“Tobie. Unless I'm giving off steam, behave normally. I remember what to do. One foot in front of the other, but not both at the same time unless I'm a robin.”
― Dorothy Dunnett, quote from The Spring of the Ram
“Well, get the coffer out," said Tobie roundly. "You find his clean clothes and I'll cut his hair round his cap and wash his ears out. Then, when we get to the Palazzo Medici, you imitate his voice and I'll sit him on my knee and move his arms up and down. Where is the problem?”
― Dorothy Dunnett, quote from The Spring of the Ram
“Your state has been seen, and will be reported on. Only it is necessary that you do not yawn. Or, of course, speak. Discretion in all things in all things is needed." She was reminding them, and she hoped they realised it, that they were not circumcised. The circumlocution expected of a high-born Syrian princess was sometimes a trial to Sara Khatun.”
― Dorothy Dunnett, quote from The Spring of the Ram
“Julius rose to his feet. The towel dropped, showering cut brown hair over Monna Alessandra's elegant tiles. His hair, finely tailored, clung to a thick-boned face with slanting eyes and a blunt profile which would have looked well on a coin. Tobie, who had almost no hair, gazed at him sadly.”
― Dorothy Dunnett, quote from The Spring of the Ram
“Julius brooded. He could see Julius despising the medical school of Pavia. Tobie said, "Nicholas managed the journey from Flanders all right. Deferred to you, joked discreetly with me, got on like a dyeworks on fire with the muleteers.”
― Dorothy Dunnett, quote from The Spring of the Ram
“I found myself speaking more slowly (in an attempt to obey the Bible in speech), as if I was speaking French instead of English.”
― A.J. Jacobs, quote from The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible
“I'm glad being shipwrecked appeals to you."
"Captain Walken made a point of avoiding that word."
"Well, he was trying to keep everyone jolly, wasn't he. It's no good having everyone running around screaming and eating each other."
"I wouldn't run around screaming," she said. "I can see eating someone in a pinch, though. If it really came down to it, I mean."
"I don't doubt it."
"Come on, Matt Cruse, don't you find it just a bit exciting, being here?"
"No."
She looked at me as if I'd suggested we stop breathing for a few hours.”
― Kenneth Oppel, quote from Airborn
“Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects.
...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making.
The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.”
― Stephen Fry, quote from Moab Is My Washpot
“He could not protect her from this, even if he chose to, which she wasn't sure he would. She”
― Erica Stevens, quote from Captured
“Child, child, do you not see? For each of us comes a time when we must be more than what we are.”
― Lloyd Alexander, quote from The Black Cauldron
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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