“Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)”
― quote from The Religion
“Sadness is never bad," said Amparo. "Sadness is the mirror of being happy”
― quote from The Religion
“Let the morrow bring on what it would, he thought, for it didn't exist. Only now could lay any claim to forever...”
― quote from The Religion
“He who has not known war has not known God.”
― quote from The Religion
“Men, and pigs, are hard on women who sacrifice their virtue, especially for love." Mattis Tannhouser”
― quote from The Religion
“In the end, every man's life is but a tale told to him that's lived it, and to him alone.”
― quote from The Religion
“Love is not love
Which alters when alteration finds,
Or bends with the remover to remove:
Oh, no, it is an ever-fixèd mark,
that looks on tempests and is never shaken.”
― William Shakespeare, quote from The Complete Sonnets and Poems
“Will you allow Gray to re-Master you, Jack?” Name the time, date, place, and I’d be there, saddle thrown over shoulder, cowboy hat on, naked, willing to ride the rough until he stopped bucking through exhaustion, but for all of the smart-ass answers I could have used, “Please,” was the only breathed reply I managed.”
― Jack L. Pyke, quote from Antidote
“I know you have a past, but personally, I’m vested in our future.”
― Lisa Gardner, quote from Crash & Burn
“There is never a point in showing your hand before you have to; that is just a way to ensure giving the game away.”
― Bruce Bueno De Mesquita, quote from The Dictator's Handbook: Why Bad Behavior is Almost Always Good Politics
“Have you ever played chess, Kitty?”
I eyed her. What did a board game have to do with this? “Not really.”
“You and I should play sometime. I think you would like it,” she said. “It’s a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces—the pawns—are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play, I protect my pawns.”
“Why?” I said, not entirely sure where this conversation was going. “If they’re weak, then what’s the point?”
“They may be weak when the game begins, but their potential is remarkable. Most of the time, they’ll be taken by the other side and held captive until the end of the game. But if you’re careful—if you keep your eyes open and pay attention to what your opponent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?”
I shook my head, and she smiled.
“Your pawn becomes a queen.” She touched my cheek, her fingers cold as ice. “Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game. Never forget that, all right? Never forget the potential one solitary pawn has to change the entire game.”
― Aimee Carter, quote from Pawn
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