Quotes from The Contortionist's Handbook

Craig Clevenger ·  199 pages

Rating: (9K votes)


“A person’s life story is equal to what they have plus what they want most in the world, minus what they’re actually willing to sacrifice for it.”
― Craig Clevenger, quote from The Contortionist's Handbook


“It's taken me years of practice to learn how to act natural.”
― Craig Clevenger, quote from The Contortionist's Handbook


“i learned that predators don't intentionally choose the weak or old or sick. they kill what they can, which means the slow members of the pack. thus, they strengthen the very gene pool they're feeding from. the threshold for what is weak, old or sick gets raised, and the strength, speed and instincts of new generations of hunters grow. a beautiful, self-perpetuating system where evolution is the antithesis of entropy.”
― Craig Clevenger, quote from The Contortionist's Handbook


“When you’re in love, your brain secretes endorphins into your blood. Organic morphine leaks out of a gland in your skull, feels like a low-grade opium rush. Some people confuse the two, the head rush and the love. You think you’re in love with a person, but you’re in love with a syringe.”
― Craig Clevenger, quote from The Contortionist's Handbook


“...what they show tells you what they want to hide.”
― Craig Clevenger, quote from The Contortionist's Handbook



“I love you, I said, but not out loud.”
― Craig Clevenger, quote from The Contortionist's Handbook


“The combination to be on guard for is young and bored, or young and resentful. You can spot them at social gatherings, the grad students or interns who tell you about syndromes, conditions, deviances, and disorders, and they love, love, love to talk. They speak in half-sentences with a knowing smile-squint, watch you falter at the pause, and then keep talking.”
― Craig Clevenger, quote from The Contortionist's Handbook


“If no God, there must at least be a pattern-making demiurge.”
― Craig Clevenger, quote from The Contortionist's Handbook


“People can numb themselves, get used to anything.”
― Craig Clevenger, quote from The Contortionist's Handbook


“Carisoprodol. Comes in a white tablet like a big-ass vitamin, 350 mg of muscle liquefier for those tense, recovering athletes and furniture movers. Too much, and those relaxed muscles include your diaphragm, then your heart.”
― Craig Clevenger, quote from The Contortionist's Handbook



“They see my fingers, they run. Dominique. Alicia. Penny.

They see my fingers, they want their hair pulled. Alex. Renee. Kristin.”
― Craig Clevenger, quote from The Contortionist's Handbook


“My left hand is a Rorschach blotch all its own, a six-fingered, skin-blood-and-bone ink splatter. People see it and fly their worst fears and secret fetishes at full mast when they think they’re being discreet. They see it as strange, fascinating, ugly, beautiful, disgusting or erotic depending on what’s behind their eyes.”
― Craig Clevenger, quote from The Contortionist's Handbook


“A person's life story is equal to what they have plus what they want most in the world, minus what they're actually willing to sacrifice for it.”
― Craig Clevenger, quote from The Contortionist's Handbook


About the author

Craig Clevenger
Born place: in Dallas, Texas, The United States
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Popular quotes

“THE SEVEN KEY CHARACTERIZATION VARIABLES Think of these as realms, as areas of potential character illumination. Here they are, in no particular order: Surface affectations and personality—What the world sees and perceives about a character, including quirks, ticks, habits, and visual presentation. Backstory—All that happened in the character’s life before the story begins that conspires to make him who he is now. Character arc—How the character learns lessons and grows (changes) over the course of the story, how she evolves and conquers her most confounding issues. Inner demons and conflicts—The nature of the issues that hold a character back and define his outlook, beliefs, decisions, and actions. Fear of meeting new people, for example, is a demon that definitely compromises one’s life experience. Worldview—An adopted belief system and moral compass; the manifested outcome of backstory and inner demons. Goals and motivations—What drives a character’s decisions and actions, and the belief that the benefits of those decisions and actions outweigh any costs or compromises. Decisions, actions, and behaviors—The ultimate decisions and actions that are the sum of all of the above. Everything about your characters depends on this final variable, and the degree to which the character’s decisions, actions, and behaviors have meaning and impact depends on how well you’ve manipulated the first six variables before, during, and after the moment of decision or action.”
― Larry Brooks, quote from Story Engineering: Character Development, Story Concept, Scene Construction


“We've just lost our way, that's all. But what if you could give us a chance to do better? Just one chance? One single move in the great game of history? What's your best shot? What would you consider to be the greatest mistake in world history and, more to the point, what single thing would you do to prevent it?”
― Ben Elton, quote from Time and Time Again


“Skill in any performance whether it be in sports in playing the piano in conversation or in selling merchandise consists not in painfully and consciously thinking out each action as it is performed but in relaxing and letting the job do itself through you. Creative performance is spontaneous and ‘natural’ as opposed to self-conscious and studied.”
― quote from Psycho-Cybernetics


“I can’t bear the thought of not being with you, Eva,” he says, making my tears fall harder. “I don’t ever want to lose you.” “I’ll always find you,” I choke out. “I promise I’ll always find you.”
― Natalie Ward, quote from Losing Me Finding You


“On Sundays Mom invariably ran out of money, which is when she cracked eggs into the skillet over cubes of fried black sourdough bread. It was, I think, the most delicious and eloquent expression of pauperism.”
― Anya von Bremzen, quote from Mastering the Art of Soviet Cooking: A Memoir of Food and Longing


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