“Tobie. Unless I'm giving off steam, behave normally. I remember what to do. One foot in front of the other, but not both at the same time unless I'm a robin.”
― Dorothy Dunnett, quote from The Spring of the Ram
“Well, get the coffer out," said Tobie roundly. "You find his clean clothes and I'll cut his hair round his cap and wash his ears out. Then, when we get to the Palazzo Medici, you imitate his voice and I'll sit him on my knee and move his arms up and down. Where is the problem?”
― Dorothy Dunnett, quote from The Spring of the Ram
“Your state has been seen, and will be reported on. Only it is necessary that you do not yawn. Or, of course, speak. Discretion in all things in all things is needed." She was reminding them, and she hoped they realised it, that they were not circumcised. The circumlocution expected of a high-born Syrian princess was sometimes a trial to Sara Khatun.”
― Dorothy Dunnett, quote from The Spring of the Ram
“Julius rose to his feet. The towel dropped, showering cut brown hair over Monna Alessandra's elegant tiles. His hair, finely tailored, clung to a thick-boned face with slanting eyes and a blunt profile which would have looked well on a coin. Tobie, who had almost no hair, gazed at him sadly.”
― Dorothy Dunnett, quote from The Spring of the Ram
“Julius brooded. He could see Julius despising the medical school of Pavia. Tobie said, "Nicholas managed the journey from Flanders all right. Deferred to you, joked discreetly with me, got on like a dyeworks on fire with the muleteers.”
― Dorothy Dunnett, quote from The Spring of the Ram
Dorothy Dunnett
Born place: in Dunfermline, Scotland, The United Kingdom
Born date August 25, 1923
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“The secret to success is to stop when you're ahead.”
― Darren Shan, quote from The Thin Executioner
“Maybe the secret to happiness is simplicity.”
― Amy Harmon, quote from The Bird and the Sword
“Yatima found verself gazing at a red-tinged cluster of pulsing organic parts, a translucent confusion of fluids and tissue. Sections divided, dissolved, reorganised. It looked like a flesher embryo – though not quite a realist portrait. The imaging technique kept changing, revealing different structures: Yatima saw hints of delicate limbs and organs caught in slices of transmitted dark; a stark silhouette of bones in an X-ray flash; the finely branched network of the nervous system bursting into view as a filigreed shadow, shrinking from myelin to lipids to a scatter of vesicled neurotransmitters against a radio-frequency MRI chirp.
There were two bodies now. Twins? One was larger, though – sometimes much larger. The two kept changing places, twisting around each other, shrinking or growing in stroboscopic leaps while the wavelengths of the image stuttered across the spectrum.
One flesher child was turning into a creature of glass, nerves and blood vessels vitrifying into optical fibres. A sudden, startling white-light image showed living, breathing Siamese twins, impossibly transected to expose raw pink and grey muscles working side by side with shape-memory alloys and piezoelectric actuators, flesher and gleisner anatomies interpenetrating. The scene spun and morphed into a lone robot child in a flesher's womb; spun again to show a luminous map of a citizen's mind embedded in the same woman's brain; zoomed out to place her, curled, in a cocoon of optical and electronic cables. Then a swarm of nanomachines burst through her skin, and everything scattered into a cloud of grey dust.
Two flesher children walked side by side, hand in hand. Or father and son, gleisner and flesher, citizen and gleisner... Yatima gave up trying to pin them down, and let the impressions flow through ver. The figures strode calmly along a city's main street, while towers rose and crumbled around them, jungle and desert advanced and retreated.
The artwork, unbidden, sent Yatima's viewpoint wheeling around the figures. Ve saw them exchanging glances, touches, kisses – and blows, awkwardly, their right arms fused at the wrists. Making peace and melting together. The smaller lifting the larger on to vis shoulders – then the passenger's height flowing down to the bearer like an hourglass's sand.”
― Greg Egan, quote from Diaspora
“I figured we'd be too busy running for our lives than for him to make a move anyway. (Dana)”
― Jenna Black, quote from Glimmerglass
“What did you say to the messenger, mi'lady? Do you remember the exact words of your last proposal?"
She recognized Quinlan's voice behind her.
How in thunder could she possibly remember? Hadn't any of them been listening?
She couldn't turn to face Quinlan because their leader still had hold of her, and he didn't seem to be the
least bit inclined to let go.
"I probably said, 'Will you marry me?'"
Connor smiled. He pulled her toward him, lowered his head, and kissed her just
long enough to stun her.
He lifted his head then, looked into her eyes, and finally spoke to her.
"Yes, Brenna. I will marry you.”
― Julie Garwood, quote from The Wedding
The Way of the Sword
Worth the Drive
Entice
Notes From The Tilt-...
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