“I want to chase the butterflies.”
― Amelia Atwater-Rhodes, quote from Wolfcry
“I don't know what kind of life we might have together," I said, never looking away from her warm brown eyes. "But I know I would protect you with the last scrap of my soul. I know I want to be there for you, to hold you, to dance for you, to hunt with you, to be with you no matter where Fate takes us, because it's the sound of your heartbeat that comforts me when I drift off to sleep, and I know I - I cannot offer you royalty. I'm not sure what I can offer you - but myself. Hopefully that is enough, because I love you, Betia, and I do implore you to be my mate.”
― Amelia Atwater-Rhodes, quote from Wolfcry
“You don't have to speak. Words fade," she whispered. "I know that better than anyone. Words are forgotten; they are regretted.Unnecessary. I know.”
― Amelia Atwater-Rhodes, quote from Wolfcry
“Betia laughed a little, shaking her head. She leaned forward and kissed my cheek as she grabbed my hands and pulled me to my feet. Her brown eyes glittered with a devil-may-care recklessness that warmed me to my toes. If it would make her smile that way, I would dance all night.”
― Amelia Atwater-Rhodes, quote from Wolfcry
“Betia kissed my forehead. "I won't leave unless you ask me to. I-" Her lips touched mine chastely. "The future will come. I will be there, if you want me.”
― Amelia Atwater-Rhodes, quote from Wolfcry
Amelia Atwater-Rhodes
Born place: in Silver Springs, Maryland, The United States
Born date April 16, 1984
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“I felt like that kite. Hanging on by a slender thread, with no certainty or control over which direction life would turn me next.”
― Tracy Brogan, quote from Crazy Little Thing
“One and the same mother does not bring forth into the world the head without the members, nor the members without the head; for this would be a monster of nature. So in like manner, in the order of grace, the Head and the members are born of one and the same Mother; and if a member of the mystical Body of Jesus Christ—that is to say, one of the predestinate—was born of any other mother than Mary, who has produced the Head, he would not be one of the predestinate, nor a member of Jesus Christ, but simply a monster in the order of grace.”
― St. Louis de Montfort, quote from True Devotion to Mary
“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“Maybe part of finding what you wanted was recognizing what you didn’t want.”
― Claire Cook, quote from Must Love Dogs
“There's a certain language, a dying language, and I can't remember who speaks it or where in the world they are, but in that language the future is referred to as being behind us. It must be behind us, since we can see the past. We walk backwards, blind, into the future, only knowing where we've already been.”
― Andra Brynn, quote from Where I End and You Begin
Saint Odd
How Music Works
Men Explain Things t...
Boaz Brown
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