Audrey Niffenegger · 500 pages
Rating: (1.4M votes)
“Don't you think it's better to be extremely happy for a short while, even if you lose it, than to be just okay for your whole life?”
“Love the world and yourself in it, move through it as though it offers no resistance, as though the world is your natural element.”
“I won't ever leave you, even though you're always leaving me.”
“It's hard being left behind. (...) It's hard to be the one who stays.”
“It’s dark now and I am very tired. I love you, always. Time is nothing.”
“Why is love intensified by absence?”
“Time is priceless, but it’s Free. You can't own it, you can use it. You can spend it. But you can't keep it. Once you've lost it you can never get it back.”
“We laugh and laugh, and nothing can ever be sad, no one can be lost, or dead, or far away: right now we are here, and nothing can mar our perfection, or steal the joy of this perfect moment.”
“Sleep is my lover now, my forgetting, my opiate, my oblivion.”
“Maybe I'm dreaming you. Maybe you're dreaming me; maybe we only exist in each other's dreams and every morning when we wake up we forget all about each other.”
“I never understood why Clark Kent was so hell bent on keeping Lois Lane in the dark.”
“I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by abscence?”
“I'm sorry. I didn't know you were coming or I'd have cleaned up a little more. My life, I mean, not just the apartment.”
“Long ago, men went to sea, and women waited for them, standing on the edge of the water, scanning the horizon for the tiny ship. Now I wait for Henry. He vanishes unwillingly, without warning. I wait for him. Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments lined up, waiting. Why has he gone where I cannot follow?”
“I wanted someone to love who would stay: stay and be there, always.”
“Think for a minute, darling: in fairy tales it's always the children who have the fine adventures. The mothers have to stay at home and wait for the children to fly in the window.”
“I wish for a moment that time would lift me out of this day, and into some more benign one. But then I feel guilty for wanting to avoid the sadness; dead people need us to remember them, even if it eats us, even if all we can do is say "I'm sorry" until it is as meaningless air.”
“I am suddenly comsumed by nostalgia for the little girl who was me, who loved the fields and believed in God, who spent winter days home sick from school reading Nancy Drew and sucking menthol cough drops, who could keep a secret.”
“Chaos is more freedom; in fact, total freedom. But no meaning. I want to be free to act, and I also want my actions to mean something.”
“But you make me happy. It's living up to being happy that's the difficult part.”
“I'm living under water. Everything seems slow and far away. I know there's a world up there, a sunlit quick world where time runs like dry sand through an hourglass, but down here, where I am, air and sound and time and feeling are thick and dense.”
“Right now we are here, and nothing can mar our perfection, or steal the joy of this perfect moment.”
“Do you ever miss him?
Every day. Every minute.
Every minute, she says.
Yes, it's that way, isn't it?”
“I place my hands over her ears and tip her head back, and kiss her, and try to put my heart into hers, for safekeeping, in case I lose it again.”
“I hate to be where she is not, when she is not. And yet, I am always going. - Henry deTamble”
“I love. I have loved. I will love.”
“The compelling thing about making art - or making anything, I suppose - is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances.”
“Sometimes I'm happy when he's gone, but I'm always happy when he returns. -Clare”
“that's what I love you for: your inability to perceive all my hideous flaws”
“When the woman you live with is an artist, every day is a surprise.”
“What business is it of yours where I'm from, friendo?”
“Sam had a DVD in his hand. He said, "Yesterday I sent Edilio to the power plant to get two things. First, a cache of automatic weapons from the guardhouse.
"Yeah. Not just for us to have, but to make sure the other side doesn't get them."
"Now we have an arms race," Astrid said.
Her tone seemed to irritate Sam. "You want me to leave them for Caine?"
"I wasn't criticizing, just... you know. Ninth graders with machine guns; it's hard to make that a happy story."
Sam relented. He even grinned. "Yeah. The phrase 'ninth graders with machine guns' isn't exactly followed by 'have a nice day'.”
“Only a country that feels invulnerable can afford political turmoil as entertainment.”
“Well, Valek, any new promotions?” the Commander asked
“No. But Maren shows promise. Unfortunately she doesn’t want to be in my corps or even be my second.She just wants to beat me.” Valek grinned, delighted by the challenge.
“And can she?” the Commander inquired. His eyebrows rose.
“With time and the proper training. She’s deadly with her bow; it’s just her tactics that need work.”
“Then what do we do with her?”
“Promote her to General and retire some of those old wind-bags. We could use some fresh blood in the upper ranks.”
“Valek, you never had a good grasp of military structure.”
“Then promote her to First Lieutenant today, Captain tomorrow, Major the next day, Colonel the day after, and General the day after that.”
“I’ll take it under advisement.”
“He had a colorless translucence about him that made him seem as if he were in the earliest stages of progressive invisibility.”
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