“Have you tried to talk to her?"
"What would you like me to say Bastian? OH, I'M SORRY, INEZ. I DIDN'T MEAN TO BITE YOU, MY FANGS SLIPPED.”
― Lynsay Sands, quote from Vampires are Forever
“Inez? I'm sorry I bit you," he said with sincere regret, and then inspiration made him add, "Bastien made me do it.”
― Lynsay Sands, quote from Vampires are Forever
“There was another pause and then Bastien clucked and snapped, "Dammit, Thomas! Inez is one of my best employees."
He pulled the phone away from his ear to peer at it with disbelief, and then slapped it back to his head. "What the hell has that got to do with anything?"
"Well, if you had to find your lifemate, couldn't it have been someone else's employee. I'm going to lose her now. She'll want to be with you and come to Canada and--”
― Lynsay Sands, quote from Vampires are Forever
“I'd rather lose her from my life, but know she was alive and well than lose her altogether to death.”
― Lynsay Sands, quote from Vampires are Forever
“I'm mortal. You really don't want me falling down stairs and breaking my neck."
"I'd catch you," he assured her solemnly. "I'll always be there to catch you, Inez.”
― Lynsay Sands, quote from Vampires are Forever
“Have you talked to her?"
"What would you have had me say Bastien? Oh, I'm sorry Inez. I didn't mean to bite you, my fangs slipped.”
― Lynsay Sands, quote from Vampires are Forever
“I'm mortal. You really don't want me falling down stairs and breaking my neck." "I'd catch you," he assured her solemnly. "I'll always be there to catch you, Inez.”
― Lynsay Sands, quote from Vampires are Forever
“Inez, I’m sorry,” Thomas said quietly, his expression earnest. “I had no choice. You were dying, and besides you agreed to the turn the night before. Didn’t you?” He frowned and muttered, “Of course, it was right after you’d nearly drowned and you might not have really understood what was going on at the time. Do you even love me? You nodded to that too, but…” He raised his head and said solemnly, “I’m sorry if you’re upset about being turned, but I’m not sorry for doing it. Because whether you love me or not, Inez, I love you. You’re strong, and brilliant and sweet and have a strength I’ve never seen in other women. This last week you’ve done whatever was required of you to help find Marguerite without complaint or allowing fear to stop you, even going so far as being the bait in the trap.” He scowled and then admitted, “Though I have to say I thought that was rather foolish. I was really pissed at you for putting your life at risk like that.”
― Lynsay Sands, quote from Vampires are Forever
“Thomas,” Inez interrupted with exasperation. “I’m trying to tell you I love you.” “You do?” he asked, a smile spreading halfway across his face. “But then why did you tell Terri that you wanted to delay the turn?” “It wasn’t you. It was because of the pain involved,” she said with a grimace and then admitted, “I don’t like pain, Thomas. I mean I’m practically phobic about it. My whole life, I’ve avoided any situation that might involve pain. My dentist even has to gas me to fill a cavity.” Inez shrugged unhappily. “I probably would have delayed and put it off as long as I possibly could if you hadn’t had to change me to save my life. In truth, Blondie probably did us both a favor by precipitating the events that forced you to turn me.”
― Lynsay Sands, quote from Vampires are Forever
“I hardly think my berating you wildly when I arrived at the hotel was subtle behavior.” “No?” Thomas grinned. “You berated me in Portuguese. For all I knew you were telling me I was the sexiest thing you’d seen in your life.” “In your dreams,” Inez chuckled.”
― Lynsay Sands, quote from Vampires are Forever
“Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence...
'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University.”
― John Barth, quote from Giles Goat-Boy
“When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor.”
― Bob Dylan, quote from Chronicles, Volume One
“For Wales? Why Richard, it profit a man nothing to give his soul for the whole world. . . but for Wales!”
― Robert Bolt, quote from A Man for All Seasons
“I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it.”
― Nick Hornby, quote from Fever Pitch
“Our nights are different. She falls asleep like someone yielding to the gentle tug of a warm tide, and floats with confidence till morning. I fall asleep more grudgingly, thrashing at the waves, either reluctant to let a good day depart or still bitching about a bad one. Different currents run through our spells of unconsciousness.”
― Julian Barnes, quote from A History of the World in 10½ Chapters
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