“Life is long. Just because you don't get your chance right when you want or expect it doesn't mean it won't come. Fate doesn't punch a time clock or consult a schedule.”
― Sarah Dessen, quote from The Moon and More
“The truth was, there was no way everything could be the Best. Sometimes, when it came to events and people, it had to be okay to just be.”
― Sarah Dessen, quote from The Moon and More
“The thing is, you can’t always have the best of everything. Because for a life to be real, you need it all: good and bad, beach and concrete, the familiar and the unknown, big talkers and small towns.”
― Sarah Dessen, quote from The Moon and More
“It takes so little to change everything. If you really thought about it, it would scare you to death.”
― Sarah Dessen, quote from The Moon and More
“We were willing to do so much for the people we loved, even if it meant hurting ourselves. Maybe that, in the end, was what love- all kinds- was really about.”
― Sarah Dessen, quote from The Moon and More
“There's a difference between the words father and dad. And it's more than three words.”
― Sarah Dessen, quote from The Moon and More
“When you've never gotten love from someone, you don't know what it might look like if it ever does appear. You look for it in everything: any bright light overhead could be a star.”
― Sarah Dessen, quote from The Moon and More
“The mistakes you make now count. Not for everything, and not forever. But they do matter, and they shape you.If you take nothing else from what I've been through, at least remember this: make your choices well. Because you'll always be accountable for them. That's what being an adult is all about.”
― Sarah Dessen, quote from The Moon and More
“But the bottom line is that, as humans, we are by nature selfish creatures. The only way we care about anything, really, is by making it about us.”
― Sarah Dessen, quote from The Moon and More
“It's always very pure, that last moment before an ugly, unsettling truth hits someone. The most stark of before-and-afters.”
― Sarah Dessen, quote from The Moon and More
“It was such a weird thing how a breakup stretched much wider than you expected. You didn't just lose a person, but their entire world as well.”
― Sarah Dessen, quote from The Moon and More
“How weird that must be, to stay the same as everyone else changes.”
― Sarah Dessen, quote from The Moon and More
“It's funny how two people can grow up in the same town, go to the same school, have the same friends, and end up so totally different. Family, or lack of it, counts for more than you'd think.”
― Sarah Dessen, quote from The Moon and More
“You can never be sure of anyone until you're close enough to see them clearly.”
― Sarah Dessen, quote from The Moon and More
“I would miss Colby, but it wasn't going anywhere. All the more reason why I should.”
― Sarah Dessen, quote from The Moon and More
“Maybe it was just part of growing up with someone. Once you have a rhythm and stay with it long enough, it's not hard to find again.”
― Sarah Dessen, quote from The Moon and More
“Change is inevitable, though," he replied. "As is disappointment. Best to get used to it now.”
― Sarah Dessen, quote from The Moon and More
“Again, it occurred to me how weird it was to be permanent in a place that to everyone else was only temporary. Like I could never be sure if they were the ones who weren't real, or if I was.”
― Sarah Dessen, quote from The Moon and More
“When you have a kid, you sign on for the whole package: good, bad, everything in between. you can't just dip in and out, picking and choosing the parts you want and quitting when it's not perfect.”
― Sarah Dessen, quote from The Moon and More
“I'm sorry," I heard him say again. Then, out of the corner of my eye, I saw a sudden blur of movement as he slid out of his seat, left some bills for the breakfast he wouldn't eat, and walked away. And as he did, I thought again of those mornings in the hallway at school, way back in ninth grade. Everything had started in such sharp detail, each aspect pronounced and clear. Obviously, endings were different. Harder to see, full of shapes that could be one thing or another, with all the things that you were once so sure of suddenly not familiar, if they were even recognizable at all.”
― Sarah Dessen, quote from The Moon and More
“And trying to break it down this way, to minor and major offenses, maybes and what-ifs, was like arguing over the origin of cracks in a broken egg. It was done. How it happened didn't matter anymore.”
― Sarah Dessen, quote from The Moon and More
“Morris was not the type to offer a hug or even hold your hand. But there was something in his quiet indignation at the universe then--and Luke, now--that was just the kind of comfort I needed.
"I'm such a mess," I said. "We're almost off the island and I didn't even ask you where you were going."
He shrugged. "No place. Wherever you are.”
