The Summer Children
Quotes from the Book
This wasn’t my first time trying to prepare a meal while dodging the fangs of a dead child who wished me bodily harm.
Thank you for coming but kindly remove your crazy asses from our holy ground.
Eventually, one has to give up asking questions, just accept that things are the way they are, and act accordingly.
The walls of the house were bleeding again. This sort of thing could be expected; it was, after all, September.
What I think is so neat about horror movies,” I said, “is that they shine a light on what we think is scary. Not just ghosts and demons, but what we find really scary.
I chose not to be worried. Worrying takes effort, and one must be selective about where one expends effort these days.
I had grown accustomed to solo trips through hell over the years. It seemed counterintuitive to invite company.
I’d always thought it was a silly question, why I wanted to stay here, in this house. This house was everything I’d ever wanted. Sure, it wasn’t perfect, but sometimes it actually was. Or at least as close as anything could come to perfect in this life, which admittedly was not very close. It wasn’t horrible every single day—so few things ever are—and when it wasn’t horrible, it was almost lovely. I knew how to survive here, and I always had the sense that if I just survived long enough, if I just played by the rules well enough, I could make it into a perfect home once and for all. I just needed to work a little harder. I loved this house. And you didn’t give up on the things you loved.
I was perfectly willing to make a heaven of any hell in which I happened to find myself, but I would be goddamned if I made my daughter endure it.
Still, some problems don't have solutions, and the rule is just to cope.
It’s a funny thing about being alone. You never really notice it when it’s happening. You’re aware that nobody else is there, but you’re so busy with yourself and the little things you do to occupy your time—the painting, the housework, the occasional errand.
Didn’t you just tell me that people can change? You can change.” I hadn’t the first clue what she was talking about. I changed all the time. I was flexible. I bent. I had changed little by little, steadily over the years, until by all accounts I was a person who should have been unrecognizable but to me was just who I was. I ought to have been a stranger to myself, but it didn’t bother me at all.
One has to control something in the face of the great uncontrollable.
if we didn’t love something, flaws included, what sort of love would that be?
We all deserve more than what we are given,” Fredricka said. “So much more.
To be honest, I wasn’t particularly sure why I was on the floor. I had simply found myself there. My best guess was that I couldn’t have been bothered to walk to a chair when it was time to sit down.
just because something is upsetting doesn’t mean it’s harmful.
It's a funny thing about being alone. You never really notice it when it's happening. You're aware that nobody else is there, but [...] as with wading into cold water, you acclimate to the relative solitude until it doesn't even bother you anymore. You don't realize that your hands and toes have grown numb until there is a sudden burst of warmth that sends needles through your extremities.
The older I got, the more I found myself wishing for something permanent, a house with heavy bones, a place where I could sink my roots into the ground and become an immovable object.
If one is going to have an anxiety spiral, one might as well have a good view while it’s happening.
Worrying takes effort, and one must be selective about where one expends effort these days.
It had initially been unsettling, but one grows used to unsettling things.
Just because something is upsetting doesn't mean it's harmful. You would be surprised just how many upsetting things aren't harmful in the end, if you consider the definition of "harm" in the strictest sense.
But you can live with something without approving of it - those are two different things.
Some mysteries don’t need to be solved, only coped with.
Lord knows what kind of infection one might catch from the dead man in one’s basement.
A leopard cannot change his spots, she said before moving into the living room to fluff the pillows. Can't imagine why he'd want to, I thought. The spots are part of what makes leopards so beautiful.
Sleep now, my darling. Don't you cry." "Mommy's gonna stay with you all through the night." "Ne'er shall you worry. Ne'er shall you mourn..." "you won't see your little gray horse no more" "He ain't in the field. No, he's long gone..." "But you'll see his sweet face again 'fore long." "It all comes around with the moon and the sun, but Mommy's gonna stay here till all is done.
Did you know?
- The September House is Carissa Orlando's debut novel.
- It was published by Berkley on September 5, 2023.
- Orlando has a doctorate in clinical-community psychology and draws on her understanding of the human psyche in the novel.
- The story deliberately opens where most haunted-house tales end, with the family choosing to remain in the haunted home.
- The house's hauntings intensify each September, when the walls bleed and the ghosts of former inhabitants appear.
About Carissa Orlando
About the book
The September House is Carissa Orlando's debut horror novel, which begins where most haunted-house stories end. Margaret and her husband Hal buy a grand Victorian on Hawthorn Street for a suspiciously low price, then discover that every September the walls drip blood, the ghosts of former inhabitants appear, and everyone in the house is terrified of something lurking in the basement. Rather than flee, the unflappable Margaret decides to stay. When Hal abruptly leaves and stops answering calls, their estranged daughter Katherine arrives to search for him, and Margaret must hide the truth of her haunted home as the September terrors intensify.
Beneath its darkly comic premise, the novel uses the haunted house as a sustained metaphor for endurance, denial, and the way people normalize the unbearable. Margaret meets supernatural horror with a striking nonchalance, treating bleeding walls and screaming spirits as household chores to be managed, and that matter-of-factness gradually reveals a deeper, more human story about abuse, trauma, and survival. The book blends genuine scares and gore with humor and unexpected emotional weight.
Released by Berkley in September 2023, the novel was widely praised as an original and assured debut, with reviewers highlighting its blend of horror, wit, and heart. Publishers Weekly called the haunted-house tale a joy, and critics noted how Orlando, a clinical psychologist by training, grounds the supernatural in believable psychology. It became a popular book-club and horror-community pick and helped establish Orlando as a notable new voice in the genre.
Key characters
- MargaretThe unflappable homeowner determined to stay in her haunted dream house
- HalMargaret's husband, who abruptly leaves and stops answering calls
- KatherineMargaret and Hal's estranged daughter, who arrives searching for her missing father
Book details
- First published
- 2023
- Length
- 352 pages
- Reading time
- 7 hours
- Author
- Carissa Orlando
- Genre
- Horror
- Goodreads rating
- 3.85 (104k ratings)
- First line
- “The walls of the house were bleeding again.”
Critical reception
- Publishers Weekly praised the debut as an utterly original haunted-house tale and 'a joy.'
- Reviewers consistently noted its unusual blend of horror, dark humor, and emotional depth.
- Critics highlighted Margaret's nonchalant response to the supernatural as a distinctive narrative device.
- It was a widely discussed debut within the horror community and among book clubs.
Keep reading
The Summer Children
Night Shift
Incidents Around the House
A House with Good Bones
Plain Truth
Magic for Nothing
The Whisper Man
Odd Hours
The Last House on Needless Street
Sunshine
My Darling Dreadful Thing
Mostly Harmless
Eleanor Oliphant Is Completely Fine
Different Seasons
When Sorrows Come
I Have Some Questions for You
The Wide Window
In Time
Little Heaven
Ordinary People
The Ladies' Room
Shouldn't You Be in School?
Mortal Ties
What Feasts at Night
Too Much Happiness: Stories
Milkman
The Book of Love
Cackle
Watermelon
The House in the Cerulean Sea
Lila
The Glass Castle
Where Things Come Back
Lock Every Door
The Bean Trees
We Are Water
The Hour I First Believed
The Girl Before
Devil House
Leaving Time
Say Goodbye for Now
Imaginary Numbers
Tell No One
What Moves the Dead
The Shock of the Fall
Tell Me What You Did
So Long, See You Tomorrow
Wolf in White Van
Hollow City
The New Couple in 5B
The Collected Stories of Lydia Davis
Our Wives Under the Sea
Hold Tight
Needful Things
Oranges Are Not the Only Fruit
The Butterfly Garden
The Moving Finger
The Shadow Land

