“It’s the correct thing to say that a man needs no more than six feet of earth. But six feet is what a corpse needs, not a man. And they say, too, now, that if our intellectual classes are attracted to the land and yearn for a farm, it’s a good thing. But these farms are just the same as six feet of earth. To retreat from town, from the struggle, from the bustle of life, to retreat and bury oneself in one’s farm—it’s not life, it’s egoism, laziness, it’s monasticism of a sort, but monasticism without good works. A man does not need six feet of earth or a farm, but the whole globe, all nature, where he can have room to display all the qualities and peculiarities of his free spirit.”
― Anton Chekhov, quote from Stories
“Renown does not allure you now. What is there flattering, amusing, or edifying in their carving your name on a tombstone, then time rubbing off the inscription together with the gilding? Moreover, happily there are too many of you for the weak memory of mankind to be able to retain your names.” “Of”
― Anton Chekhov, quote from Stories
“There is always, for some reason, an element of sadness mingled with my thoughts of human happiness, and, on this occasion, at the sight of a happy man I was overcome by an oppressive feeling that was close upon despair. It was particularly oppressive at night. A bed was made up for me in the room next to my brother’s bedroom, and I could hear that he was awake, and that he kept getting up and going to the plate of gooseberries and taking one. I reflected how many satisfied, happy people there really are! ‘What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there is not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes... Everything is quiet and peaceful, and nothing protests but mute statistics: so many people gone out of their minds, so many gallons of vodka drunk, so many children dead from malnutrition... And this order of things is evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible. It’s a case of general hypnotism. There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him—disease, poverty, losses, and no one will see or hear, just as now he neither sees nor hears others. But there is no man with a hammer; the happy man lives at his ease, and trivial daily cares faintly agitate him like the wind in the aspen-tree—and all goes well.”
― Anton Chekhov, quote from Stories
“You see and hear that they lie,” said Ivan Ivanovitch, turning over on the other side, “and they call you a fool for putting up with their lying. You endure insult and humiliation, and dare not openly say that you are on the side of the honest and the free, and you lie and smile yourself; and all that for the sake of a crust of bread, for the sake of a warm corner, for the sake of a wretched little worthless rank in the service. No, one can’t go on living like this.”
― Anton Chekhov, quote from Stories
“El polizonte era capaz de anonadarlo, a fuerza de denuncias. Por ejemplo, vería a tu gato vagabundeando y te denunciaría por dejar tus animales errantes...;”
― Anton Chekhov, quote from Stories
“¡La instrucción, cuando va unida a la pobreza, es testimonio de elevadas cualidades del alma!... ¡Mal”
― Anton Chekhov, quote from Stories
“No he probado la ejecución ni la reclusión perpetua, pero si se puede juzgar a priori, la pena de muerte, a mi juicio, es más moral y humana que la reclusión. La ejecución mata de golpe, mientras que la reclusión vitalicia lo hace lentamente. ¿Cuál de los verdugos es más humano? ¿El que lo mata a usted en pocos minutos o el que le quita la vida durante muchos años?”
― Anton Chekhov, quote from Stories
“«La gobernanta es la única persona que se encuentra bien en este lugar y la fábrica sólo trabaja para satisfacerla. Pero eso no pasa de ser una ilusión, ella no es más que un testaferro. El personaje principal para el que todo el mundo trabaja aquí es el diablo».”
― Anton Chekhov, quote from Stories
“Es por ello por lo que algunos amigos le acusaron de no conocer «a fondo» a sus personajes, a lo que él replicó que «sólo los imbéciles creen saberlo todo». El”
― Anton Chekhov, quote from Stories
“Lo más turbador de esos personajes es que saben perfectamente lo que deben hacer y sin embargo no lo hacen; también sorprende que estén derrotados de antemano, que parezcan conocer el resultado frustrado de sus gestiones o afanes, que no concedan la menor opción a la esperanza. Terratenientes”
― Anton Chekhov, quote from Stories
“—¿Qué cuadro es ése? —preguntó el estudiante. —Psiquis.”
― Anton Chekhov, quote from Stories
“si se para uno a pensarlo, todo es bello en este mundo, salvo lo que nosotros mismos discurrimos y hacemos cuando olvidamos los fines supremos de la existencia y nuestra dignidad humana.”
― Anton Chekhov, quote from Stories
Anton Chekhov
Born place: in Taganrog, Yekaterinoslav Governorate, Russian Empire
Born date January 29, 1860
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“«Si riferisce ai loro poteri magici? Vorrei, lo vorrei tanto. Ma anche così questi scavi sono incomparabili. La cultura materiale non ha nessun senso. Non esiste nessun’altra parte al mondo in cui si possa riportare alla luce quelli che sembrano oggetti della tarda antichità con bordi taglienti, reperti in bronzo bellissimi e compositi mischiati con materiale palesemente neolitico. Con questa roba è come se la stratigrafia andasse a farsi benedire. È stata usata come prova contro il matrix di Harris... erroneamente, ma capirà perché. Ecco perché questi scavi sono così popolari fra i giovani archeologi.”
― China Miéville, quote from The City & the City
“Two days ago, I was lunching at the Writers Union with the eminent historian Tomashevski. That's the sort of man you should know. Respected, charming, hasn't produced a piece of work in ten years. He has a system, which he explained to me. First, he submits an outline for a biography to the Academy to be absolutely sure his approach is consistent with Party policy. A crucial first step, as you'll see later. Now, the person he studies is always an important figure - that is, someone from Moscow - hence Tomashevski must do his Russian research close to home for two years. But this historical character also traveled, yes, lived for some years in Paris or London; hence Tomashevski must do the same, apply for and receive permission for foreign residence. Four years have passed. The Academy and the Party are rubbing their hands in anticipation of this seminal study of the important figure by the eminent Tomashevski. And now Tomashevski must retire to the solitude of a dacha outside Moscow to tend his garden and creatively brood over his cartons of research. Two more years pass in seminal thought. And just as Tomashevski is about to commit himself to paper, he checks with the Academy again only to learn that Party policy has totally about-faced; his hero is a traitor, and with regrets all around, Tomashevski must sacrifice his years of labor for the greater good. Naturally, they are only too happy to urge Tomashevski to start a new project, to plow under his grief with fresh labor. Tomashevski is now studying a very important historical figure who lived for some time in the South of France. He says there is always a bright future for Soviet historians, and I believe him.”
― Martin Cruz Smith, quote from Gorky Park
“Contra la estupidez, los propios dioses luchan en vano”
― Isaac Asimov, quote from The Gods Themselves
“like that time I used false eyelashes with dodgy glue from the market, then tottered into the bathroom the next morning to find one eye glued shut with what looked like a dead spider on top of it. Really attractive, Lexi.”
― Sophie Kinsella, quote from Remember Me?
“ "So I've got to find a mountiain that nobody's ever seen. And work out the answer to a riddle that nobody's ever solved. And kill a bear that nobody can fight."
Renn sucked in her breath. "You've go to try." ”
― Michelle Paver, quote from Wolf Brother
Kallocain
Highlander Most Want...
If Only It Were True
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Inhuman
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