“When you and I are dead, and all the rest of us who served in the last war, in all the countries,” she said, “there’ll be a chance of world peace. Not till then.”
― Nevil Shute, quote from Requiem for a Wren
“Until we’re dead, we Service people, the world will always be in danger of another war. We had too good a time in the last one. We’ll none of us come out into the open and admit it. It might be better for us if we did. [...] For our generation, the war years were the best time of our lives, not because they were war years but because we were young. The best years of our lives happened to be war years. Everyone looks back at the time when they were in their early twenties with nostalgia, but when we look back we only see the war. We had a fine time then, and so we think that if a third war came we’d have those happy, carefree years all over again. I don’t suppose we would—some of us might.”
― Nevil Shute, quote from Requiem for a Wren
“There are some things about oneself that it’s not very nice to wake up to.”
― Nevil Shute, quote from Requiem for a Wren
“She said, “Aye, they’re getting for him everything the heart of man could desire, saving the one thing.” I asked, “What’s that?” She said, “A wife.” She’s very shrewd.”
― Nevil Shute, quote from Requiem for a Wren
“It was incongruous at Coombargana. In a great city such things happen now and then, where people are too strained and hurried to pay much attention to the griefs of others, but in a small rural community like ours, led by wise and tolerant people such as my father and mother, staffed by good types culled and weeded out over the years, such secret, catastrophic griefs do not occur. Troubles at Coombargana had always been small troubles in my lifetime.”
― Nevil Shute, quote from Requiem for a Wren
“after all that I had read during the night. Even into this quiet place the war had reached like the tentacle of an octopus and had touched this girl and brought about her death. Like some infernal monster, still venomous in death, a war can go on killing people for a long time after it’s all over.”
― Nevil Shute, quote from Requiem for a Wren
“Throughout the autumn and the winter activity increased in the Beaulieu area, and with it came mysteries. Lepe House, the mansion at the entrance to the river, was taken over by the Navy and became full of secretive Naval officers; it became known that this was part of a mysterious Navel entity called 'Force J'. Near Lepe House and at the very mouth of the river a construction gang began work in full strength to make a hard, sloping concrete platform running down into the river where the flat-bottomed landing craft could beach to refuel and let their ramps down to embark the vehicles and tanks. This place was about two miles from 'Mastodon'. A mile or so along the coast a country house was occupied by a secret Naval party who did strange things with tugs and wires and winches, and with what looked like a gigantic reel of cotton floating in the sea; this was 'Pluto', Pipe Line Under The Ocean, which was to lay pipes from England to France to carry petrol to supply the armies which were due to land in Normandy. On a bare beach nearby a thousand navvies were camped making huge concrete structures known as 'Phoenix', one of many such sites all along the coast. It was not till after the invasion that it became known that these were a part of the artificial harbour 'Mulberry' on the north coast of France.”
― Nevil Shute, quote from Requiem for a Wren
“By 1948 I was safe on my feet and able to get about quite normally, but I was thirty-four and life was slipping past me. I could not face burial alive in Coombargana at that age after all that I had been and done during the war, and I began to feel I should go crazy if I didn’t get away from it to England again, where things were happening. I think my parents understood, because they made no objection when I suggested that I should go back to Oxford for a year and finish taking my degree. That was five years ago. What I didn’t realise then was that it wasn’t England I was really fretting for. It was my lost youth.”
― Nevil Shute, quote from Requiem for a Wren
“I was very depressed in those months, because it’s not funny to lose both your feet when you’re thirty years old.”
― Nevil Shute, quote from Requiem for a Wren
Nevil Shute
Born place: in London, England, The United Kingdom
Born date January 17, 1899
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“Not fault of teaching spider if little spider pay more attention to catching fly than doing lesson.”
― Anne Bishop, quote from Queen of the Darkness
“Does your manager know that you talk to your customers like this? (Blaine)
If you’d like to talk to my mother, who owns this bar, my overindulgent brother, who manages it, or my father, who delights in kicking everyone’s ass around, about your treatment by me, just let me know and I’ll be more than happy to go get one of them for you. I know they’d just love to waste their time dealing with you. They’re real understanding that way. (Aimee)”
― Sherrilyn Kenyon, quote from Unleash the Night
“A machine is more blameless, more sinless even than any animal. It has no intentions whatsoever but our own.”
― Ursula K. Le Guin, quote from The Lathe of Heaven
“He was addled with April. He was dizzy with Spring. He was as drunk as Lem Forrester on a Saturday night.”
― Marjorie Kinnan Rawlings, quote from The Yearling
“I know this is one of the unthinkable taboos of our society, but I had discovered in myself a talent for a wonderful, unrepentant laziness, the kind most people never know after childhood. I had a prism from an old chandelier hanging in my window, and I could spend entire afternoons lying on my bed and watching it flick tiny chips of rainbow around the room. I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better-- Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.”
― Tana French, quote from In the Woods
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