Julia Stuart · 304 pages
Rating: (8.2K votes)
“For he was firmly of the conviction that the body was more susceptible to disease without the presence of love to warm the organs.”
“Standing at the original Victorian counter was a man in a long black leather coat. His hair had been grown to counteract its unequivocal retreat from the top of his head, and was fashioned into a mean, frail ponytail that hung limply down his back. Blooms of acne highlighted his vampire-white skin.”
“Shrouded in his red cassock, he padded off to the bathroom lost in the silent ecstasy or wearing new socks.”
“Valerie Jennings had clearly searched deep within her wardrobe for something suitably flattering, only to retrieve a frock of utter indifference to fashion. There had been an attempt to tame her hair, which seemed to have been abandoned, and the fuzzy results were clipped to the back of her head.
"You look nice," said Hebe Jones.”
“Don't extend your feet beyond your blanket.”
“A lucky person is one who plants pebbles and harvests potatoes.”
“An old hen is worth 40 chickens. ~ Hebe Jones”
“Don't sprout where you haven't been planted.”
“People have all sorts of pasts, sometimes dark or dreary, but perhaps the actions they choose in the present are the ones that carry the most weight.”
“I don’t want to share my daughter’s affection with another man. But I also don’t want to tear her in half – make her choose between the two people she loves most in the world. It’s not her job to protect my feelings or her mother’s. It’s our job to protect hers .”
“Pająk wysnuwa wszystko ze swojego wnętrza. (...) Nie wszyscy pisarze tak robią. Niektórzy są jak mrówki, pozbierają trochę tu, trochę tam, a potem to, czego tak pracowicie naściągali, uważają za swoje dzieło. Krytycy bez obiekcji wierzą, że niemal wszyscy pisarze zaliczają się do tej właśnie kategorii. Chętnie wskazują, że dana książka "zawiera ślady", "czerpie z", "ma dług wdzięczności wobec" pewnych tytułów lub prądów bądź współczesnych, bądź z historii literatury, i to nawet wtedy, gdy rzeczony autor nigdy nie zbliżył się do wspomnianych pozycji. Krytycy jednak przyjmują niemal za pewnik, że wszyscy pisarze są równie uczeni i w równym stopniu pozbawieni fantazji jak oni sami. Wygląda na to, że za aksjomat przyjęto niemożność powstawania jakichkolwiek oryginalnych impulsów, przynajmniej nie jest to możliwe w żadnym małym kraju, a już z pewnością nie w w naszym. Istnieje jednak również trzecia kategoria pisarzy. Ci, którzy korzystali z Pogotowia Autorskiego, byli jak pszczoły. Zlatywali się, żeby zbierać nektar w różanym ogrodzie Pająka, w ten sposób zdobywali surowiec, lecz większość z nich wkładała wiele trudu i wysiłku w jego przerobienie. Przetrawiali zebrany z róż nektar i przetwarzali go na własny miód.”
“She was a lucky woman who had established a happy knack of writing what quite a lot of people wanted to read. Wonderful luck that was, Mrs. Oliver thought to herself.”
“Shyness is shit. It isn’t cute or feminine or appealing. It’s torment, and it’s shit. I”
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