“I felt I was drawing close to that age, that place in life, where you realize one day what you'd told yourself was a Zen detachment turns out to be naked fear. You'd had one serious love relationship in your life and it had ended in tragedy, and the tragedy had broken something inside you. But instead of trying to repair the broken place, or at least really stop and look at it, you skated and joked. You had friends, you were a decent citizen. You hurt no one. And your life was somehow just about half of what it could be.”
― Roland Merullo, quote from A Little Love Story
“Families are like countries. They have their own language and jokes and secrets and assumptions about the right and wrong ways of doing things, and some of that always shows in the children, the way something of
Germany or Australia always shows in a German or an Australian, no matter where they go. Outsiders like it or they don't, they feel at home there or they don't. It's like the taste of cilantro.
”
― Roland Merullo, quote from A Little Love Story
“I decided that if I was worth anything as a person, I ought to be able to let her be with what it was she had to be with then: not urge her to fight it if she was tired of fighting, not ply her with hope, not make her think about who might be upset or worried, not ask anything of her, nothing, just be alive with her while she was still alive.”
― Roland Merullo, quote from A Little Love Story
“I like that kind of thing. I like warmth and uncalled-for kindness, the small unnoticed generosities that speckle the meanness of the world.”
― Roland Merullo, quote from A Little Love Story
“I miss women,” he went on. “I miss that kind of intimacy. But I think whatever people do; they do in search of pleasure. Or trying to get rid of pain or fear, which is the same thing, basically. Everything, everything is really about that. Everything is about bringing your mind to a place where it’s at peace”
― Roland Merullo, quote from A Little Love Story
Roland Merullo
Born place: The United States
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“He walked with equipoise, possibly in either city. Schrödinger’s pedestrian.”
― China Miéville, quote from The City & the City
“Two days ago, I was lunching at the Writers Union with the eminent historian Tomashevski. That's the sort of man you should know. Respected, charming, hasn't produced a piece of work in ten years. He has a system, which he explained to me. First, he submits an outline for a biography to the Academy to be absolutely sure his approach is consistent with Party policy. A crucial first step, as you'll see later. Now, the person he studies is always an important figure - that is, someone from Moscow - hence Tomashevski must do his Russian research close to home for two years. But this historical character also traveled, yes, lived for some years in Paris or London; hence Tomashevski must do the same, apply for and receive permission for foreign residence. Four years have passed. The Academy and the Party are rubbing their hands in anticipation of this seminal study of the important figure by the eminent Tomashevski. And now Tomashevski must retire to the solitude of a dacha outside Moscow to tend his garden and creatively brood over his cartons of research. Two more years pass in seminal thought. And just as Tomashevski is about to commit himself to paper, he checks with the Academy again only to learn that Party policy has totally about-faced; his hero is a traitor, and with regrets all around, Tomashevski must sacrifice his years of labor for the greater good. Naturally, they are only too happy to urge Tomashevski to start a new project, to plow under his grief with fresh labor. Tomashevski is now studying a very important historical figure who lived for some time in the South of France. He says there is always a bright future for Soviet historians, and I believe him.”
― Martin Cruz Smith, quote from Gorky Park
“en la Historia no hay finales felices, solo momentos críticos que se superan.”
― Isaac Asimov, quote from The Gods Themselves
“He leans forward and his mouth brushes briefly
against mine, and I feel... nothing.
I was hoping our first kiss would trigger all sorts of memories or sensations, maybe a sudden image of Paris or our wedding, or our first snog. But as he draws away I feel totally, one hundred percent blank.
I can see the anticipation in Eric's face and quickly search for something encouraging to say.
"That was lovely! Very..." I trail off, unable to think of a single word other than quick, which I'm not sure hits the right note.
"It didn't bring back any memories?" Eric is studying my face.
"Well...no," I say apologetically. "But, I mean, that doesn't mean it wasn't really... I mean it was... I feel quite turned on!" The words come out before I can stop them.
What the hell did I say that for? I don't feel turned on.
"Really?" Eric lights up and he puts his briefcase down.
Oh no. No no no. Nooo.”
― Sophie Kinsella, quote from Remember Me?
“Toark woke with a jolt from a sleep he'd never meant to have.”
― Michelle Paver, quote from Wolf Brother
Six of One
Tin God
The Woman Destroyed
Satellite
Kipnuk the Talking D...
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