The Return of the King
Quotes from the Book
There is some good in this world, and it's worth fighting for.
War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.
It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn't want to know the end… because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing… this shadow. Even darkness must pass.
In one thing you have not changed, dear friend," said Aragorn: "you still speak in riddles." "What? In riddles?" said Gandalf. "No! For I was talking aloud to myself. A habit of the old: they choose the wisest person present to speak to; the long explanations needed by the young are wearying.
I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.
Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot." 'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"' 'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.' 'So was I,' said Frodo, 'and so I am.
Where now are the horse and the rider? Where is the horn that was blowing? Where is the helm and the hauberk, and the bright hair flowing? Where is the harp on the harpstring, and the red fire glowing? Where is the spring and the harvest and the tall corn growing? They have passed like rain on the mountain, like a wind in the meadow; The days have gone down in the West behind the hills into shadow. Who shall gather the smoke of the deadwood burning, Or behold the flowing years from the Sea returning?
We shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually — their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on — and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same — like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?
I was talking aloud to myself. A habit of the old: they choose the wisest person present to speak to
The wise speak only of what they know
I know. It’s all wrong. By rights we shouldn’t even be here. But we are. It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going, because they were holding on to something.
Eomer said, 'How is a man to judge what to do in such times?' As he has ever judged,' said Aragorn. 'Good and evil have not changed since yesteryear, nor are they one thing among Elves and another among Men. It is a man's part to discern them, as much in the Golden Wood as in his own house.
There are some things that it is better to begin than to refuse, even though the end may be dark.
A red sun rises. Blood has been spilled this night.
I wonder if people will ever say, "Let's hear about Frodo and the Ring." And they'll say, "Yes, that's one of my favorite stories. Frodo was really courageous, wasn't he, Dad?" "Yes, m'boy, the most famousest of hobbits. And that's saying a lot.
I am not going to tell you my name, not yet at any rate.' A queer half-knowing, half-humorous look came with a green flicker into his eyes. 'For one thing it would take a long while: my name is growing all the time, and I've lived a very long, long time; so my name is like a story. Real names tell you the story of things they belong to in my language, in the Old Entish as you might say. It is a lovely language, but it takes a very long time saying anything in it, because we do not say anything in it, unless it is worth taking a long time to say, and to listen to.
Don't leave me here alone! It's your Sam calling. Don't go where I can't follow! Wake up, Mr. Frodo!
Sam: I wonder if we'll ever be put into songs or tales. Frodo: [turns around] What? Sam: I wonder if people will ever say, 'Let's hear about Frodo and the Ring.' And they'll say 'Yes, that's one of my favorite stories. Frodo was really courageous, wasn't he, Dad?' 'Yes, my boy, the most famousest of hobbits. And that's saying a lot.' Frodo: [continue walking] You've left out one of the chief characters - Samwise the Brave. I want to hear more about Sam. [stops and turns to Sam] Frodo: Frodo wouldn't have got far without Sam. Sam: Now Mr. Frodo, you shouldn't make fun; I was being serious. Frodo: So was I. [they continue to walk] Sam: Samwise the Brave...
Praise from the praise-worthy is beyond all rewards.
You must understand, young Hobbit, it takes a long time to say anything in Old Entish. And we never say anything unless it is worth taking a long time to say.
For it is easier to shout 'Stop', than to do it
He stands not alone. You would die before your stroke fell.
And sometimes you didn't want to know the end… because how could the end be happy?
Do we walk in legends or on the green earth in the daylight?' A man may do both,' said Aragorn. 'For not we but those who come after will make the legends of our time. The green earth, say you? That is a mighty matter of legend, though you tread it under the light of day!
Here you find us sitting on a field of victory, amid the plunder of armies, and you wonder how we came by a few well-earned comforts!
Thus Aragorn for the first time in the full light of day beheld Éowyn, Lady of Rohan, and thought her fair, fair and cold, like a morning of pale spring that is not yet come to womanhood. And she was now suddenly aware of him: tall heir of kings, wise with many winters, greycloaked, hiding a power that yet she felt. For a moment still as stone she stood, then turning swiftly she was gone.
But you comfort me, Gimli, I'm glad to have you standing nigh with your stout legs and your hard axe. I wish there were more of your kin among us. But even more would I give for a hundred good archers of Mirkwood." - Legolas
Did you know?
- The Two Towers was first published on 11 November 1954.
- Tolkien conceived The Lord of the Rings as a single novel; it was split into three volumes for economic reasons.
- Tolkien identified the two towers of the title as Orthanc and Minas Morgul, though he had considered other pairs.
- In this volume Gandalf returns transformed as Gandalf the White after his fall in Moria.
- The Ents, ancient tree-herders led by Treebeard, destroy Saruman's fortress of Isengard.
- Peter Jackson's film adaptation of The Two Towers was released in 2002 to critical acclaim.
About J.R.R. Tolkien
More by J.R.R. Tolkien
All books by J.R.R. Tolkien →About the book
The Two Towers is the second volume of J.R.R. Tolkien's The Lord of the Rings, first published on 11 November 1954. Its two books follow the sundered Fellowship: in Book III, Merry and Pippin are carried off by orcs and escape into Fangorn Forest, where they rouse Treebeard and the Ents to march against Saruman's stronghold of Isengard, while Gandalf returns transformed as Gandalf the White. In Book IV, Frodo and Sam press on toward Mordor guided by the treacherous Gollum, passing through Ithilien and the pass of Cirith Ungol.
Tolkien wove through the tale his enduring themes: the struggle of good and evil, death and immortality, fate and free will, and above all the addictive danger of power. Loyalty, sacrifice, and mercy are tested throughout, from Sam's steadfastness to Faramir's refusal of the Ring that his brother Boromir had coveted. The book's title itself points to a deliberate ambiguity, referring to a pair of towers Tolkien identified as Orthanc and Minas Morgul.
Though often called a trilogy, The Lord of the Rings was written and conceived as a single novel, divided into three volumes for economic reasons and published over a year from 1954 to 1955. The work fundamentally shaped modern fantasy literature, and largely thanks to it the genre flowered through the 1960s and beyond, influencing countless later novels, games, and films, including Peter Jackson's acclaimed 2002 screen adaptation of this volume.
Key characters
- Frodo BagginsHobbit Ring-bearer journeying toward Mordor
- Samwise GamgeeFrodo's loyal companion and gardener
- GollumCorrupted creature who guides Frodo and Sam
- GandalfWizard who returns as Gandalf the White
- Merry BrandybuckHobbit captured by orcs who befriends the Ents
- Pippin TookHobbit captured with Merry who looks into the palantír
- FaramirCaptain of Gondor who resists the Ring
Book details
- First published
- 1954
- Length
- 352 pages
- Reading time
- 5 hours
- Author
- J.R.R. Tolkien
- Genre
- Classics
- Goodreads rating
- 4.51 (1.2M ratings) →
- First line
- “Aragorn sped on up the hill.”
Series & reading order
- 1 The Fellowship of the Ring
- 2 The Two Towers
- 3 The Return of the King
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1The Fellowship of the RingThe preceding volume of the same novel
- 2The Return of the KingThe concluding volume of the same novel
- 3The HobbitTolkien's earlier Middle-earth adventure that sets up the Ring
Keep reading
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The Lord of the Rings: The Two Towers
The Return of the King
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The Way of Kings
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The Eye of the World
Eldest
Sword of Destiny
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The Farthest Shore
Memories of Ice
Elantris
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The Golden Compass
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Blood of Elves
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The Pale Horseman
The Heroes
A Conjuring of Light
A Dance with Dragons
Shadow Scale
Hunted

