“I stand between two worlds. I am at home in neither, and I suffer in consequence. You artists call me a bourgeois, and the bourgeois try to arrest me...I don't know which makes me feel worse.”
― Thomas Mann, quote from Tonio Kröger
“Whoever loves the more is at a disadvantage and must suffer”
― Thomas Mann, quote from Tonio Kröger
“Seltsam ist es. Beherrscht dich ein Gedanke, so findest du ihn überall ausgedrückt,
du r i e c h s t ihn sogar im Winde.”
― Thomas Mann, quote from Tonio Kröger
“He undressed, lay down, put out the light. Two names he whispered into his pillow, the few chaste northern syllables that meant for him his true and native way of love, of longing and happiness; that meant to him life and home, meant simple and heartfelt feeling. He looked back on the years that had passed. He thought of the dreamy adventures of the senses, nerves, and mind in which he had been involved; saw himself eaten up with intellect and introspection, ravaged and paralysed by insight, half worn out by the fevers and frosts of creation, helpless and in anguish of conscience between two extremes, flung to and fro between austerity and lust; raffiné, impoverished, exhausted by frigid and artificially heightened ecstasies; erring, forsaken, martyred, and ill -- and sobbed with nostalgia and remorse.”
― Thomas Mann, quote from Tonio Kröger
“Mere knowledge of human psychology would in itself infallibly make us despondent if we were not cheered and kept alert by the satisfaction of expressing it.”
― Thomas Mann, quote from Tonio Kröger
“He worked, not like a man who works that he may live; but as one who is bent on doing nothing but work; having no regard for himself as a human being but only as a creator; moving about grey and unobtrusive among his fellows like an actor without his make-up, who counts for nothing as soon as he stops representing something else.”
― Thomas Mann, quote from Tonio Kröger
“Ako vam je suviše stalo do onoga što imate kazati, ako vam je ono suviše priraslo srcu, možete biti sigurni, da ćete doživeti potpuni neuspeh. Postat ćete patetični, postati ćete sentimentalni, pod vašim rukama nastaće nešto nezgrapno, nespretno, neozbiljno, neobuzdano, bez ironije, neslano, dosadno, banalno a kraj priče biće: samo ravnodušnost u ljudi, samo razočaranje i jad u vama.
Jer tako vam je to , Lizaveto: Osećaj, topli, srdačni osećaj uvek je banalan i neupotrebljiv a umetnička je samo razdraženost i hladna ekstaza našeg pokvarenog, našeg artističkog živčanog sistema”
― Thomas Mann, quote from Tonio Kröger
“Denn das Glück, sagte er sich, ist nicht, geliebt zu werden; das ist mit Ekel gemischte Genugtuung für die Eitelkeit. Das Glück ist, zu lieben und vielleicht kleine, trügerische Annäherungen an den geliebten Gegenstand zu erhaschen.”
― Thomas Mann, quote from Tonio Kröger
“What they, in their innocence, cannot comprehend is that a properly constituted, healthy, decent man never writes, acts, or composes.”
― Thomas Mann, quote from Tonio Kröger
“Ako je lutao, bilo je to zato, što za neke ljude uopšte nema pravog puta.
Kad bi ga pitali, šta zapravo kani postati, davao bi različite odgovore, jer je običavao reći ( a bio je to već i napisao), da nosi u sebi mogućnosti za hiljadu načina života, zajedno s potajnom svesti, da su to zapravo same nemogućnosti.”
― Thomas Mann, quote from Tonio Kröger
“Čudno je to. Kad čoveka obuzme neka misao, onda je nalazi svuda, čak je i miriše u vetru.”
― Thomas Mann, quote from Tonio Kröger
“Io sto tra due mondi, di cui nessuno e' il mio, e per questo la mia vita e' un po' difficile.”
― Thomas Mann, quote from Tonio Kröger
“Sì: vi sono alcuni che necessariamente smarriscono la strada, poiché per loro non esiste una strada giusta.”
― Thomas Mann, quote from Tonio Kröger
“C’è nostalgia, dentro, e malinconica invidia, appena un po’ di disprezzo e una grande, casta felicità.”
