, quote from Hitchcock
“gatherings I would sit quietly in a corner, saying nothing. I looked and observed a good deal. I’ve always been that way and still am. I was anything but expansive. I was a loner—can’t remember ever”
― François Truffaut, quote from Hitchcock
“Suspense is simply the dramatization of a film’s narrative, or if you will, the most intense presentation possible of dramatic situations.”
― François Truffaut, quote from Hitchcock
“The art of creating suspense is also the art of involving the audience, so that the viewer is actually a participant in the film.”
― François Truffaut, quote from Hitchcock
“You think he's a genius?" she said, raising her eyebrows. The high Vor twit? "I don't know him quite well enough, yet. But I suspect so, a part of the time." "Can you be a genius part of the time?" "All the geniuses I ever met were so just part of the time. To qualify, you only have to be great once, you know. Once when it matters. Ah, dessert. My, this is splendid!" He applied himself happily to a large chocolate confection with whipped cream and more pecans.”
― Lois McMaster Bujold, quote from Komarr
“Сезоните на миналото образуваха планини в него, имената и лицата се блъскаха едни други в търсене на допълнително място, а претоварването от незабравени думи и дела го оставяха с разширени от ужас очи. По правило от времето се очакваше да лекува цялата болка, нали така? Ала ножът на неодобрението на покойния му баща отказваше да се притъпи, независимо от отминаващите месеци.”
― Salman Rushdie, quote from Shalimar the Clown
“For many, what they see on television becomes more true than what they see with their eyes in the external world. But this is not so, for one must never forget that every television and has been edited. The viewer does not see the event. He sees in edited form of the event. It is not the event which is seen, but an edited symbol or an edited image of the event. An aura and illusion of objectivity and truth is built up, which could not be totally the case, even if the people shooting the film were completely neutral.”
― Francis A. Schaeffer, quote from How Should We Then Live? The Rise and Decline of Western Thought and Culture
“It was one of the primary rules of thievery. When hiding, sneaking, and trickery are all out, the correct answer is "run like hell.”
― quote from Thief's Covenant
“I think I should learn to get along better with people," he explained to Miss Benson one day, when she came upon him in the corridor of the literature building and asked what he was doing wearing a fraternity pledge pin (wearing it on the chest of the new V-neck pullover in which his mother said he looked so collegiate). Miss Benson's response to his proposed scheme for self-improvement was at once so profound and so simply put that Zuckerman went around for days repeating the simple interrogative sentence to himself; like Of Times and the River, it verified something he had known in his bones all along, but in which he could not placed his faith until it had been articulated by someone of indisputable moral prestige and purity : "Why," Caroline Benson asked the seventeen-year-old boy, "should you want to learn a thing like that?”
― Philip Roth, quote from My Life as a Man
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