“I’d always secretly believed that a love as fierce and true as mine would be rewarded in the end, and now I was being forced to accept the bitter truth.”
― Alma Katsu, quote from The Taker
“I´ve always wanted him to love me the way I loved him. He did love me, I know he did. Just not the way I wanted him to.
"And it´s so different for a lot of people I´ve known. One partner doesn´t love the other enough to stop drinking, or gambling, or running around with other women. One is the giver and one is the taker. The giver wishes the taker would stop."
"But the taker never changes," Luke says, though he wonders if this is always the case.
"Sometimes the giver has to let go, but sometimes you don´t. You can´t. I couldn´t give up on Jonathan. I seemed to be able to forgive him anything.”
― Alma Katsu, quote from The Taker
“We were arrogant and naive, thinking we knew what we felt then was love. Love can be a cheap emotion, lightly given, thought it didn´t seem so to me at the time. Looking back, I know we were only filling in the holes in our soles, the way the tide rushes sand to fill in the crevices of a rocky shore. We-or maybe it was just I-bandaged our needswith what we declared was love. But, eventually, the tide draws out what it has swept in.”
― Alma Katsu, quote from The Taker
“A man´s desire is a powerful thing. It can reduce a strong man to nothing. When he sees a woman who fascinates him, he will give up everything for her.”
― Alma Katsu, quote from The Taker
“The true measure of a man is how he behaves when death is close.”
― Alma Katsu, quote from The Taker
“Have you ever been in love with someone so badly that you’d do anything for them? That no matter what you want, you want their happiness more?”
― Alma Katsu, quote from The Taker
“She was telling me that I had a life of disappointment before me if I continued to love him as I did. A love that is too strong can turn poisonous and bring great unhappiness. And then, what is the remedy? Can you unlearn your heart's desire? Can you stop loving someone? Easier to drown yourself; easier to take the lover's leap.”
― Alma Katsu, quote from The Taker
“There is not only one measure of beauty, Lanore. Everyone adores the red rose, and yet it is a common sort of beauty. You are like a golden rose, a rare bloom but no less lovely.”
― Alma Katsu, quote from The Taker
“I've come to warn you, too. It's a dangerous game you're playing. There's a reason the rest of us maintain a distance from Adair, and we've learned our lesson the hard way. But now you've shown him love and that's given him the notion that he is deserving of such devotion. Did you ever think that perhaps the only thing that holds the devil in check is that he knows how despised he his? Even the devil longs for sympathy at times, but sympathy for the devil is fuel for the flame. Your love will embolden him--likely in a way that will bring you regret.”
― Alma Katsu, quote from The Taker
“Onu sevmek de, sevmemek de umutsuzdu...
Bu da bir lanet değilse, başka nedir, bilmiyorum.”
― Alma Katsu, quote from The Taker
“And it´s so different for a lot of people I´ve known. One partner doesn´t love the other enough to stop drinking, or gambling, or running around with other women. One is the giver and one is the taker. The giver wishes the taker would stop”
― Alma Katsu, quote from The Taker
“One is the giver and one is the taker. The giver wishes the taker would stop.”
― Alma Katsu, quote from The Taker
“Sometimes the worst tidings come as an absence. A friend who does not visit at the usual time, and who quickly thereafter withdraws from the friendship. An awaited letter that does not arrive, followed at some distance by news of an untimely death.”
― Alma Katsu, quote from The Taker
Alma Katsu
Born place: The United States
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“Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion."
"It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently.
"You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still...
"Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him.
Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.”
― Judith McNaught, quote from Double Standards
“Here we come to the central question of this book: What, precisely,
does it mean to say that our sense of morality and justice is reduced to the language of a business deal? What does it mean when we reduce moral obligations to debts? What changes when the one turns into the other? And how do we speak about them when our language has been so shaped by the market? On one level the difference between an obligation and a debt is simple and obvious. A debt is the obligation to pay a certain sum of money. As a result, a debt, unlike any other form of obligation, can be precisely quantified. This allows debts to become simple, cold, and impersonal-which, in turn, allows them to be transferable. If one owes a favor, or one’s life, to another human being-it is owed to that person specifically. But if one owes forty thousand dollars at 12-percent interest, it doesn’t really matter who the creditor is; neither does either of the two parties have to think much about what the other party needs, wants, is capable of doing-as they certainly would if what was owed was a favor, or respect, or gratitude. One does not need to calculate the human effects; one need only calculate principal, balances, penalties, and rates of interest. If you end up having to abandon your home and wander in other provinces, if your daughter ends up in a mining camp working as a prostitute, well, that’s unfortunate, but incidental to the creditor. Money is money, and a deal’s a deal. From this perspective, the crucial factor, and a topic that will be explored at length in these pages, is money’s capacity to turn morality into a matter of impersonal arithmetic-and by doing so, to justify things that would otherwise seem outrageous or obscene. The factor of violence, which I have been emphasizing up until now, may appear secondary. The difference between a “debt” and a mere moral obligation is not the presence or absence of men with weapons who can enforce that obligation by seizing the debtor’s possessions or threatening to break his legs. It is simply that a creditor has the means to specify, numerically, exactly how much the debtor owes.”
― David Graeber, quote from Debt: The First 5,000 Years
“Why did the Articles [of Confederation] fail so completely? Most historians believe the founding fathers spent a great deal of their first constitutional convention drafting the delaration of independence and only realized on July 3rd the Articles were also due.”
― Jon Stewart, quote from America (The Book): A Citizen's Guide to Democracy Inaction
“You two are like a married couple."
Uh...I pointed to my head. "Heavy meds here. Say that again."
She rolled her eyes. "You heard me just fine. So did you," she threw to Mason.”
― Tijan, quote from Fallen Crest Public
“Miss me?" he asks.
"It hasn't been that long," I remind him.
"I'm sure it's felt like a lifetime," he says, running his eyes down me. "Adelice, you are looking... malnourished."
"Cormac, you're looking overdressed.”
― Gennifer Albin, quote from Crewel
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