“They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.”
“As I say the words, I realize how true they are. And maybe that's the trick to getting through it, through life: realizing that everybody, including ourselves, is lugging around some kind of screwed-up baggage. Maybe we are put here to help each other carry the loads.”
“The song is languid and speaks of love and loneliness and loss. Why does love seem to go with the sad things?”
“Somewhere, things must be beautiful and vivid. Somewhere else, life has to be beautiful and vivid and rich. Not like this muted palette -a pale blue bedroom, washed out sunny sky, dull green yellow brown of the fields. Here, I know ever twist of every road, every blade of grass, every face in this town, and I am suffocating.”
“I wish I could say we all lived happily ever after. I can't. But I can say we lived. Our love for Nate lives, and he's left us this piece of himself in his art; it was his gift to us. We know him through his art, and I can take comfort in that.
I guess the thing about high school is, it's the moment when you start to cross from a being a kid to being an adult, and this journey to know yourself begins. Nate's journey ended to early, and I thought I had to run away to some far-off land to start mine. But, for now, it seems to me that I have enough to explore right here. There's a whole continent to discover in myself, and I know that it's love - love for my parents, my friends, my brother, and my art - that will guide me. Love will be my map.”
“I've got this image in my head of how I want my life to look, and I have absolutely no idea how to get there. And I'm so scared that I'll make some wrong decision - just one - and everything will get messed up and go wrong -for good.”
“I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.”
“Oh my gosh, he smells good, like some exotic but comforting spice, nutmeg or cardamom. Slowly Damian lowers his head to mine and I think my chest might explode, my heart is tap-dancing so quickly.
He's going to kiss me.
I've imagined this and now it's really happening, I am like a block of wood. I can't move. I can't breathe. I close my eyes as the lightest feather of a breath , then lips, brushing over my lips. His breath is sweet and the taste of coffee barely lingers in his mouth. I feel as though my whole body has turned to liquid, into a river of millions of droplets, rushing apart and then back together.
"You have the softest lips," he whispers as he pulls back to look at me.
"So do you," I murmur. Oh, was that a stupid thing to say? I turn my face into his jacket and breathe in his scent.”
“I shuffle along, letting the current pull me, and i have the sense that I am like a rat caught in a maze of tunnels, moving endlessly toward some promise of...of what? Light? Life? Cheese?”
“I do not tell her about how much I look forward to going to the Wright barn. How those couple of hours in his studio feel like an escape, a refuge. Nor do I tell Rachel that I think Damian has the most beautiful hands I've ever seen, that he walks like a cat, that he has the clearest eyes, which seem able to see absolutely everything about me. That he seems to be the loneliest person I've ever met, and it breaks my heart. All of these things feel private. Precious. And I don't want to share them with Rachel. Not yet, anyway.”
“So, what's up with you and Damian?" Helena asks.
"What do you mean?" I can feel the hear of a blush coloring on my cheeks. I can't ever seem to not show how I feel. It's becoming pretty annoying.”
“When I reach the end of one row, I continue straight on away from the barn and the farm and the road. I walk until I come to a pile of hay bales and plop myself down. The sun is bright and the air is sharp. In the distance I hear the lowing of cows. It's so peaceful here.
"Merry Christmas, " I whisper to myself. "Merry Christmas, Nate.”
“One night--it was on the twentieth of March, 1888--I was returning from a journey to a patient(for I had now returned to civil practice), when my way led me through Baker Street. As I passed the well-remembered door...I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problems.”
“I’d had a key to the marina’s locks at one time, but I’d lost track of it when I got shot, drowned, died, got revived into a coma, haunted my friends for a while, and then woke up in Mab’s bed.
(My life. Hell’s bells.)”
“If the history-deniers who doubt the fact of evolution are ignorant of biology, those who think the world began less than ten thousand years ago are worse than ignorant, they are deluded to the point of perversity. They are denying not only the facts of biology but those of physics, geology, cosmology, archaeology, history and chemistry as well.”
“Good night, Lisa. Sleep with the angels."
Her eyes stung from quick tears. It had been her mother's nightly benediction: Sleep with the angels. But then he added words her mother never had: "Then come back to earth and sleep with your devil, who would burn in hell for one night in your arms.”
“We live by our labors from one harvest to the next, there is no certain telling whether we shall be able to feed ourselves and our children, and if bad times are prolonged we know we must see the weak surrender their lives and this fact, too, is within our experience. In our lives there is no margin for misfortune.”
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.