Craig Clevenger · 199 pages
Rating: (9K votes)
“A person’s life story is equal to what they have plus what they want most in the world, minus what they’re actually willing to sacrifice for it.”
― Craig Clevenger, quote from The Contortionist's Handbook
“It's taken me years of practice to learn how to act natural.”
― Craig Clevenger, quote from The Contortionist's Handbook
“i learned that predators don't intentionally choose the weak or old or sick. they kill what they can, which means the slow members of the pack. thus, they strengthen the very gene pool they're feeding from. the threshold for what is weak, old or sick gets raised, and the strength, speed and instincts of new generations of hunters grow. a beautiful, self-perpetuating system where evolution is the antithesis of entropy.”
― Craig Clevenger, quote from The Contortionist's Handbook
“When you’re in love, your brain secretes endorphins into your blood. Organic morphine leaks out of a gland in your skull, feels like a low-grade opium rush. Some people confuse the two, the head rush and the love. You think you’re in love with a person, but you’re in love with a syringe.”
― Craig Clevenger, quote from The Contortionist's Handbook
“...what they show tells you what they want to hide.”
― Craig Clevenger, quote from The Contortionist's Handbook
“I love you, I said, but not out loud.”
― Craig Clevenger, quote from The Contortionist's Handbook
“The combination to be on guard for is young and bored, or young and resentful. You can spot them at social gatherings, the grad students or interns who tell you about syndromes, conditions, deviances, and disorders, and they love, love, love to talk. They speak in half-sentences with a knowing smile-squint, watch you falter at the pause, and then keep talking.”
― Craig Clevenger, quote from The Contortionist's Handbook
“If no God, there must at least be a pattern-making demiurge.”
― Craig Clevenger, quote from The Contortionist's Handbook
“People can numb themselves, get used to anything.”
― Craig Clevenger, quote from The Contortionist's Handbook
“Carisoprodol. Comes in a white tablet like a big-ass vitamin, 350 mg of muscle liquefier for those tense, recovering athletes and furniture movers. Too much, and those relaxed muscles include your diaphragm, then your heart.”
― Craig Clevenger, quote from The Contortionist's Handbook
“They see my fingers, they run. Dominique. Alicia. Penny.
They see my fingers, they want their hair pulled. Alex. Renee. Kristin.”
― Craig Clevenger, quote from The Contortionist's Handbook
“My left hand is a Rorschach blotch all its own, a six-fingered, skin-blood-and-bone ink splatter. People see it and fly their worst fears and secret fetishes at full mast when they think they’re being discreet. They see it as strange, fascinating, ugly, beautiful, disgusting or erotic depending on what’s behind their eyes.”
― Craig Clevenger, quote from The Contortionist's Handbook
“A person's life story is equal to what they have plus what they want most in the world, minus what they're actually willing to sacrifice for it.”
― Craig Clevenger, quote from The Contortionist's Handbook
“But if you didn't believe in monsters, then how were you going to be able to keep safe from them?”
― Holly Black, quote from The Coldest Girl in Coldtown
“What are you doing?" Damen's breath
was shaky.
"What am I doing? You are not very
observant."
"You're not yourself," said Damen. "And
even if you were, you don't do anything
without a dozen motives."
Laurent went very still, the soft words
half bitter. "Don't I? I must want
something.”
― C.S. Pacat, quote from Captive Prince: Volume Two
“There are a lot of human experiences that challenge the limits of our language,” she said. “That’s one of the reasons that we have poetry.”
― Ava Dellaira, quote from Love Letters to the Dead
“Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”
― Joan Didion, quote from The Year of Magical Thinking
“When the well is dry we know the value of water”
― Benjamin Franklin, quote from The Autobiography of Benjamin Franklin
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