― Sarah Dessen, quote from The Moon and More
“Everything had started in such sharp detail, each aspect pronounced and clear. Obviously, endings were different. Harder to see, full of shapes that could be one thing or another, with all the things that you were once so sure of suddenly not familiar, if they were even recognizable at all.”
― Sarah Dessen, quote from The Moon and More
“You need demarcation."
"Demarcation?" I asked.
"It means a clear separation between two things," he told me. "A solid end before a clean beginning. No murky borders. Clarity.”
― Sarah Dessen, quote from The Moon and More
“From what I could see, the hardwood was just fine. Then again, I'd just see a windmill and an open sky, too, never feeling the need to conquer either. You think it's all obvious and straightforward, this world. But really, it's all in who is doing the looking.”
― Sarah Dessen, quote from The Moon and More
“Finally he asks, "What if that's not enough? What if I need something else?"
And she replies, "Whatever you need, I will find a way to get it to you. I will give you the moon, and more.”
― Sarah Dessen, quote from The Moon and More
“It [I'm leaving] wasn't really necessary to say, especially if you were already walking away. Almost redundant. And yet, there was a comfort in being no question, no room for doubt.”
― Sarah Dessen, quote from The Moon and More
“Being a star requires risk-taking shoes.”
― Sarah Dessen, quote from The Moon and More
“I'm starting to think, though, that some things never get that. The replay, and all. So at some point you have to make peace with it as it is, not keep waiting for a chance to change it”
― Sarah Dessen, quote from The Moon and More
“Meanwhile, Morris settled into his seat with his signature slouch, neither knowing nor caring where I was taking him. Like destinations, in general, were vastly overrated. And maybe they were. As long as you were moving, you were always going somewhere.”
― Sarah Dessen, quote from The Moon and More
“I like ambition. I like someone who gets up in the morning and has a purpose. A real purpose. I have one. I want whoever I love to have one."
"I always look forward to breakfast.”
― Joe R. Lansdale, quote from Mucho Mojo
“It's daring to be curious about the unknown, to dream big dreams, to live outside prescribed boxes, to take risks, and above all, daring to investigate the way we live until we discover the deepest treasured purpose of why we are here.”
― quote from I Married Adventure
“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
― Jacques Derrida, quote from Of Grammatology
“Would it trouble you if I remained?”
“No,” she replied, around a mouthful of chicken.
He took his accustomed seat to her left, but said nothing.
“Do you want any of this?”
“No,” he answered gravely. “I do not normally eat this mortal fare.”
“You should try it.” She stopped, trying to remember if she had ever seen the Lady of Elliath eat anything. Her memory wasn’t up to it. She doubted if anyone’s was—with the possible exception of Latham or Belfas.
Stefanos watched as the fork fell slowly away from her mouth. He saw her face lengthen and felt his hand clenching once again into a fist. This time he felt he knew what he had done.
“Sarillorn,” he said, almost quickly, “if you wish, I will try what you are eating.”
She started and then looked up. “Pardon?”
“I will have some—chicken?”
The plate stared up at her as if it had become a living entity. Very slowly she cut a piece of her dinner and handed him her fork. Her hands were trembling.
He looked at it, his expression no less grave than it was when he asked if he might remain each evening. Then he took it and raised it to his mouth.
Erin watched as he chewed, each movement precise and almost meticulously timed. She counted to five and then watched him swallow.
He turned to meet her wide stare.
“It is—interesting,” he said, still grave. “Perhaps I will join you in more of this—” He gave a controlled gesture. “—at another time.”
Erin laughed.
The sound seemed to come from everywhere, enclosing him as her light had once done.
“You, you’re the most powerful force the Enemy has—and you’ve never lifted a fork!”
He was torn then, torn between pleasure at this strange laugh and anger at being the cause of it. No mortal had ever laughed at him before.
But unlike other laughter, this held a sense of wonder in it. It puzzled him; he listened.
“Tomorrow,” Erin said, a smile lingering, “we can try vegetables.”
She began to laugh anew, but he did not ask why.”
― Michelle Sagara West, quote from Into the Dark Lands
“Evolution has taught them that pointless harm will ultimately harm themselves.”
― Carl Zimmer, quote from Parasite Rex: Inside the Bizarre World of Nature's Most Dangerous Creatures
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