― Thomas Mann, quote from Tonio Kröger
“Non lavorava come chi lavora per vivere, ma come qualcuno che non abbia altro scopo che lavorare, giudicandosi zero come uomo vivente e desiderando essere considerato solo in quanto artefice, che per il resto se ne va in giro modesto e insignificante, come un attore senza trucco, che non è nulla finchè non ha nulla da interpretare. Lavorava silenzioso, appartato, invisibile e pieno di disprezzo per quei mediocri che consideravano il genio un ornamento mondano e, poveri o ricchi che fossero, andavano in giro arruffati e cenciosi, o ricercavano il lusso con eccentriche cravatte, e insomma erano convinti di menare una vita insuperabilmente felice, affascinante e artistica; senza sapere che le opere di valore nascono solo sotto il premere di una vita cattiva, che colui che vive non lavora e che, per essere perfetti creatori, bisogna essere morti.”
― Thomas Mann, quote from Tonio Kröger
“Vuole credere lei che sarei orgoglioso e felice di possedere un amico tra gli uomini? Ma fino ad ora ho avuto amici solo tra demoni, farfarelli, mostri oscuri e fantasmi afasiaci, vale a dire: tra letterati.”
― Thomas Mann, quote from Tonio Kröger
“A felicidade é amar e talvez colher pequenas aproximações ilusórias da pessoa amada.”
― Thomas Mann, quote from Tonio Kröger
“... sentia a distância que o separava dela, pois seu modo de falar não era o dela. E mesmo assim era feliz, pois a felicidade, dizia para si mesmo, não é ser amado; isto é uma satisfação misturada com asco para a vaidade. A felicidade é amar e talvez colher pequenas aproximações ilusórias da pessoa amada.”
― Thomas Mann, quote from Tonio Kröger
“Chi più ama è il più debole e deve soffrire.”
― Thomas Mann, quote from Tonio Kröger
“Ricominciar da capo? Ma non servirebbe a nulla. Sarebbe di nuovo così, tutto accadrebbe di nuovo come è già accaduto. Poiché alcuni non possono che smarrire il cammino, in quanto per essi una strada giusta proprio non esiste.”
― Thomas Mann, quote from Tonio Kröger
“ბედნიერება იმაში კი არ არის, რომ უყვარდეთ; ეს გაძლევს მხოლოდ კმაყოფილების გრძნობას. იყო ბედნიერი - ნიშნავს გიყვარდეს, დაიჭირო წარმავალი, შესაძლოა მაცდური წამიერი გაელვებები, შენი სიყვარულის ობიექტის სიახლოვეს”
― Thomas Mann, quote from Tonio Kröger
“Y, aunque sabía muy bien que el amor le tenía que aportar muchos sufrimientos, torturas y humillaciones y que, además, le robaba la paz y colmaba su corazón de melodías, sin poder hallar el sosiego necesario para dar forma definitiva a nada y forjar proyectos con tranquilidad, sin embargo, acogió el amor con alegría, se entregó enteramente a él y lo fomentó con todas las fibras de su corazón, pues sabía que lo enriquecía y vivificaba, y él anhelaba ser rico y estar lleno de vida en vez de tener tranquilidad para forjarse proyectos.”
― Thomas Mann, quote from Tonio Kröger
“Hope not ever to see Heaven. I have come to lead you to the
other shore; into eternal darkness; into fire and into ice.”
― Dante Alighieri, quote from Helvetti
“But thing is, with anyone else, you’d just be their girlfriend, and with me…you’re kind of my world.”
― Ginger Scott, quote from The Girl I Was Before
“If I had been invited by my dear family sooner, I would've dealt with Glaemir by now," said a voice behind them.
"Aunt Helen!" Laurie exclaimed.
"Niece." The ruler of Hel wore another living dress, this one covered by death's-head moths. Aside from the tiny little skull shape on the backs of the moths, they weren't particularly odd. Helen's habit of dressing in living things, however, was a bit creepy.
"Speak of the devil," Fen murmured.
Helen laughed and shook her finger at him. "Now, now, Nephew. I'm standing here with the godlings. Would I do that if I were a devil?”
― K.L. Armstrong, quote from Odin's Ravens
“A brother's love? You don't know him at all, do you. What's a death but easy, quick. It's supposed to haunt you forever that the one time he beat you was the one time that mattered.”
― C.S. Pacat, quote from Captive Prince: Volume One
“If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him.”
― Sophocles, quote from The Three Theban Plays: Antigone / Oedipus the King / Oedipus at Colonus
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