Hercule Poirot: The Complete Short Stories
Quotes from the Book
There is no greater cruelty than a genius stumbling over something idiotic.
The worst does sometimes happen. As men we have to count on that possibility, have to arm ourselves against it, and above all we have to realize that since absurdities necessarily occur, and nowadays manifest themselves with more and more forcefulness, we can prevent ourselves from being destroyed by them and can make ourselves relatively comfortable upon this earth only if we humbly include these absurdities in our thinking, reckon with the inevitable fractures and distortions of human reason when it attempts honestly to deal with reality. We have to realize that without this knowledge we are in danger of making an absolute of absurdity, of taking it “in itself,” as though it were established somewhere outside the human mind; we would then be forced to regard the absurd as an error which it was within our power to avoid; on the basis of which illusion we might find ourselves executing the whole world out of a kind of defiant morality one we undertook to try to establish a flawless rational structure, for its very flawless perfection would be its deadly mendacity and a sign of the most frightful blindness.
You're choosing madness as a method, and it takes courage to do that, no question; extreme positions impress people generally these days; but if this method does not lead to its goal, I'm afraid that in the end, all you'll be left with is the madness.
Every kind of absurdity is possible between a man and a woman.
This case didn't feel right; everything had somehow gone wrong; I didn't know exactly how, but I felt it.
Our laws are based only on probability, on statistics, not on causality; they apply to the general rule, not the particular case.
Every word mattered to them. Because Matthäi was taking them seriously, they took him seriously too.
Ma voi scrittori ve ne infischiate. Voi non cercate di misurarvi con la realtà, che ci elude sempre, ma costruite un mondo in cui tutto è spiegabile. Un mondo simile può anche essere perfetto, d'accordo, però è una menzogna. Lasciate perdere la perfezione se volete progredire verso le cose, verso la realtà, come si addice a degli uomini; altrimenti statevene lì a baloccarvi con i vostri inutili esercizi di stile.
La nostra ragione getta una luce insufficiente sul mondo. Nella penombra dei suoi confini si insedia tutto ciò che è paradossale. Guardiamoci dal considerare "cosa in sé" i fantasmi che ne derivano, come se fossero situati al di fuori dell'animo umano, o peggio ancora: non cadiamo nell'inganno di ritenerli un errore evitabile, inganno che ci indurrebbe a condannare il mondo sulla base di una morale ottusa e gretta qualora tentassimo di imporre un modello di razionalità assoluta, perchè proprio la sua assoluta perfezione sarebbe una esiziale menzogna e il segno di una assoluta cecità.
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About Friedrich Dürrenmatt
About the book
Set in a small town in Switzerland, The Pledge centers around the murder of a young girl and the detective who promises the victim’s mother he will find the perpetrator. After deciding the wrong man has been arrested for the crime, the detective lays a trap for the real killer—with all the patience of a master fisherman. But cruel turns of plot conspire to make him pay dearly for his pledge. Here Friedrich Dürrenmatt conveys his brilliant ear for dialogue and a devastating sense of timing and suspense. Joel Agee’s skilled translation effectively captures the various voices in the original, as well as its chilling conclusion.
One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.
Book details
- First published
- 1958
- Author
- Friedrich Dürrenmatt
- Genre
- Fiction
- Goodreads rating
- 3.90 (12k ratings) →
Keep reading
Hercule Poirot: The Complete Short Stories
Gaudy Night
Proces
If This Is a Man / The Truce
That Hideous Strength
Crime and Punishment
The Human Stain
The Man Without Qualities
The Man in the High Castle
The Mask of Dimitrios
Elizabeth Costello
The Fencing Master
Foundation and Empire
The Jewel in the Crown
V.
The Magic Mountain
Galileo
Eyeless in Gaza
Foucault's Pendulum
The Stories of Vladimir Nabokov
Laughable Loves
Crome Yellow
The Secret Agent
Herzog
Under Western Eyes
The Interpretation of Murder
Introductory Lectures on Psychoanalysis
The Fear Institute
VALIS
Elective Affinities
The Man Who Laughs
The A.B.C. Murders
An Instance of the Fingerpost
The City & the City
The Floating Opera
The First Circle
Pensées
The Star Diaries
The Book of Laughter and Forgetting
Scaramouche
Human, All Too Human
The Invention of Morel
The Professor
Foundation
All That I Am
Lord Arthur Savile's Crime and Other Stories
Brave New World / Brave New World Revisited
Two Years Eight Months and Twenty-Eight Nights
Ficciones
The Enchantress of Florence
The Empusium
Zeno's Conscience
The Charioteer
The Man Who Was Thursday
Heretics
The Idiot
Manifestoes of Surrealism
Sexus
The Grace of Kings
Pebble in the Sky

