“Silence is just as likely to indicate the most profound ideas forming, the deepest energies being summoned.”
― Kazuo Ishiguro, quote from The Unconsoled
“Your wound, your silly little wound! That's your real love, Leo, that wound, the one true love of your life! I know how it will be, even if we tried, even if we managed to build something all over again. The music too, that would be no different. Even if they'd accepted you tonight, even if you became celebrated in this town, you'd destroy it all, you'd destroy everything, pull it all down around you just as you did before. And all because of that wound. Me, the music, we're neither of us anything more to you than mistresses
you seek consolation from. You'll always go back to your one real love. To that wound! And you know what makes me so angry? Leo, are you listening to me? Your wound, it's nothing special, nothing special at all. In this town alone, I know there are many people with far worse. And yet they carry on, every one of them, with far greater courage than you ever did. They go on with their lives. They become something worthwhile. But you, Leo, look at you. Always tending your wound.”
― Kazuo Ishiguro, quote from The Unconsoled
“I have this feeling, that all it will take will be one moment, even a tiny moment, provided it’s the correct one. Like a cord suddenly snapping and a thick curtain dropping to the floor to reveal a whole new world, a world full of sunlight and warmth.”
― Kazuo Ishiguro, quote from The Unconsoled
“It had occurred to me to follow her through into the next room, visitors or no visitors, and bring her back for a talk. But in the end I had decided in favour of waiting where I was for her return. Sure enough, a few minutes later, Sophie had come back into the room, but something in her manner had prevented me from speaking and she had gone out again. In fact, although during the following half-hour Sophie had entered and left the room several more times, for all my resolve to make my feelings known to her, I had returned to my newspaper with a strong sense of hurt and frustration.”
― Kazuo Ishiguro, quote from The Unconsoled
“Left alone, I must quickly have drifted off into my own thoughts, for I did not notice the barman return. He must have done so, however, for I was soon drinking coffee, staring at the mirrored wall behind the bar - in which I could see not only my own reflection but much of the room behind me. After a while, for some reason, i found myself replaying in my head key moments from a football match I had attended many years earlier - an encounter between Germany and Holland. I adjusted my posture on the high-stool - I could see I was hunching excessively - and tried recalling the names of the players in the Dutch team that year. Rep, Krol, Haan, Neeskens. After several minutes I had succeeded in remembering all but two of the players, but these last two names remained just beyond the rim of my recall. As I tried to remember, the sound of the fountain behind me, which at first I had found quite soothing, began to annoy me. It seemed that if only it woulds stop, my memory would unlock and I would finally remember the names.”
― Kazuo Ishiguro, quote from The Unconsoled
“One should not, in any case, attempt to make a virtue out of one's limitations.”
― Kazuo Ishiguro, quote from The Unconsoled
“It's nonsense to believe people go on loving each other regardless of what happens.”
― Kazuo Ishiguro, quote from The Unconsoled
Kazuo Ishiguro
Born place: in Nagasaki, Japan
Born date November 8, 1954
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“She was busy thinking about the concept of forgiveness. It was such a lovely, generous idea when it wasn't linked to something awful that needed forgiving.”
― Liane Moriarty, quote from What Alice Forgot
“Memory could be a terrible thing .. an instrument of torture that persists in its work long after a man has suffered his time upon the rack.”
― Leila Meacham, quote from Roses
“This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.”
― Marcel Proust, quote from In the Shadow of Young Girls in Flower
“They know that people need witches; they need the unofficial people who understand the difference between right and wrong, and when right is
wrong and when wrong is right. The world needs the people who work around the edges. They need the people who can deal with the little bumps and inconveniences. And little problems. After all, we are almost all human. Almost all of the time.”
― Terry Pratchett, quote from I Shall Wear Midnight
“I love weather. I'm a connoisseur of weather. Wherever my travels take me, the first thing I do is turn on the weather channel and see what's going on, what's coming. I like to know about regional weather patterns, how storms are created in different altitudes, what kinds of clouds are forming or dissipating or blowing through, where the winds are coming from, where they've been. That's not a passion everybody shares, I know, but I don't believe there are any people on earth who, properly sheltered, don't feel the peace inside a summer rain and the cleansing it brings, the renewal of the earth in its aftermath.”
― Johnny Cash, quote from Cash
Very Good, Jeeves!
Rabbit Redux
When the Emperor Was...
Hungry for You
Mark of the Demon
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